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Musical Cast Recording|Titanic: The Musical (Original Broadway Cast Recording)

Titanic: The Musical (Original Broadway Cast Recording)

Original Broadway Cast of Titanic: The Musical

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Book writer Peter Stone, in his liner notes to this original Broadway cast recording of Titanic, explains the approach that he and composer/lyricist Maury Yeston took to the story of the doomed ocean liner. "[S]he will not," he writes of the ship, "serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our Titanic is the Titanic herself." An admirable approach that has led to an admirable, if uninvolving score. To say that the ship is the central character is not to say that there are no other characters, of course. In fact, there are 40 cast members. But it's notable that, while the show won all five of the Tony Awards for which it was nominated, among them best musical and best score, it was not nominated in any performance category. No wonder -- the score consists mostly of choral numbers that are, not surprisingly, full of hope and enthusiasm in the first act (pre-iceberg) and full of dread and melancholy in the relatively brief second. (That's right, about two-thirds of the music on the disc comes before the ship starts going down.) There are a few of those melodramatic narratives Stone abhors, but the writers are much more interested in creating a broad panorama and providing a sociological history lesson: they see the sinking of the ship representing the collapse of class distinctions in the early 20th century. Yeston's music contains smatterings of Gilbert & Sullivan, ragtime, and pop, but for the most part, he is interested in massed voices, which may make this score a boon to high-school choruses everywhere. It also makes Titanic more vulnerable than many other shows to the reductive effects of the cast album -- without the sets and special effects to add drama, the music alone does not achieve the intended spectacular effect. On Broadway, Titanic was still sailing the year after it opened; on record, it never really leaves the dock.

© William Ruhlmann /TiVo

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Titanic: The Musical (Original Broadway Cast Recording)

Musical Cast Recording

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1
Overture / Prologue: In Every Age
Kevin Stites
00:03:25

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - Michael Cerveris, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

The Launching (Maury Yeston)

2
How Did They Build Titanic?
Kevin Stites
00:01:29

Kevin Stites, Conductor - Brian d'Arcy James, Performer - Peter Stone, Librettist - Maury Yeston, Composer - Maury Yeston, Lyricist - Nicholas Archer, Conductor - Matthew Sklar, Conductor

(P) 1997 BMG Music

3
There She Is / Loading Inventory / The Largest Moving Object
Kevin Stites
00:03:56

John Jellison, Performer - Peter Stone, Librettist - Ted Sperling, Performer - David Costabile, Performer - Brian d'Arcy James, Performer - Martin Moran, Performer - Michele Ragusa, Performer - Matthew Bennett, Performer - Kevin Stites, Conductor - Andy Taylor, Performer - Maury Yeston, Composer - Maury Yeston, Lyricist - Michael Cerveris, Performer - Nicholas Archer, Conductor - Mara Stephens, Performer - Stephanie Park, Performer - Allan Corduner, Performer - Adam Alexi-Malle, Performer - Melissa Bell, Performer - William Youmans, Performer - David Garrison, Performer - Henry Stram, Performer - Matthew Sklar, Conductor - David Elder, Performer - Michael Mulheren, Performer - Jonathan Brody, Performer - John Bolton, Performer - John Cunningham, Performer

(P) 1997 BMG Music

4
I Must Get on That Ship
Kevin Stites
00:02:37

Nicholas Archer, Conductor - Jennifer Piech, Performer - Judith Blazer, Performer - Maury Yeston, Composer - Maury Yeston, Lyricist - Peter Stone, Librettist - Erin Hill, Performer - Don Stephenson, Performer - Theresa McCarthy, Performer - Kevin Stites, Conductor - Matthew Bennett, Performer - Victoria Clark, Performer - Bill Buell, Performer - Matthew Sklar, Conductor

(P) 1997 BMG Music

5
The 1st Class Roster
Kevin Stites
00:02:34

Matthew Bennett, Performer - Kevin Stites, Conductor - Peter Stone, Librettist - Maury Yeston, Composer - Maury Yeston, Lyricist - Nicholas Archer, Conductor - Matthew Sklar, Conductor - Company, Performer - Victoria Clark, Performer

(P) 1997 BMG Music

6
Godspeed Titanic
Kevin Stites
00:02:03

Kevin Stites, Conductor - Peter Stone, Librettist - Maury Yeston, Composer - Maury Yeston, Lyricist - Nicholas Archer, Conductor - Matthew Sklar, Conductor - Company, Performer

