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Masters Of Reality|Welcome To The Western Lodge

Welcome To The Western Lodge

Masters Of Reality

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Spitfire Records would have you believe that Welcome to the Western Lodge is the brand new album by the ubiquitous Chris Goss and his rambling, intermittent project Masters of Reality. It is the latest offering by this "band" of one and whomever he gets to play with him. But it was originally released in the U.K. and Europe in 1999. In this case the Masters are a two-piece with John Leamy playing drums, keyboards, and bass, while Goss plays guitar, "sings," and does everything below except play drums. Welcome to the Western World has all the trappings of being a concept album except the lyrics to line it up. It's a kind of slow, plodding, thud-thud-thud hard rock with terrible vocals and big guitar riffs. There are also some "psychedelic" keyboards thrown in for measure and electronically altered sci-fi vocals. Ugh! Once upon a time, about 15 years before this album, the Masters of Reality were a badass rock band with the audacity to do Cream covers. Hell, they even had Ginger Baker join them for a time. But that was long before this tired, moronic, sleep-inducing yawn that passes for rock & roll. One of the biggest problems is production -- which is weird. Goss, who has produced three Kyuss records, Queens of the Stone Age, Ian Astbury, and more, knows what he's doing. He also understands self-indulgence. Given that this is so, these tried -- and tried, and tried -- heavy rock riffs with this muddy sound don't get it at all. It's not worth singling out any track for praise because, in truth, they're all pretentious and, basically, they all suck. What a huge disappointment.

© Thom Jurek /TiVo

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Welcome To The Western Lodge

Masters Of Reality

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1
It's Shit Explicit
00:02:56

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

2
Moriah
00:03:34

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

3
The Great Spelunker
00:02:28

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

4
Time To Burn
00:02:36

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist - Dave Catching, Composer - John Leamy, Composer

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

5
Take A Shot At The Clown
00:03:53

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist - Dave Catching, Composer - John Leamy, Composer

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

6
Baby Mae
00:03:14

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

7
Why The Fly?
00:04:00

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

8
Ember Day
00:00:54

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

9
Annihilation Of The Spirit
00:02:32

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

10
Calling Dr. Carrion
00:03:22

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

11
Boymilk Waltz
00:02:36

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

12
Lover's Sky
00:02:56

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist - John Russo, Composer

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

13
Also Ran Song
00:03:00

Copyright Control, MusicPublisher - Chris Goss, Composer, Lyricist, Producer - Masters Of Reality, MainArtist - John Leamy, Composer

1999 Mascot Label Group/Brownhouse Recordings 1999 Mascot Label Group/Brownhouse Recordings

Chronique

Spitfire Records would have you believe that Welcome to the Western Lodge is the brand new album by the ubiquitous Chris Goss and his rambling, intermittent project Masters of Reality. It is the latest offering by this "band" of one and whomever he gets to play with him. But it was originally released in the U.K. and Europe in 1999. In this case the Masters are a two-piece with John Leamy playing drums, keyboards, and bass, while Goss plays guitar, "sings," and does everything below except play drums. Welcome to the Western World has all the trappings of being a concept album except the lyrics to line it up. It's a kind of slow, plodding, thud-thud-thud hard rock with terrible vocals and big guitar riffs. There are also some "psychedelic" keyboards thrown in for measure and electronically altered sci-fi vocals. Ugh! Once upon a time, about 15 years before this album, the Masters of Reality were a badass rock band with the audacity to do Cream covers. Hell, they even had Ginger Baker join them for a time. But that was long before this tired, moronic, sleep-inducing yawn that passes for rock & roll. One of the biggest problems is production -- which is weird. Goss, who has produced three Kyuss records, Queens of the Stone Age, Ian Astbury, and more, knows what he's doing. He also understands self-indulgence. Given that this is so, these tried -- and tried, and tried -- heavy rock riffs with this muddy sound don't get it at all. It's not worth singling out any track for praise because, in truth, they're all pretentious and, basically, they all suck. What a huge disappointment.

© Thom Jurek /TiVo

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