Téléchargez cet album pour l'écouter en illimité
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Langue disponible : anglais
R.L. Burnside, along with Junior Kimbrough, became the public face of the so-called North Mississippi hill country style of modal blues in the 1980s with several solid albums on the Fat Possum label, and while he tried on different hats during his run (even tracking a fine album backed by indie rocker Jon Spencer and his band), the blues he made essentially stayed in the same pocket, honed from years of playing weekend house parties and juke joints. His droning style, the style that all of the North Mississippi players used, was equal parts John Lee Hooker and Fred McDowell, designed to keep the beat steady for dancing and allowing minimal but effective interplay between voice and guitar, and it was as old as those hills themselves, somehow sounding both ancient and oddly contemporary all at once. This set, drawn from intimate recordings done in 1975, 1989, and 1991, features Burnside playing mostly solo -- both acoustic and electric -- in living rooms, on porches, and in jukes, and it provides a nicely sequenced portrait of this intriguing musician working away from a studio setting, not that what he did in the studios differed one degree from what he did outside of them. Highlights include two takes of “Long Haired Doney,” three of the signature “Poor Black Mattie” (both acoustic and electric), an endearing and intimate version of “Goin’ Down South,” and a solid take on Hooker's “Boogie Chillen” that shows how large a role Hooker played in the creation of the hill country sound and style.
© Steve Leggett /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist - McKinley Morganfield, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist - John Jackson, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist - Charley Patton, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist - McKinley Morganfield, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist - Big Bill Broonzy, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist, Composer
2010 Wolf Records 2010 Spoonful
R.L. Burnside, Main Artist - John Lee Hooker, Composer
2010 Wolf Records 2010 Spoonful
Chronique
R.L. Burnside, along with Junior Kimbrough, became the public face of the so-called North Mississippi hill country style of modal blues in the 1980s with several solid albums on the Fat Possum label, and while he tried on different hats during his run (even tracking a fine album backed by indie rocker Jon Spencer and his band), the blues he made essentially stayed in the same pocket, honed from years of playing weekend house parties and juke joints. His droning style, the style that all of the North Mississippi players used, was equal parts John Lee Hooker and Fred McDowell, designed to keep the beat steady for dancing and allowing minimal but effective interplay between voice and guitar, and it was as old as those hills themselves, somehow sounding both ancient and oddly contemporary all at once. This set, drawn from intimate recordings done in 1975, 1989, and 1991, features Burnside playing mostly solo -- both acoustic and electric -- in living rooms, on porches, and in jukes, and it provides a nicely sequenced portrait of this intriguing musician working away from a studio setting, not that what he did in the studios differed one degree from what he did outside of them. Highlights include two takes of “Long Haired Doney,” three of the signature “Poor Black Mattie” (both acoustic and electric), an endearing and intimate version of “Goin’ Down South,” and a solid take on Hooker's “Boogie Chillen” that shows how large a role Hooker played in the creation of the hill country sound and style.
© Steve Leggett /TiVo
À propos
- 1 disque(s) - 19 piste(s)
- Durée totale : 01:03:55
- Artiste principal : R.L. Burnside
- Compositeur : Various Composers
- Label : Wolf Records
- Genre : Blues/Country/Folk Blues
2010 Wolf Records 2010 Spoonful
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.