Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Frazier Chorus|Ray

Ray

Frazier Chorus

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

By the time of Ray's release, Frazier Chorus had gone from relatively edgier work on 4AD to a crisper, cleaner sound via Virgin, something emphasized further by Ian Broudie's typically to-the-point production on the album (it's not hard to imagine Broudie immediately doing this on the heels of the first Lightning Seeds effort). Reducing the group to a trio meant an increasing reliance on outside performers, and indeed the supporting cast reads like a hit list of in-demand session workers, early-'90s U.K. style. Kick Horns member Roddy Lorimer, percussionist Louis Jardim, harmonica player Mark Feltham, and strings courtesy of the Reggae Philharmonic Orchestra could threaten to overwhelm many bands, but to the trio's credit the general feel of the band's sound remains intact throughout. That said, the flip side is that said sound isn't as spectacular as it could have been. Part of the problem was contextual -- in a year when Massive Attack's Blue Lines dramatically demonstrated what a new, complex style of uniquely British music could sound like, Ray is more often than not stylishly tasteful and not much more, a smooth sheen with little bite. Kate Holmes' woodwinds add a distinct elegance to the proceedings, to be sure, and Tim Freeman's singing balances carefully being evanescence and a subtle, sly whisper, a bit like a gauzier Momus. But Ray isn't all pure float without anchor -- every so often there's a gently strange dissonance in the arrangements (the at-once doom-laden but strangely fragile "Here He Comes Again" is particularly grand), usually courtesy of guitarist Chris Taplin. Check out his mournful additions in the background of "We Love You" (lyrically one of the sharpest anti-romance numbers around) or his strong stinging shimmer on "The Telephone," a very Cocteau Twins-reminiscent track. Ray isn't quite what it could be, but an open-eared listener will find more to enjoy than might be guessed via a casual exposure.

© Ned Raggett /TiVo

Plus d'informations

Ray

Frazier Chorus

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Cloud 8
00:03:46

Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1990 Virgin Records Limited

2
Heaven (Album Version)
00:03:53

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

3
We Love You
00:03:38

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

4
Never Wake Up
00:03:42

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

5
All The Air
00:03:24

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

6
Walking On Air
00:03:01

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

7
Nothing
00:04:22

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

8
The Telephone
00:03:51

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

9
Here He Comes Again
00:03:21

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

10
Prefer You Dead
00:03:28

Ian Broudie, Producer - Cenzo Townshend, Producer, Engineer, StudioPersonnel - Frazier Chorus, MainArtist - Tim Freeman, Composer

(C) 1991 Virgin Records Ltd This label copy information is the subject of copyright protection. All rights reserved. (C) 1991 Virgin Records Ltd ℗ 1991 Virgin Records Limited

Chronique

By the time of Ray's release, Frazier Chorus had gone from relatively edgier work on 4AD to a crisper, cleaner sound via Virgin, something emphasized further by Ian Broudie's typically to-the-point production on the album (it's not hard to imagine Broudie immediately doing this on the heels of the first Lightning Seeds effort). Reducing the group to a trio meant an increasing reliance on outside performers, and indeed the supporting cast reads like a hit list of in-demand session workers, early-'90s U.K. style. Kick Horns member Roddy Lorimer, percussionist Louis Jardim, harmonica player Mark Feltham, and strings courtesy of the Reggae Philharmonic Orchestra could threaten to overwhelm many bands, but to the trio's credit the general feel of the band's sound remains intact throughout. That said, the flip side is that said sound isn't as spectacular as it could have been. Part of the problem was contextual -- in a year when Massive Attack's Blue Lines dramatically demonstrated what a new, complex style of uniquely British music could sound like, Ray is more often than not stylishly tasteful and not much more, a smooth sheen with little bite. Kate Holmes' woodwinds add a distinct elegance to the proceedings, to be sure, and Tim Freeman's singing balances carefully being evanescence and a subtle, sly whisper, a bit like a gauzier Momus. But Ray isn't all pure float without anchor -- every so often there's a gently strange dissonance in the arrangements (the at-once doom-laden but strangely fragile "Here He Comes Again" is particularly grand), usually courtesy of guitarist Chris Taplin. Check out his mournful additions in the background of "We Love You" (lyrically one of the sharpest anti-romance numbers around) or his strong stinging shimmer on "The Telephone," a very Cocteau Twins-reminiscent track. Ray isn't quite what it could be, but an open-eared listener will find more to enjoy than might be guessed via a casual exposure.

© Ned Raggett /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

It's Time

Michael Bublé

It's Time Michael Bublé

Sailing To Philadelphia

Mark Knopfler

Sailing To Philadelphia Mark Knopfler

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Frazier Chorus

Walking On Air

Frazier Chorus

Walking On Air Frazier Chorus

Typical!

Frazier Chorus

Typical! Frazier Chorus

Dream Kitchen

Frazier Chorus

Dream Kitchen Frazier Chorus

Sue

Frazier Chorus

Sue Frazier Chorus

Nothing

Frazier Chorus

Nothing Frazier Chorus

Playlists

Dans la même thématique...

Come Away With Me

Norah Jones

Come Away With Me Norah Jones

Crime Of The Century [2014 - HD Remaster]

Supertramp

Tubular Bells

Mike Oldfield

Tubular Bells Mike Oldfield

Tea For The Tillerman

Cat Stevens

Tea For The Tillerman Cat Stevens

THE TORTURED POETS DEPARTMENT: THE ANTHOLOGY

Taylor Swift