Valerio Longoria
The Longoria family dynasty in Tex-Mex music begins in the 1920s in a Mississippi cotton field, with no one in the large family of Valerio Longoria Sr. aware that a master musician was growing up in their midst. He spent his childhood in the small towns of Ramondsville and Kenedy, TX, heading off as a child to work in the fields, grinding toil whether it be an Arkansas cotton field or a Texas orange grove. He first learned to play guitar and harmonica before picking up the accordion at the age of seven. He was largely influenced by the early-Tejano styles of Narciso Martinez but developed into the first of what would be collectively known as the nueva generación (new generation) responsible for the so-called classic stage of the Tex-Mex conjunto. Longoria got into the performing habit early and sustained a music career for more than 60 years. He made his first recordings at the age of 21. After the second World War, where he had kept up his chops by borrowing accordions in German, he moved to San Antonio where he found a happening music scene and began recording for Corona in 1947. Since then he has cut more than 200 sides released on a variety of labels, but his projects for Ideal present his most innovative takes on conjunto music. One of his biggest influences on the music was just a question of posture: it was largely Longoria that got accordion players used to the idea of standing up onstage. In addition, Longoria was the first performer to sing while playing the accordion as well as to include modern dance trap drums in the traditional conjunto ensemble. When he expanded to a drum set from a simple snare and folded in bass guitar it was the eggs in the flan of conjunto, so to speak. Longoria expanded the conjunto's repertoire by adding genres, such as the romantic Cuban-Mexican bolero. In a sense these additional styles made the ensemble more sophisticated, "jaitón" or hightoned. As a result, the previously lower-class conjunto came off the cantina bandstand a more respectable type of music. Longoria's self-taught ability to repair his own instrument gave him an incredible ability to manipulate unique sounds from his instrument, making him something like the Les Paul of the accordion. He could alter reeds on the accordion in order to make it vibrate, creating an completely new sound. He revolutionized the sound of the button accordion forever by simply tuning one of the reeds an octave lower. As a vocalist he popularized the "cancion ranchera" with his smooth style. His first recording in the cancion ranchera genre was the 1947 "El Rosalito," which became a classic in the conjunto repertoire, one of the most recorded songs in the history of the genre. In 1982, Longoria he was inducted into the Tejano Conjunto Hall of Fame and in 1986, he was awarded the National Heritage Fellowship Award. In 1988 he teamed up with Freddy Fender, resulting in the smash hit "Amor Chiquito." Longoria was also a master accordion instructor at the Guadalupe Cultural Arts Center in San Antonio for more than 19 years with hundreds of students. He appeared in the 1997 film Selena. Valerio Longoria Jr. has worked with his father's bands and is also a musical artist in his own right.
© Eugene Chadbourne /TiVo
Artistes similaires
Discographie
20 album(s) • Trié par Meilleures ventes
-
Caballo Viejo
Amérique latine - Paru chez Arhoolie Records le 1 janv. 1990
16-Bit CD Quality 44.1 kHz - Stereo -
La Higuera
Musiques du monde - Paru chez Joey Records le 16 nov. 2012
16-Bit CD Quality 44.1 kHz - Stereo -
El Estilo Romantico de Valerio Longoria
Amérique latine - Paru chez DLB RECORDS le 1 janv. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
The Legend
Musiques du monde - Paru chez Hacienda Records le 8 mars 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Alma De Acero
Amérique latine - Paru chez RyN Music le 26 mai 2017
16-Bit CD Quality 44.1 kHz - Stereo -
Texas Conjunto Pioneer
Amérique latine - Paru chez Arhoolie Records le 1 janv. 1993
16-Bit CD Quality 44.1 kHz - Stereo -
Atraves Del Tiempo
Musiques du monde - Paru chez Hacienda Records le 1 juin 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Ayer Se Fue Mi Prieta
Musiques du monde - Paru chez Hacienda Records le 8 mars 2007
16-Bit CD Quality 44.1 kHz - Stereo -
La Troquita
Musiques du monde - Paru chez Joey Records le 9 août 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Prieta Consentida
Musiques du monde - Paru chez Hacienda Records le 12 déc. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Ella Me Dijo Que No
Musiques du monde - Paru chez Hacienda Records le 1 juin 1995
16-Bit CD Quality 44.1 kHz - Stereo -
La Piragua
Musiques du monde - Paru chez Hacienda Records le 12 déc. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Quisiera Llorar
Musiques du monde - Paru chez Hacienda Records le 16 avr. 1995
16-Bit CD Quality 44.1 kHz - Stereo -
Que Bonito
Musiques du monde - Paru chez Joey Records le 9 août 2012
16-Bit CD Quality 44.1 kHz - Stereo -
Oye Corazon
Amérique latine - Paru chez DLB RECORDS le 1 janv. 1985
16-Bit CD Quality 44.1 kHz - Stereo -
Esperandote
Musiques du monde - Paru chez Hacienda Records le 8 mars 2007
16-Bit CD Quality 44.1 kHz - Stereo -
Sus Mejores Exitos Vol.1
Musiques du monde - Paru chez Joey Records le 15 janv. 2000
16-Bit CD Quality 44.1 kHz - Stereo -
Sus Mejores Exitos, Vol. 2
Musiques du monde - Paru chez Joey Records le 14 févr. 1996
16-Bit CD Quality 44.1 kHz - Stereo -
Vengo A Pedirte
Musiques du monde - Paru chez Hacienda Records le 12 déc. 2006
16-Bit CD Quality 44.1 kHz - Stereo -
Boleros Romanticos
Zouk & Antilles - Paru chez CHR Records le 26 avr. 2021
16-Bit CD Quality 44.1 kHz - Stereo