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Roddy Ricch - Please Excuse Me For Being Antisocial

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Please Excuse Me For Being Antisocial

Roddy Ricch

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Langue disponible : anglais

Before releasing his studio debut Please Excuse Me for Being AntiSocial, Compton-raised/Atlanta-adjacent rapper Roddy Ricch had already firmly established his hybrid style. On tracks like his breakout single "Die Young" and his featured appearance on the anthemic Mustard song "Ballin'," Ricch served up bars about struggling through hardships to achieve wealth and greatness, all delivered in a fluid, partially sung style that melded trap toughness with smooth melodies. This approach shows up sometimes on AntiSocial, but during the course of 16 tracks, Ricch displays a versatile range. Over a looped acoustic guitar sample and hyperactive trap hi-hats on "Big Stepper," Ricch again recounts his rise from dealing drugs to living the good life making millions off his music. The hardened veneer of the song makes it almost unrecognizable from the smooth sung hooks and laid-back flows of the spacy Lil Durk-assisted track "Moonwalkin'" and the spare, piano-driven, Mustard-produced beat of "High Fashion." Ricch switches between romantic moments like this and booming brag-fests like "Start wit Me," focusing on either smart, reflective lyricism or melodic presence. By the album's last quarter, AntiSocial almost takes on the feel of a mixtape, with production and style shifting dramatically song to song. The sultry, distant R&B vibes of "Bacc Seat" blur into sentimental Auto-Tuned singing on "Prayers to the Trap God," and backing from a full gospel choir on finale "War Baby." Each track boasts tight production and passionate performances by Ricch, enough to keep his quickly changing styles from feeling too jarring. At times, Please Excuse Me for Being AntiSocial feels like it's trying to offer something for everyone, and it becomes difficult to locate Ricch's personality among the different window dressings. Regardless, it's a strong collection and highlights how Ricch can mold himself into different styles and keep things exciting in almost any stylistic configuration. ~ Fred Thomas

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Please Excuse Me For Being Antisocial

Roddy Ricch

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1
Intro 00:02:15

Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Billboard Hitmakers, Producer - Eduardo Burgess, Writer - Jonathan De la Rosa, Writer - Cyrus "NOIS" Taghipour, Mixer - ATL Jacob, Producer - Jacob Canady, Writer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

2
The Box 00:03:16

Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - 30 Roc, Producer - Chris Dennis, Recorded by - Samuel Gloade, Writer - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Datboisqueeze, Producer - Adarius Moragne, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer - Zentachi, Producer - Aqeel Qadir Tate, Writer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

3
Start Wit Me (feat. Gunna) 00:02:38

Mike Bozzi, Masterer - Derek "MixedByAli" Ali, Mixer - Gunna, FeaturedArtist - Chris Dennis, Recorded by - Sergio Kitchens, Writer - Jasper Harris, Producer - Roddy Ricch, MainArtist - Tahj Morgan, Writer - jetsonmade, Producer - Jasper Lee Harris, Writer - Rodrick Moore, Writer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

4
Perfect Time 00:02:22

Sonic, Producer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Eric Anthony Sandoval, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer - Anthony Beecham, Producer, Writer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

5
Moonwalkin (feat. Lil Durk) 00:02:47

Fábio, Producer, Writer - Sonic, Producer - Lil Durk, FeaturedArtist - Durk Banks, Writer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Eric Anthony Sandoval, Writer - Curtis "Sircut" Bye, Mixer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

6
Big Stepper 00:02:55

Steven Alexander, Writer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Joseph Nguyen, Writer - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Cristian González, Writer - DJ Shawdi P, Producer - Rodrick Moore, Writer - Curtis "Sircut" Bye, Assistant Engineer - figurez made it, Producer - Nicolas de Porcel, Masterer - FLEXICO, Producer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

7
Gods Eyes 00:02:15

Sonic, Producer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Eric Anthony Sandoval, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

8
Peta (feat. Meek Mill) 00:03:18

oz, Producer - Meek Mill, FeaturedArtist - Robert Williams, Writer - Nils, Producer - Ozan Yildirim, Writer - Derek "MixedByAli" Ali, Mixer - Nils Noehden, Writer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