(P) 1997 BMG Music

7
Barrett's Song
Kevin Stites
00:03:23

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Brian d'Arcy James, Performer - Bruce Samuels, Programmer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

8
To Be a Captain
Kevin Stites
00:01:04

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - David Costabile, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

9
Lady's Maid
Kevin Stites
00:04:31

Rob Murphy, 2nd Engineer - Joel Moss, Recording Engineer - Jennifer Piech, Performer - Peter Stone, Librettist - Joseph Kolinski, Performer - Paul Falcone, 2nd Engineer - Larry Keith, Performer - Erin Hill, Performer - Matthew Bennett, Performer - Theresa McCarthy, Performer - Ken Ross, 2nd Engineer - Bill Rosenfield, A&R Director - Kevin Stites, Conductor - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Nicholas Archer, Conductor - Bruce Samuels, Programmer - John Miller, Coordinator - William Youmans, Performer - Lisa Datz, Performer - Henry Stram, Performer - Matthew Sklar, Conductor - Michael Mulheren, Performer - Tommy Krasker, Producer

(P) 1997 BMG Music

10
What a Remarkable Age This Is!
Kevin Stites
00:03:17

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Allan Corduner, Performer - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

11
The Proposal / The Night Was Alive
Various Interprets
00:04:40

Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - Brian d'Arcy James, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Martin Moran, Performer

(P) 1997 BMG Music

12
Hymn / Doing the Latest Rag
Kevin Stites
00:03:54

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - John Miller, Coordinator - Adam Alexi-Malle, Performer - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Andy Taylor, Performer - Tommy Krasker, Producer - Ted Sperling, Performer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

13
I Have Danced
Kevin Stites
00:01:58

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Victoria Clark, Performer - Rob Murphy, 2nd Engineer - Bill Buell, Performer - Matthew Sklar, Conductor

(P) 1997 BMG Music

14
No Moon
Kevin Stites
00:03:48

Alma Cuervo, Performer - Jennifer Piech, Performer - Rob Murphy, 2nd Engineer - Joel Moss, Recording Engineer - Peter Stone, Librettist - David Costabile, Performer - Becky Ann Baker, Performer - Paul Falcone, 2nd Engineer - Larry Keith, Performer - Matthew Bennett, Performer - Ken Ross, 2nd Engineer - Judith Blazer, Performer - Bill Rosenfield, A&R Director - Kevin Stites, Conductor - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Nicholas Archer, Conductor - Bruce Samuels, Programmer - John Miller, Coordinator - William Youmans, Performer - Clarke Thorell, Performer - Matthew Sklar, Conductor - David Elder, Performer - John Bolton, Performer - Tommy Krasker, Producer - Don Stephenson, Performer - John Cunningham, Performer

(P) 1997 BMG Music

15
Autumn / Finale
Kevin Stites
00:04:31

Rob Murphy, 2nd Engineer - Joel Moss, Recording Engineer - Peter Stone, Librettist - Ted Sperling, Performer - Becky Ann Baker, Performer - Brian d'Arcy James, Performer - Martin Moran, Performer - Paul Falcone, 2nd Engineer - Matthew Bennett, Performer - Ken Ross, 2nd Engineer - Bill Rosenfield, A&R Director - Kevin Stites, Conductor - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Michael Cerveris, Performer - Nicholas Archer, Conductor - Bruce Samuels, Programmer - John Miller, Coordinator - Company, Performer - Matthew Sklar, Conductor - David Elder, Performer - Tommy Krasker, Producer

(P) 1997 BMG Music

16
Dressed in Your Pyjamas in the Grand Salon
Kevin Stites
00:04:41

Rob Murphy, 2nd Engineer - Joel Moss, Recording Engineer - Peter Stone, Librettist - Joseph Kolinski, Performer - Paul Falcone, 2nd Engineer - Ensemble, Performer - Michele Ragusa, Performer - Ken Ross, 2nd Engineer - Bill Rosenfield, A&R Director - Kevin Stites, Conductor - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Nicholas Archer, Conductor - Bruce Samuels, Programmer - Mara Stephens, Performer - Stephanie Park, Performer - Allan Corduner, Performer - Victoria Clark, Performer - John Miller, Coordinator - Matthew Sklar, Conductor - David Elder, Performer - Michael Mulheren, Performer - Tommy Krasker, Producer

(P) 1997 BMG Music

17
The Blame
Kevin Stites
00:04:46

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - David Garrison, Performer - Bruce Samuels, Programmer - Michael Cerveris, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - John Cunningham, Performer - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

