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John Cooper Clarke|Snap, Crackle & Bop (Expanded Edition)

Snap, Crackle & Bop (Expanded Edition)

John Cooper Clarke

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On the one hand, this album demonstrates business as usual with latter-day beat poet John Cooper-Clarke; on the other, it is ripe with unease in terms of Cooper-Clarke's direction, thanks to a more than casual nod to the obligations of a musical approach -- Cooper-Clarke comes perilously close to singing in some spots, and dangerously close to copping a rap approach in others, while the Invisible Girls' backing keeps falling into a low-budget pop trap. Cooper-Clarke's poems remain quirky, and sometimes have his old cynical bite ("Beasley Street" sees him pouring words out against a gradually more urgent backing), but there are far too many times on this set when he seems at a loss as to where he's going. Still, he remains unique.

© Steven McDonald /TiVo

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Snap, Crackle & Bop (Expanded Edition)

John Cooper Clarke

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1
Evidently Chickentown
00:02:22

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

2
Conditional Discharge
00:03:08

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

3
Sleepwalk
00:04:32

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

4
23rd
00:03:35

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

5
Beasley Street
00:06:53

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

6
Thirty Six Hours
00:03:34

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

7
Belladonna
00:04:18

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

8
The It Man
00:03:46

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

9
Limbo (Baby Limbo)
00:04:31

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Stephen Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

10
A Distant Relation
00:03:51

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist, Producer - Steve Hopkins, Composer, Lyricist - Invisible Girls, Producer

(P) 1980 Sony Music Entertainment UK Limited

11
Beasley Street (Live)
00:03:26

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer - MARTIN HANNETT, Composer, Lyricist - Stephen Hopkins, Composer, Lyricist

(P) 2005 Sony Music Entertainment UK Limited

12
Gaberdine Angus (Live from Rafters, Manchester)
00:01:01

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 1982 Sony Music Entertainment UK Limited

13
Twat (Live)
00:02:23

John Cooper Clarke, Composer, Lyricist, MainArtist, AssociatedPerformer

(P) 1978 Sony Music Entertainment UK Limited

Chronique

On the one hand, this album demonstrates business as usual with latter-day beat poet John Cooper-Clarke; on the other, it is ripe with unease in terms of Cooper-Clarke's direction, thanks to a more than casual nod to the obligations of a musical approach -- Cooper-Clarke comes perilously close to singing in some spots, and dangerously close to copping a rap approach in others, while the Invisible Girls' backing keeps falling into a low-budget pop trap. Cooper-Clarke's poems remain quirky, and sometimes have his old cynical bite ("Beasley Street" sees him pouring words out against a gradually more urgent backing), but there are far too many times on this set when he seems at a loss as to where he's going. Still, he remains unique.

© Steven McDonald /TiVo

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