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DOOM|Total Doom

Total Doom

Doom

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This CD combines two late-'80s releases by British punks Doom, 1989's Bury the Debt (Not the Dead), and 1988's War Crimes (Inhuman Beings). (Just to clarify, this CD's cover art is taken straight from the original Bury the Debt release.) There are 37 tracks in all, totaling 68 minutes of thrashing, crusty anarcho-punk with revealing song titles such as "Nazi Die," "Police Bastard," and "War Crimes." (The reason these titles are revealing is because the actual lyrics are hard to understand, and they're not included in the CD booklet.) No one would ever accuse Doom of spreading themselves too thin stylistically (or of playing doom metal, as their name might suggest), since these songs are uniformly similar from one to the next, characterized by gruffly shouted vocals, distorted bass (propped way up in the mix), simple guitar chord progressions, and lots of double-time drumming. One track, the brief, ferocious "Circles," could be cited as an early example of grindcore, but aside from that and a few other exceptions, there isn't a lot of variety to this music. However, what Doom did, they did well -- with a lot of energy and conviction -- and, as a result, this music has held up over the years, despite being somewhat dated from a stylistic point-of-view.

© William York /TiVo

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Total Doom

DOOM

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1
Relief Pt. 2
00:01:16

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

2
Police Bastard
00:01:29

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

3
Diseased
00:01:06

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

4
Circles
00:00:41

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

5
Means To An End
00:03:21

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

6
Sick Joke '89
00:02:13

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

7
No Thought
00:02:47

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

8
Black Monday
00:01:33

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

9
Nazi Die
00:02:16

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

10
Agree To Differ
00:04:17

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

11
War On Our Doorstep
00:01:12

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

12
Bury The Debt
00:01:31

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

13
Life In Freedom
00:00:28

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

14
Days Go By
00:02:19

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

15
Sold Out Scene
00:01:52

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

16
Free Yourself
00:02:08

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

17
Confusion
00:02:51

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

18
Life Lock
00:01:36

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

19
Slave To Convention
00:00:56

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

20
A Dream To Come True
00:01:16

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

21
Drowning In The Mainstream
00:01:58

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

22
Same Mind
00:01:56

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

23
Relief
00:01:17

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

24
After The Bomb
00:01:26

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

25
Stop-Gap
00:01:31

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

26
Scared
00:02:10

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

27
Sick Joke
00:02:28

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

28
Natural Abuse
00:01:06

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

29
Exploitation
00:01:46

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

30
Beat The Boss
00:01:38

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

31
Money Drug
00:02:12

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

32
Fear Of The Future
00:01:32

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

33
No Religion
00:02:06

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

34
Phobia For Change
00:01:59

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

35
Multinationals
00:01:59

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

36
Obscenity
00:01:26

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

37
War Crimes
00:02:30

Doom, MainArtist

(C) 2002 Peaceville Records (P) 2002 Peaceville Records

Chronique

This CD combines two late-'80s releases by British punks Doom, 1989's Bury the Debt (Not the Dead), and 1988's War Crimes (Inhuman Beings). (Just to clarify, this CD's cover art is taken straight from the original Bury the Debt release.) There are 37 tracks in all, totaling 68 minutes of thrashing, crusty anarcho-punk with revealing song titles such as "Nazi Die," "Police Bastard," and "War Crimes." (The reason these titles are revealing is because the actual lyrics are hard to understand, and they're not included in the CD booklet.) No one would ever accuse Doom of spreading themselves too thin stylistically (or of playing doom metal, as their name might suggest), since these songs are uniformly similar from one to the next, characterized by gruffly shouted vocals, distorted bass (propped way up in the mix), simple guitar chord progressions, and lots of double-time drumming. One track, the brief, ferocious "Circles," could be cited as an early example of grindcore, but aside from that and a few other exceptions, there isn't a lot of variety to this music. However, what Doom did, they did well -- with a lot of energy and conviction -- and, as a result, this music has held up over the years, despite being somewhat dated from a stylistic point-of-view.

© William York /TiVo

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