Qobuz Store wallpaper
Catégories :
Panier 0

Votre panier est vide

Rachelle Ferrell|Rachelle Ferrell

Rachelle Ferrell

Rachelle Ferrell

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

Rachelle Ferrell wore two hats in the 1990s: straight-ahead jazz singer and commercial R&B/pop singer along the lines of Anita Baker, Miki Howard, and Angela Bofill. Produced mostly by George Duke, this self-titled album is an example of her R&B/pop side. With this smooth, classy effort, Manhattan/Capitol was obviously intent on appealing to the more adult-oriented tastes in the urban contemporary market. While artists like Mary J. Blige, Bell Biv DeVoe, Babyface, and Janet Jackson were making R&B relevant to hip-hoppers, Ferrell opted for maximum quiet storm appeal with this album. If you were buying a lot of Baker, Luther Vandross, and Freddie Jackson albums in the early '90s (along with some Grover Washington, Jr. and Joe Sample, perhaps), you were exactly the type of listener Manhattan/Capitol had in mind with sophisticated numbers like "It Only Took a Minute," "'Til You Come Back to Me," and "Sentimental." Most of the songs are appropriate vehicles for the Philadelphian's big, rich voice, but while this collection of mood music isn't bad, it isn't the gem that Ferrell had the ability to deliver. As pleasant and likable as much of the material is, one got the impression that she was capable of a lot more.

© Alex Henderson /TiVo

Plus d'informations

Rachelle Ferrell

Rachelle Ferrell

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
I'm Special
00:06:10

Ricky Lawson, Drums, AssociatedPerformer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - George Duke, Producer, Keyboards, AssociatedPerformer - Rachelle Ferrell, Vocals, Background Vocalist, MainArtist, AssociatedPerformer, ComposerLyricist - Paul Jackson, Jr., Guitar, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

2
Welcome To My Love
00:05:39

D. ROBINSON, Composer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Composer, Producer, Keyboards, Piano, Background Vocalist, AssociatedPerformer - Rachelle Ferrell, Composer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer - Rick Lawson, Drums, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

3
Waiting
00:06:02

M. Powell, Composer - Erik Zobler, Mixer, StudioPersonnel - Rachelle Ferrell, Vocals, Background Vocalist, MainArtist, AssociatedPerformer - MICHAEL J. POWELL, Producer, Acoustic Guitar, Electric Guitar, Percussion, AssociatedPerformer - Vernon Fails, Keyboards, AssociatedPerformer - Al Turner, AssociatedPerformer, Bass (Vocal) - Ferrell, Composer - Doug Nally, Cymbals, AssociatedPerformer - Fails, Composer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records Inc.

4
It Only Took A Minute
00:04:42

Lori Perry, Background Vocalist, AssociatedPerformer - Danny Sembello, Composer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Keyboards, Percussion, Piano, Drum Programming, AssociatedPerformer - Rachelle Ferrell, Vocals, Background Vocalist, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer - Darlene Perry, Background Vocalist, AssociatedPerformer - Sharon Perry, Background Vocalist, AssociatedPerformer - Sharron, Composer - Carolyn Perry, Background Vocalist, AssociatedPerformer - Spencer, Jr., Composer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

5
With Open Arms
00:06:23

D. ROBINSON, Composer - Ricky Lawson, Drums, AssociatedPerformer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Keyboards, Organ, Piano, AssociatedPerformer - Rachelle Ferrell, Composer, Vocals, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

6
'Til You Come Back To Me
00:06:16

Alex Harvey, Composer - Lori Perry, Background Vocalist, AssociatedPerformer - Ricky Lawson, Drums, AssociatedPerformer - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Erik Zobler, Producer, Mixer, Associate Producer, Recording Engineer, StudioPersonnel - George Duke, Producer, Keyboards, AssociatedPerformer - Rachelle Ferrell, Producer, Associate Producer, Vocals, Background Vocalist, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer - Lynn Fiddmont-Linsey, Background Vocalist, AssociatedPerformer - Yvette Davis, Composer - Le Haney White, Composer - Brian Simpson, Keyboards, AssociatedPerformer - Larry Kimpell, AssociatedPerformer, Bass (Vocal)

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

7
You Can't Get (Until You Learn To Start Giving)
00:03:46

Ricky Lawson, Drums, AssociatedPerformer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Horn, Percussion, Horn Arranger, Moog Bass, AssociatedPerformer - Rachelle Ferrell, Composer, Keyboards, Vocals, Horn Arranger, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer - Doug Nally, Rhythm Arranger, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

