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Chely Wright|Single White Female

Single White Female

Chely Wright

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Chely Wright reunited with producer Tony Brown -- the man behind hit records by George Strait and Reba McEntire, as well as Wright's own Let Me In -- for her fourth album, Single White Female. The record picks up where its predecessor left off, offering a selection of ten songs with clean, tasteful arrangments that place Wright in the forefront. If the songs aren't always immediately grabbing, they're all classy, well-written tunes that slowly work their way into memory. Even when Wright and Brown shoot for the charts, such as on the big chorus of "The Love That We Lost," they pull it off, since Chely never oversings and the instrumentation is never bombastic. She still sounds her best on ballads, but her uptempo numbers -- including the clever title track and "The Fire" -- are equally convincing, which is one of the main reasons that Single White Female is a welcome addition to an already impressive catalog.

© Stephen Thomas Erlewine /TiVo

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Single White Female

Chely Wright

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1
Single White Female (Album Version)
00:03:18

Carolyn Dawn Johnson, ComposerLyricist - Norro Wilson, Producer - John Hobbs, Keyboards, AssociatedPerformer - Shaye Smith, ComposerLyricist - Dan Dugmore, Steel Guitar, AssociatedPerformer - MATT ROLLINGS, Hammond B3, AssociatedPerformer - Chad Cromwell, Drums, AssociatedPerformer - Tony Brown, Producer - Glenn Worf, Bass Guitar, AssociatedPerformer - John Willis, Acoustic Guitar, AssociatedPerformer - BUDDY CANNON, Producer - STEVE GIBSON, Electric Guitar, AssociatedPerformer - Chely Wright, MainArtist - Trisha Yearwood, Background Vocalist, AssociatedPerformer - Melanie Cannon, Background Vocalist, AssociatedPerformer

℗ 1999 UMG Recordings, Inc.

2
She Went Out For Cigarettes (Album Version)
00:04:12

Jon McElroy, ComposerLyricist - Norro Wilson, Producer - John Hobbs, Keyboards, AssociatedPerformer - Stuart Duncan, Fiddle, AssociatedPerformer - Ronnie Guilbeau, ComposerLyricist - Dan Dugmore, Steel Guitar, AssociatedPerformer - MATT ROLLINGS, Keyboards, AssociatedPerformer - Brent Mason, Electric Guitar, AssociatedPerformer - Chad Cromwell, Drums, AssociatedPerformer - Tony Brown, Producer - Glenn Worf, Bass Guitar, AssociatedPerformer - John Willis, Acoustic Guitar, AssociatedPerformer - BUDDY CANNON, Producer - Sonya Isaacs, Background Vocalist, AssociatedPerformer - Chely Wright, MainArtist - Larry Marrs, Background Vocalist, AssociatedPerformer

℗ 1999 MCA Nashville

3
It Was (Album Version)
00:03:51

Gary Burr, Background Vocalist, AssociatedPerformer, ComposerLyricist - Norro Wilson, Producer - John Hobbs, Keyboards, AssociatedPerformer - Stuart Duncan, Mandolin, AssociatedPerformer - Mark Wright, ComposerLyricist - Larry Paxton, Bass Guitar, AssociatedPerformer - Paul Leim, Drums, AssociatedPerformer - MATT ROLLINGS, Keyboards, AssociatedPerformer - Robby Turner, Steel Guitar, AssociatedPerformer - Steve Nathan, Keyboards, AssociatedPerformer - Vince Gill, Background Vocalist, AssociatedPerformer - Tony Brown, Producer - John Willis, Acoustic Guitar, AssociatedPerformer - BUDDY CANNON, Producer - STEVE GIBSON, Electric Guitar, AssociatedPerformer - Pat Buchanan, Electric Guitar, AssociatedPerformer - Liana Manis, Background Vocalist, AssociatedPerformer - Chely Wright, MainArtist

℗ 1999 MCA Nashville

4
Unknown (Album Version)
00:03:40

Gary Burr, ComposerLyricist - Norro Wilson, Producer - Aimee Mayo, ComposerLyricist - Aubrey Haynie, Participant - Tony Brown, Producer - Glenn Worf, Participant - BUDDY CANNON, Producer - Chely Wright, MainArtist

℗ 1999 MCA Nashville

5
The Love That We Lost (1999 Version)
00:04:01

Gary Burr, ComposerLyricist - Norro Wilson, Producer - Stuart Duncan, Fiddle, AssociatedPerformer - Vince Gill, Electric Guitar, AssociatedPerformer - Tony Brown, Producer - BUDDY CANNON, Producer - Monty Powell, ComposerLyricist - Chely Wright, MainArtist

℗ 1999 MCA Nashville

6
The Fire (Album Version)
00:03:06

Norro Wilson, Producer - Leslie Satcher, ComposerLyricist - Stuart Duncan, Participant - Tony Brown, Producer - BUDDY CANNON, Producer - Chely Wright, MainArtist

℗ 1999 MCA Nashville

7
Picket Fences (Album Version)
00:04:03

Norro Wilson, Producer - Aubrey Haynie, Participant - Tony Brown, Producer - Glenn Worf, Participant - BUDDY CANNON, Producer - Alison Krauss, Background Vocalist, AssociatedPerformer - Chely Wright, MainArtist, ComposerLyricist

℗ 1999 MCA Nashville

8
Some Kind of Somethin' (Album Version)
00:04:01

Norro Wilson, Producer - Sunny Russ, ComposerLyricist - Stuart Duncan, Participant - Tony Brown, Producer - Glenn Worf, Participant - BUDDY CANNON, Producer - Chely Wright, MainArtist, ComposerLyricist

℗ 1999 MCA Nashville

9
Rubbin' It In (Album Version)
00:03:44

Norro Wilson, Producer - Stuart Duncan, Participant - Tony Brown, Producer - Glenn Worf, Participant - BUDDY CANNON, Producer - Chely Wright, MainArtist - Chad Smith, ComposerLyricist

℗ 1999 MCA Nashville

10
Why Do I Still Want You (Album Version)
00:04:36

Norro Wilson, Producer - Leslie Satcher, ComposerLyricist - Stuart Duncan, Participant - Tony Brown, Producer - Glenn Worf, Participant - BUDDY CANNON, Producer - Patty Loveless, Background Vocalist, AssociatedPerformer - Chely Wright, MainArtist

℗ 1999 MCA Nashville

Chronique

Chely Wright reunited with producer Tony Brown -- the man behind hit records by George Strait and Reba McEntire, as well as Wright's own Let Me In -- for her fourth album, Single White Female. The record picks up where its predecessor left off, offering a selection of ten songs with clean, tasteful arrangments that place Wright in the forefront. If the songs aren't always immediately grabbing, they're all classy, well-written tunes that slowly work their way into memory. Even when Wright and Brown shoot for the charts, such as on the big chorus of "The Love That We Lost," they pull it off, since Chely never oversings and the instrumentation is never bombastic. She still sounds her best on ballads, but her uptempo numbers -- including the clever title track and "The Fire" -- are equally convincing, which is one of the main reasons that Single White Female is a welcome addition to an already impressive catalog.

© Stephen Thomas Erlewine /TiVo

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