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John Fogerty|The Blue Ridge Rangers

The Blue Ridge Rangers

John Fogerty

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Langue disponible : anglais

With wonderfully chosen songs like "Hearts of Stone" and George Jones' classic country weeper "She Thinks I Still Care," John Fogerty's solo debut with The Blue Ridge Rangers has held up well over the last two decades. It isn't the most supple or technically proficient one-man recording of all time, but it's a wonderfully engaging record; upbeat, unpretentious, and loaded with good songs. Fogerty's rigid, no-frills drumming took a lot of heat for being mechanical, but no one has ever explained how Fogerty's abilities on the trap kit are significantly different from Creedence's Doug Clifford. In retrospect, this was a tremendously risky record to make; country music in the early '70s was regarded as the domain of right-wing, rock & roll-hating Nashville traditionalists, and it was reasonable to assume that fans (even staunch ones) wouldn't take kindly to this genre switch. While it wasn't a huge success, it was in no way a disaster, and perhaps more importantly, served as a much-needed rock & roll history lesson.

© John Dougan /TiVo

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The Blue Ridge Rangers

John Fogerty

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1
Blue Ridge Mountain Blues
00:02:32

John Fogerty, Composer, Producer, Arranger, MainArtist

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

2
Somewhere Listening (For My Name)
00:02:41

John Fogerty, MainArtist - Archie Brownlee, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

3
You're The Reason
00:03:14

John Fogerty, Producer, Arranger, MainArtist - Terry Fell, Composer - Bobby Edwards, Composer - Mildred Imes, Composer - Fred H Henley, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

4
Jambalaya (On The Bayou)
00:03:17

Hank Williams, Composer - John Fogerty, MainArtist

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

5
She Thinks I Still Care
00:03:00

John Fogerty, Producer, Arranger, MainArtist - Duffy Lipscomb, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

6
California Blues (Blue Yodel #4)
00:03:06

John Fogerty, Producer, Arranger, MainArtist - Jimmie Rodgers, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

7
Workin' On A Building
00:04:38

John Fogerty, Composer, Producer, Arranger, MainArtist

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

8
Please Help Me, I'm Falling
00:02:52

Donald Robertson, Composer - John Fogerty, Producer, Arranger, MainArtist - Hal Blair, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

9
Have Thine Own Way, Lord
00:03:01

John Fogerty, Producer, Arranger, MainArtist - Stebbins, Composer - Pollard, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

10
I Ain't Never
00:02:53

Mel Tillis, Composer - John Fogerty, Producer, Arranger, MainArtist - Webb Pierce, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

11
Hearts Of Stone
00:02:14

Jackson, Composer - John Fogerty, MainArtist - Ray, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

12
Today I Started Loving You Again
00:03:12

John Fogerty, Producer, Arranger, MainArtist - Merle Haggard, Composer

© 1973 BMG Rights Management ℗ 1973 BMG Rights Management

Chronique

With wonderfully chosen songs like "Hearts of Stone" and George Jones' classic country weeper "She Thinks I Still Care," John Fogerty's solo debut with The Blue Ridge Rangers has held up well over the last two decades. It isn't the most supple or technically proficient one-man recording of all time, but it's a wonderfully engaging record; upbeat, unpretentious, and loaded with good songs. Fogerty's rigid, no-frills drumming took a lot of heat for being mechanical, but no one has ever explained how Fogerty's abilities on the trap kit are significantly different from Creedence's Doug Clifford. In retrospect, this was a tremendously risky record to make; country music in the early '70s was regarded as the domain of right-wing, rock & roll-hating Nashville traditionalists, and it was reasonable to assume that fans (even staunch ones) wouldn't take kindly to this genre switch. While it wasn't a huge success, it was in no way a disaster, and perhaps more importantly, served as a much-needed rock & roll history lesson.

© John Dougan /TiVo

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