9
Boom Boom Room 00:02:47

Derek "MixedByAli" Ali, Mixer - Yung Lan, Producer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Milan Modi, Writer - Cyrus "NOIS" Taghipour, Mixer - Brain Anamayatana, Writer - Vid Vucenovic, Writer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Kilo Keys, Producer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer - Foreign Got Em, Producer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

10
Elyse's Skit 00:00:23

Roddy Ricch, MainArtist

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

11
High Fashion (feat. Mustard) 00:03:40

Dijon McFarlane, Writer - Mustard, Producer, FeaturedArtist - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - GYLTTRYP, Producer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer - Shahrukh Zaman Khan, Writer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

12
Bacc Seat (feat. Ty Dolla $ign) 00:02:52

Tyrone Griffin, Writer - Ty Dolla $ign, FeaturedArtist - Derek "MixedByAli" Ali, Mixer - Yung Lan, Producer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Milan Modi, Writer - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

13
Roll Dice 00:02:50

Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - 30 Roc, Producer - Chris Dennis, Recorded by - Samuel Gloade, Writer - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Datboisqueeze, Producer - Adarius Moragne, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer - Zentachi, Producer - Aqeel Qadir Tate, Writer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

14
Prayers To The Trap God 00:02:40

Sonic, Producer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Eric Anthony Sandoval, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer - Saint Mino, Co-Producer, Writer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

15
Tip Toe (feat. A Boogie Wit da Hoodie) 00:03:05

Pilgrim, Producer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - A Boogie Wit Da Hoodie, FeaturedArtist - Artist Dubose, Writer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Beck Norling, Writer - Roddy Ricch, MainArtist - Niaggi, Producer - Rodrick Moore, Writer - Gianni van den Brom, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

16
War Baby 00:03:15

Sonic, Producer - Derek "MixedByAli" Ali, Mixer - Zachary Acosta, Assistant Engineer - Chris Dennis, Recorded by - Cyrus "NOIS" Taghipour, Mixer - Roddy Ricch, MainArtist - Rodrick Moore, Writer - Eric Anthony Sandoval, Writer - Ashley Kember, Co-Producer, Writer - Curtis "Sircut" Bye, Assistant Engineer - Nicolas de Porcel, Masterer

2019 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. A Warner Music Group Company 2019 Atlantic Recording Corporation

Descriptif de l'album

Before releasing his studio debut Please Excuse Me for Being AntiSocial, Compton-raised/Atlanta-adjacent rapper Roddy Ricch had already firmly established his hybrid style. On tracks like his breakout single "Die Young" and his featured appearance on the anthemic Mustard song "Ballin'," Ricch served up bars about struggling through hardships to achieve wealth and greatness, all delivered in a fluid, partially sung style that melded trap toughness with smooth melodies. This approach shows up sometimes on AntiSocial, but during the course of 16 tracks, Ricch displays a versatile range. Over a looped acoustic guitar sample and hyperactive trap hi-hats on "Big Stepper," Ricch again recounts his rise from dealing drugs to living the good life making millions off his music. The hardened veneer of the song makes it almost unrecognizable from the smooth sung hooks and laid-back flows of the spacy Lil Durk-assisted track "Moonwalkin'" and the spare, piano-driven, Mustard-produced beat of "High Fashion." Ricch switches between romantic moments like this and booming brag-fests like "Start wit Me," focusing on either smart, reflective lyricism or melodic presence. By the album's last quarter, AntiSocial almost takes on the feel of a mixtape, with production and style shifting dramatically song to song. The sultry, distant R&B vibes of "Bacc Seat" blur into sentimental Auto-Tuned singing on "Prayers to the Trap God," and backing from a full gospel choir on finale "War Baby." Each track boasts tight production and passionate performances by Ricch, enough to keep his quickly changing styles from feeling too jarring. At times, Please Excuse Me for Being AntiSocial feels like it's trying to offer something for everyone, and it becomes difficult to locate Ricch's personality among the different window dressings. Regardless, it's a strong collection and highlights how Ricch can mold himself into different styles and keep things exciting in almost any stylistic configuration. ~ Fred Thomas

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