8
Nothing Has Ever Felt Like This
00:06:25

Barry J. Eastmond, Producer - Erik Zobler, Mixer, StudioPersonnel - Kevin Eubanks, Guitar, AssociatedPerformer - Rachelle Ferrell, Mixer, MainArtist, StudioPersonnel, ComposerLyricist - Will Downing, FeaturedArtist

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

9
I Know You Love Me
00:03:56

Paul D. Allen, Programming, AssociatedPerformer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Paulhino Da Costa, Conga, AssociatedPerformer - Rachelle Ferrell, Composer, Horn, Keyboards, Organ, Vocals, Strings, Background Vocalist, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer - MICHAEL J. POWELL, Producer, Tambourine, AssociatedPerformer - Doug Nally, Drums, Rhythm Arranger, AssociatedPerformer - David I Ward, Recording Engineer, Programming, AssociatedPerformer, StudioPersonnel

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

10
Sentimental
00:03:39

Tena Clark, Composer - Ricky Lawson, Drums, AssociatedPerformer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Percussion, Strings, AssociatedPerformer - Rachelle Ferrell, Composer, Keyboards, Vocals, Background Vocalist, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Acoustic Guitar, Electric Guitar, AssociatedPerformer - Doug Nally, Rhythm Arranger, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

11
Could've Fooled Me
00:04:38

Dennis Lambert, Composer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - DAVID FOSTER, Composer - Jim Gilstrap, Background Vocalist, AssociatedPerformer - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Duke, Producer, Drums, Keyboards, Percussion, Piano, Vocal Arranger, Background Vocalist, AssociatedPerformer - Rachelle Ferrell, Vocals, Vocal Arranger, Background Vocalist, MainArtist, AssociatedPerformer - Paul Jackson, Jr., Guitar, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

12
Too Late
00:04:11

Ricky Lawson, Drums, AssociatedPerformer - Freddie Washington, AssociatedPerformer, Bass (Vocal) - Oscar Brashear, Trumpet, AssociatedPerformer - KIRK WHALUM, Tenor Saxophone, AssociatedPerformer - Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - George Bohannon, Trombone, AssociatedPerformer - George Duke, Producer, Keyboards, Piano, AssociatedPerformer - Carlos Rios, Guitar, AssociatedPerformer - Rachelle Ferrell, Composer, Piano, Vocals, Vocal Arranger, Background Vocalist, MainArtist, AssociatedPerformer - Doug Nally, Rhythm Arranger, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records, LLC

13
Peace On Earth
00:04:19

Erik Zobler, Mixer, Recording Engineer, StudioPersonnel - Rachelle Ferrell, Composer, Producer, Piano, Vocals, MainArtist, AssociatedPerformer

(C) 1992 Capitol Records, Inc. ℗ 1992 Capitol Records Inc.

Chronique

Rachelle Ferrell wore two hats in the 1990s: straight-ahead jazz singer and commercial R&B/pop singer along the lines of Anita Baker, Miki Howard, and Angela Bofill. Produced mostly by George Duke, this self-titled album is an example of her R&B/pop side. With this smooth, classy effort, Manhattan/Capitol was obviously intent on appealing to the more adult-oriented tastes in the urban contemporary market. While artists like Mary J. Blige, Bell Biv DeVoe, Babyface, and Janet Jackson were making R&B relevant to hip-hoppers, Ferrell opted for maximum quiet storm appeal with this album. If you were buying a lot of Baker, Luther Vandross, and Freddie Jackson albums in the early '90s (along with some Grover Washington, Jr. and Joe Sample, perhaps), you were exactly the type of listener Manhattan/Capitol had in mind with sophisticated numbers like "It Only Took a Minute," "'Til You Come Back to Me," and "Sentimental." Most of the songs are appropriate vehicles for the Philadelphian's big, rich voice, but while this collection of mood music isn't bad, it isn't the gem that Ferrell had the ability to deliver. As pleasant and likable as much of the material is, one got the impression that she was capable of a lot more.

© Alex Henderson /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Mélusine

Cécile McLorin Salvant

Mélusine Cécile McLorin Salvant

Live In Europe

Melody Gardot

Live In Europe Melody Gardot

I Put A Spell On You

Nina Simone

I Put A Spell On You Nina Simone

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Rachelle Ferrell

Individuality (Can I Be Me?)

Rachelle Ferrell

Individuality (Can I Be Me?) Rachelle Ferrell

Live In Montreux

Rachelle Ferrell

Live In Montreux Rachelle Ferrell
Dans la même thématique...

Elles

Youn Sun Nah

Elles Youn Sun Nah

The Girl In The Other Room

Diana Krall

Visions

Norah Jones

Visions Norah Jones

The Look Of Love

Diana Krall

The Look Of Love Diana Krall

The Tony Bennett / Bill Evans Album

Tony Bennett