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Jackie McLean|A Fickle Sonance

A Fickle Sonance

Jackie McLean

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Alto saxophonist Jackie McLean was one of the few jazz players to come up through bebop and incorporate free jazz into his style. Even though A Fickle Sonance preceded McLean's intense 1962 album Let Freedom Ring, the playing remained in a swinging blues-oriented style, showing no hint of the direction his music was about to take. The sidemen on the date (Tommy Turrentine [trumpet], Sonny Clark [piano], and Butch Warren [bass]) prove to be an invigorating combination of musicians, however not as involved in the burgeoning free music as drummer Billy Higgins. At the time of these sessions, Higgins had already played with Ornette Coleman, providing a link to the avant-garde, but nevertheless his playing follows the hard bop pace of the others. McLean provides two original compositions, "Subdued" and the title track, while Clark, Turrentine, and Warren fill the remaining tracks.

© Al Campbell /TiVo

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A Fickle Sonance

Jackie McLean

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1
Five Will Get You Ten
00:07:03

Jackie McLean, MainArtist

2013 GBMT LTD 2013 GBMT LTD

2
Subdued
00:05:50

Jackie McLean, MainArtist

2013 GBMT LTD 2013 GBMT LTD

3
Sundu
00:04:54

Jackie McLean, MainArtist

2013 GBMT LTD 2013 GBMT LTD

4
A Fickle Sonance
00:06:46

Jackie McLean, MainArtist

2013 GBMT LTD 2013 GBMT LTD

5
Enitnerrut
00:05:44

Jackie McLean, MainArtist

2013 GBMT LTD 2013 GBMT LTD

6
Lost
00:04:44

Jackie McLean, MainArtist

2013 GBMT LTD 2013 GBMT LTD

Chronique

Alto saxophonist Jackie McLean was one of the few jazz players to come up through bebop and incorporate free jazz into his style. Even though A Fickle Sonance preceded McLean's intense 1962 album Let Freedom Ring, the playing remained in a swinging blues-oriented style, showing no hint of the direction his music was about to take. The sidemen on the date (Tommy Turrentine [trumpet], Sonny Clark [piano], and Butch Warren [bass]) prove to be an invigorating combination of musicians, however not as involved in the burgeoning free music as drummer Billy Higgins. At the time of these sessions, Higgins had already played with Ornette Coleman, providing a link to the avant-garde, but nevertheless his playing follows the hard bop pace of the others. McLean provides two original compositions, "Subdued" and the title track, while Clark, Turrentine, and Warren fill the remaining tracks.

© Al Campbell /TiVo

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