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James Newton Howard|Signs (Original Soundtrack)

Signs (Original Soundtrack)

James Newton Howard

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Langue disponible : anglais

With Signs, composer James Newton Howard again joins director M. Night Shyamalan for their third collaboration following The Sixth Sense and Unbreakable, and clearly the film presents another thrilling encounter with the supernatural. From his opening "Main Theme," Howard ratchets up the tension, and his music thereafter alternates only between the ominous and the suspenseful. He overloads his lower tones, employing eight basses, five percussionists, and even a tuba, but also uses a large string section for short, fast, repetitive figures meant to keep viewers on the edges of their seats. This is not particularly imaginative music, just good old Saturday afternoon scary movie fare, the only distinguishing characteristic about it -- consistent with Shyamalan's style -- that it is so relentless. There's just no let up; dread pervades every moment of the director's films, to the point of emotional exhaustion for some, and the score has to have the same uncompromising approach, which can make it a little hard to take when listened to all the way through.

© William Ruhlmann /TiVo

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Signs (Original Soundtrack)

James Newton Howard

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1
Main Titles (From "Signs"/Score)
00:01:45

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

2
First Crop Circles (From "Signs"/Score)
00:03:15

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

3
Roof Intruder (From "Signs"/Score)
00:02:19

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

4
Brazilian Video (From "Signs"/Score)
00:01:55

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

5
In The Cornfield (From "Signs"/Score)
00:05:41

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

6
Baby Monitor (From "Signs"/Score)
00:01:08

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

7
Recruiting Officer (From "Signs"/Score)
00:02:11

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

8
Throwing A Stone (From "Signs"/Score)
00:05:47

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

9
Boarding Up The House (From "Signs"/Score)
00:03:00

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

10
Into The Basement (From "Signs"/Score)
00:05:23

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

11
Asthma Attack (From "Signs"/Score)
00:03:41

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

12
The Hand Of Fate, Pt. l (From "Signs"/Score)
00:05:32

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

13
The Hand Of Fate, Pt. ll (From "Signs"/Score)
00:03:46

James Newton Howard, Composer, Producer, MainArtist - Thomas Drescher, Producer, Co-Producer

(C) 2002 Hollywood Records Inc This label copy information is the subject of copyright protection. All rights reserved. (C) 2002 EMI Records Ltd ℗ 2002 Hollywood Records, Inc.

Chronique

With Signs, composer James Newton Howard again joins director M. Night Shyamalan for their third collaboration following The Sixth Sense and Unbreakable, and clearly the film presents another thrilling encounter with the supernatural. From his opening "Main Theme," Howard ratchets up the tension, and his music thereafter alternates only between the ominous and the suspenseful. He overloads his lower tones, employing eight basses, five percussionists, and even a tuba, but also uses a large string section for short, fast, repetitive figures meant to keep viewers on the edges of their seats. This is not particularly imaginative music, just good old Saturday afternoon scary movie fare, the only distinguishing characteristic about it -- consistent with Shyamalan's style -- that it is so relentless. There's just no let up; dread pervades every moment of the director's films, to the point of emotional exhaustion for some, and the score has to have the same uncompromising approach, which can make it a little hard to take when listened to all the way through.

© William Ruhlmann /TiVo

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