Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement non disponible
Langue disponible : anglais
After the success of The Hard Road, the Hilltop Hoods were invited to play with a string quartet at an awards show. They accepted this unusual challenge and were so impressed with how well it worked, they added a string quartet for their next tour. This lead to the Adelaide Symphony Orchestra offering to work with them, and they hit on the idea of creating an orchestral remix album, taking The Hard Road and reworking it to fit a 31-piece classical orchestra. The result could have gone either way, but in the end the mix works better than you might expect. Rather than simply stripping away the beats and dumping classical pomp all over the track, the orchestra demonstrates their ability to groove. For "Conversations from a Speakeasy" the horn section turns jazzy so that it sounds like an actual speakeasy; they also know when not to mess with success and the funky bass of "Clown Prince" remains unaltered. The symphonic backing lends the rapping a gravitas that the lyrics don't always earn, but when they do the effect is impressive. Some changes have been made to the words, including obscuring the swears for the sake of any delicate listeners lured in by the promise of some killer French horn, and new verses have been added to some songs. "Stopping All Stations" has been rewritten so that its murky crime tale has a different and more uplifting ending that, with the swelling violin and flute underneath it, becomes a highlight. A couple of tracks from The Hard Road don't get to be restrung, but nobody is going to miss the embarrassing attempt at a posse cut, "The Blue Blooded." Best of all, the album no longer sounds like a not-quite successful attempt at recapturing the sound of The Calling, but more like an actual step forward for the Hoods.
© Jody Macgregor /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Leon Russell, ComposerLyricist - Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
ROBBIE ROBERTSON, ComposerLyricist - Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - J. McDonald, ComposerLyricist - Omni, FeaturedArtist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist - Okwerdz, FeaturedArtist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist - Daniel Rankine, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
A. Simmons, ComposerLyricist - Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Suffa, Producer, Mixer, StudioPersonnel - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
J. Christie, ComposerLyricist - Daniel Smith, ComposerLyricist - Kevin Amarfio, ComposerLyricist - Mystro, MainArtist - Braintax, MainArtist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - D. Yates, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist - DJ Reflux, FeaturedArtist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Daniel Smith, ComposerLyricist - Hilltop Hoods, MainArtist - Matthew Lambert, ComposerLyricist - Barry Francis, ComposerLyricist
℗ 2009 Universal Music Australia Pty Ltd.
Chronique
After the success of The Hard Road, the Hilltop Hoods were invited to play with a string quartet at an awards show. They accepted this unusual challenge and were so impressed with how well it worked, they added a string quartet for their next tour. This lead to the Adelaide Symphony Orchestra offering to work with them, and they hit on the idea of creating an orchestral remix album, taking The Hard Road and reworking it to fit a 31-piece classical orchestra. The result could have gone either way, but in the end the mix works better than you might expect. Rather than simply stripping away the beats and dumping classical pomp all over the track, the orchestra demonstrates their ability to groove. For "Conversations from a Speakeasy" the horn section turns jazzy so that it sounds like an actual speakeasy; they also know when not to mess with success and the funky bass of "Clown Prince" remains unaltered. The symphonic backing lends the rapping a gravitas that the lyrics don't always earn, but when they do the effect is impressive. Some changes have been made to the words, including obscuring the swears for the sake of any delicate listeners lured in by the promise of some killer French horn, and new verses have been added to some songs. "Stopping All Stations" has been rewritten so that its murky crime tale has a different and more uplifting ending that, with the swelling violin and flute underneath it, becomes a highlight. A couple of tracks from The Hard Road don't get to be restrung, but nobody is going to miss the embarrassing attempt at a posse cut, "The Blue Blooded." Best of all, the album no longer sounds like a not-quite successful attempt at recapturing the sound of The Calling, but more like an actual step forward for the Hoods.
© Jody Macgregor /TiVo
À propos
- 1 disque(s) - 14 piste(s)
- Durée totale : 00:44:10
- Artistes principaux : Hilltop Hoods
- Compositeur : Various Composers
- Label : Universal Music Australia Pty. Ltd.
- Genre : Hip-Hop/Rap
© 2007 Universal Music Australia Pty Ltd. ℗ 2007 Universal Music Australia Pty Ltd.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.