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Yaya Bey|Remember Your North Star

Remember Your North Star

Yaya Bey

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Langue disponible : anglais

The 18 tracks on Yaya Bey's latest aren't so much a collection of fully fleshed-out songs as snippets and charismatic stray thoughts—with moments of brilliance—all ping-ponging about in a way that keeps you completely engaged. Sexy and sex-positive, the tracks play around with neo-soul on the Lizzo-exuberant "big daddy ya" and "reprise," as horns blast open the sky while Bey raps the verses and sings like a chanteuse: "to the moooooooooon." A "what if?" song, it explores how your history shapes you, cracks spreading through a family, splitting and fracturing and reaching into future relationships no matter how you try to ignore them. "alright" is a warm embrace of smooth jazz, Bey's voice playing off the notes, bouncing around and slowing down to the point it almost sounds like someone spinning a 45 at 33 RPM for a second. "meet me in brooklyn" uses summer-breeze reggae as Bey sets up what seems like a love story—"Let me know what you wanna come test me, boy . . .  come, little baby, tell me that you love me so." It fades out at just about a minute and a half, then the carousel-like melody picks right back up—but this isn't like jumping from black-and-white into glorious technicolor: In the morning light, Bey looks at this guy who's suddenly sleeping on her couch, raising her suspicions every time his phone rings, and begs "How did we get here?" She puts her elastic voice to remarkable use on "rolling stoner," stretching from smoky and sultry to songbird coos as a sweet jazz piano trembles. There's also a dose of chill afrobeat ("pour up" with its hypnotic drums and Bey's slithering delivery: "Rolling up a little sticky-icky baby/ Show a little bit of titty baby") and some Minnie Ripperton-meets-Erykah Badu vibes on "street fighter blues." Glimmering in low light, "keisha" is an irresistible earworm: "Why you no like nice things?" Bey asks a lover who makes things harder than they need to be. There are also plenty of interludes, from the low murmur of "libation" to the helium-voice skit "uh uh nxgga" ("Don't call my phone/ call that bitch . . . call a lawyer, call the doctor, don't call me!") to a real heartbreaker of a diary entry. "I'm the daughter of a girl/ who could go missing/ for seven years/ 31 years/ and the world wouldn't miss a beat," Bey offers on the spoken word "i’m certain she's there"—guaranteed to devastate in 42 seconds or less. © Shelly Ridenour/Qobuz

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Remember Your North Star

Yaya Bey

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1
intro Explicit
00:01:16

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

2
libation
00:00:29

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

3
big daddy ya Explicit
00:02:09

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

4
keisha Explicit
00:02:55

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

5
nobody knows Explicit
00:03:11

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

6
alright
00:03:08

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Aja Grant, Composer, Producer, Arranger - Yaya Bey, MainArtist - Marcus Mims, Mixer, Arranger - Hadaiyah Bey, Lyricist, Producer, Arranger - Super Rare Candy Music (BMI), MusicPublisher

2022 Big Dada 2022 Big Dada

7
meet me in brooklyn
00:01:29

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

8
it was just a dance Explicit
00:00:17

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

9
pour up Explicit
00:02:05

Christopher Harris, ComposerLyricist - Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger - DJ Nativesun, Featuring, FeaturedArtist - Dre Wilson, ComposerLyricist

2022 Big Dada 2022 Big Dada

10
uh uh nxgga Explicit
00:00:16

Christopher Harris, ComposerLyricist - Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger - Dre Wilson, ComposerLyricist

2022 Big Dada 2022 Big Dada

11
reprise Explicit
00:04:25

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

12
rolling stoner Explicit
00:01:48

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger - Music Gateway, MusicPublisher - Janay Booker, ComposerLyricist

2022 Big Dada 2022 Big Dada

13
don't fucking call me Explicit
00:02:47

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

14
i'm certain she's there
00:00:42

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

15
street fighter blues Explicit
00:02:55

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

16
mama loves her son Explicit
00:01:32

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Aja Grant, Arranger, ComposerLyricist - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer

2022 Big Dada 2022 Big Dada

17
either way
00:00:32

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

18
blessings Explicit
00:02:42

Copyright Control, MusicPublisher - Max Gilkes, Engineer - Yaya Bey, MainArtist - Marcus Mims, Mixer - Hadaiyah Bey, Lyricist, Producer, Arranger

2022 Big Dada 2022 Big Dada

Chronique

The 18 tracks on Yaya Bey's latest aren't so much a collection of fully fleshed-out songs as snippets and charismatic stray thoughts—with moments of brilliance—all ping-ponging about in a way that keeps you completely engaged. Sexy and sex-positive, the tracks play around with neo-soul on the Lizzo-exuberant "big daddy ya" and "reprise," as horns blast open the sky while Bey raps the verses and sings like a chanteuse: "to the moooooooooon." A "what if?" song, it explores how your history shapes you, cracks spreading through a family, splitting and fracturing and reaching into future relationships no matter how you try to ignore them. "alright" is a warm embrace of smooth jazz, Bey's voice playing off the notes, bouncing around and slowing down to the point it almost sounds like someone spinning a 45 at 33 RPM for a second. "meet me in brooklyn" uses summer-breeze reggae as Bey sets up what seems like a love story—"Let me know what you wanna come test me, boy . . .  come, little baby, tell me that you love me so." It fades out at just about a minute and a half, then the carousel-like melody picks right back up—but this isn't like jumping from black-and-white into glorious technicolor: In the morning light, Bey looks at this guy who's suddenly sleeping on her couch, raising her suspicions every time his phone rings, and begs "How did we get here?" She puts her elastic voice to remarkable use on "rolling stoner," stretching from smoky and sultry to songbird coos as a sweet jazz piano trembles. There's also a dose of chill afrobeat ("pour up" with its hypnotic drums and Bey's slithering delivery: "Rolling up a little sticky-icky baby/ Show a little bit of titty baby") and some Minnie Ripperton-meets-Erykah Badu vibes on "street fighter blues." Glimmering in low light, "keisha" is an irresistible earworm: "Why you no like nice things?" Bey asks a lover who makes things harder than they need to be. There are also plenty of interludes, from the low murmur of "libation" to the helium-voice skit "uh uh nxgga" ("Don't call my phone/ call that bitch . . . call a lawyer, call the doctor, don't call me!") to a real heartbreaker of a diary entry. "I'm the daughter of a girl/ who could go missing/ for seven years/ 31 years/ and the world wouldn't miss a beat," Bey offers on the spoken word "i’m certain she's there"—guaranteed to devastate in 42 seconds or less. © Shelly Ridenour/Qobuz

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