18
To the Lifeboats / Getting in the Lifeboat / I Must Get on That Ship (Reprise) / Lady's Maid (Reprise) / The Proposal / The Night Was Alive (Reprise) / Canons
Kevin Stites
00:02:38

Alma Cuervo, Performer - Rob Murphy, 2nd Engineer - Joel Moss, Recording Engineer - Jennifer Piech, Performer - Peter Stone, Librettist - David Costabile, Performer - Brian d'Arcy James, Performer - Martin Moran, Performer - Robin Irwin, Performer - Paul Falcone, 2nd Engineer - Larry Keith, Performer - Ensemble, Performer - Ken Ross, 2nd Engineer - Kevin Stites, Conductor - Bill Rosenfield, A&R Director - Maury Yeston, Composer - Maury Yeston, Lyricist - Michael Cerveris, Performer - Bruce Samuels, Programmer - Nicholas Archer, Conductor - Mara Stephens, Performer - Allan Corduner, Performer - Victoria Clark, Performer - John Miller, Coordinator - William Youmans, Performer - Clarke Thorell, Performer - Henry Stram, Performer - Matthew Sklar, Conductor - Michael Mulheren, Performer - Tommy Krasker, Producer - John Bolton, Performer - Don Stephenson, Performer

(P) 1997 BMG Music

19
We'll Meet Tomorrow
Kevin Stites
00:02:26

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Don Stephenson, Performer - Brian d'Arcy James, Performer - Bruce Samuels, Programmer - Company, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Martin Moran, Performer - Matthew Sklar, Conductor

(P) 1997 BMG Music

20
Still
Kevin Stites
00:02:31

Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Alma Cuervo, Vocal - Larry Keith, Vocal - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Rob Murphy, 2nd Engineer

(P) 1997 BMG Music

21
To Be a Captain (Reprise)
Kevin Stites
00:00:57

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Allan Corduner, Performer - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

22
Mr. Andrews Vision
Kevin Stites
00:03:22

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - Michael Cerveris, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Mara Stephens, Performer - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Matthew Sklar, Conductor

(P) 1997 BMG Music

23
Epilogue: In Every Age (Reprise) / Finale
Kevin Stites
00:04:37

Nicholas Archer, Conductor - Ken Ross, 2nd Engineer - Maury Yeston, Composer - Maury Yeston, Lyricist - Maury Yeston, Producer - Peter Stone, Librettist - Joel Moss, Recording Engineer - Bruce Samuels, Programmer - Company, Performer - John Miller, Coordinator - Paul Falcone, 2nd Engineer - Kevin Stites, Conductor - Tommy Krasker, Producer - Bill Rosenfield, A&R Director - Rob Murphy, 2nd Engineer - Martin Moran, Performer - Matthew Sklar, Conductor

(P) 1997 Sony Music Entertainment

Chronique

Book writer Peter Stone, in his liner notes to this original Broadway cast recording of Titanic, explains the approach that he and composer/lyricist Maury Yeston took to the story of the doomed ocean liner. "[S]he will not," he writes of the ship, "serve as merely the background against which fictional, melodramatic narratives are recounted. The central character of our Titanic is the Titanic herself." An admirable approach that has led to an admirable, if uninvolving score. To say that the ship is the central character is not to say that there are no other characters, of course. In fact, there are 40 cast members. But it's notable that, while the show won all five of the Tony Awards for which it was nominated, among them best musical and best score, it was not nominated in any performance category. No wonder -- the score consists mostly of choral numbers that are, not surprisingly, full of hope and enthusiasm in the first act (pre-iceberg) and full of dread and melancholy in the relatively brief second. (That's right, about two-thirds of the music on the disc comes before the ship starts going down.) There are a few of those melodramatic narratives Stone abhors, but the writers are much more interested in creating a broad panorama and providing a sociological history lesson: they see the sinking of the ship representing the collapse of class distinctions in the early 20th century. Yeston's music contains smatterings of Gilbert & Sullivan, ragtime, and pop, but for the most part, he is interested in massed voices, which may make this score a boon to high-school choruses everywhere. It also makes Titanic more vulnerable than many other shows to the reductive effects of the cast album -- without the sets and special effects to add drama, the music alone does not achieve the intended spectacular effect. On Broadway, Titanic was still sailing the year after it opened; on record, it never really leaves the dock.

© William Ruhlmann /TiVo

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