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Alan Jackson|Precious Memories

Precious Memories

Alan Jackson

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Ten studio albums into his career, Alan Jackson takes a bit of a breather with 2006's Precious Memories, his first ever gospel album. Not coincidentally, it's his quietest record to date, as hushed and reverent as a Sunday service, with each track boasting little more than a piano, acoustic guitar, harmony vocals, and maybe an organ. There may not be much musical variety to these spare, intimate arrangements, but they suit this set of sturdy traditional gospel classics, and they also suit Jackson, who always has been eager to pay respect to his idols and influences. On most of his albums, this reverence doesn't sound overly reverent since he does sing loose, rocking honky tonk and indulges in a sense of humor, two things that help illustrate his good taste. Here, every song is deliberately calm and consciously tasteful, which may make for perfect music for church, but hardly makes for a dynamic record. As the album rolls on, the similarity in tempo and arrangements gives the album a monotonous, sleepy quality; each individual track is well crafted and sincere, but taken as a whole, it all blurs together and winds up seeming twice as long as its 37 minutes. But even if Precious Memories winds up as something slightly underwhelming, there's no denying that this is precisely the album Jackson wanted to make, one that's consistent in tone and exact in its vision. It may not make for everyday listening, even an album that would be played every week, yet it would make a good soundtrack for a reflective, reverent Sunday afternoon.

© Stephen Thomas Erlewine /TiVo

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Precious Memories

Alan Jackson

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1
Blessed Assurance
00:01:55

Alan Jackson, MainArtist - Keith Stegall, Producer - Phoebe Knapp, ComposerLyricist - Fanny Crosby, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

2
Softly And Tenderly
00:03:17

Alan Jackson, MainArtist - Will L. Thompson, ComposerLyricist - Keith Stegall, Producer

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

3
I Love To Tell The Story
00:02:53

Alan Jackson, MainArtist - Keith Stegall, Producer - William Fischer, ComposerLyricist - Katherine Hankey, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

4
When We All Get To Heaven
00:01:43

Alan Jackson, MainArtist - Keith Stegall, Producer - J.B. Lemley, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

5
'Tis So Sweet To Trust In Jesus
00:01:51

Alan Jackson, MainArtist - Keith Stegall, Producer - Traditional, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

6
In The Garden
00:02:54

Alan Jackson, MainArtist - Keith Stegall, Producer - C Austin Miles, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

7
Are You Washed In The Blood
00:01:15

Alan Jackson, MainArtist - Keith Stegall, Producer - Elisha Albright Hoffman, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

8
I'll Fly Away
00:02:12

Alan Jackson, MainArtist - Keith Stegall, Producer - Albert E. Brumley, Sr., ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

9
What A Friend We Have In Jesus
00:02:15

Alan Jackson, MainArtist - Charles Crozat Converse, ComposerLyricist - Joseph Scriven, ComposerLyricist - Keith Stegall, Producer

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

10
Standing On The Promises
00:01:35

Alan Jackson, MainArtist - Keith Stegall, Producer - Russell Kelso Carter, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

11
Turn Your Eyes Upon Jesus
00:03:45

Alan Jackson, MainArtist - Keith Stegall, Producer - Traditional, ComposerLyricist - Helen H. Lemel, Arranger, Work Arranger

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

12
Leaning On The Everlasting Arms
00:01:33

Alan Jackson, MainArtist - Keith Stegall, Producer - Traditional, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

13
The Old Rugged Cross
00:03:05

Alan Jackson, MainArtist - Keith Stegall, Producer - George Bennard, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

14
How Great Thou Art
00:03:32

Alan Jackson, MainArtist - Keith Stegall, Producer - Stuart K. Hine, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

15
I Want To Stroll Over Heaven With You
00:03:05

Alan Jackson, MainArtist - Keith Stegall, Producer - J.B. Lemley, ComposerLyricist

(C) 2005 ACR Records, LLC under exclusive license to EMI Records Nashville ℗ 2005 ACR Records, LLC

Chronique

Ten studio albums into his career, Alan Jackson takes a bit of a breather with 2006's Precious Memories, his first ever gospel album. Not coincidentally, it's his quietest record to date, as hushed and reverent as a Sunday service, with each track boasting little more than a piano, acoustic guitar, harmony vocals, and maybe an organ. There may not be much musical variety to these spare, intimate arrangements, but they suit this set of sturdy traditional gospel classics, and they also suit Jackson, who always has been eager to pay respect to his idols and influences. On most of his albums, this reverence doesn't sound overly reverent since he does sing loose, rocking honky tonk and indulges in a sense of humor, two things that help illustrate his good taste. Here, every song is deliberately calm and consciously tasteful, which may make for perfect music for church, but hardly makes for a dynamic record. As the album rolls on, the similarity in tempo and arrangements gives the album a monotonous, sleepy quality; each individual track is well crafted and sincere, but taken as a whole, it all blurs together and winds up seeming twice as long as its 37 minutes. But even if Precious Memories winds up as something slightly underwhelming, there's no denying that this is precisely the album Jackson wanted to make, one that's consistent in tone and exact in its vision. It may not make for everyday listening, even an album that would be played every week, yet it would make a good soundtrack for a reflective, reverent Sunday afternoon.

© Stephen Thomas Erlewine /TiVo

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