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Petula Clark|Platinum & Gold Collection

Platinum & Gold Collection

Petula Clark

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Petula Clark and Tony Hatch had a golden touch between 1964 and 1968. The brassy singer and velvety producer/songwriter hit the Top 20 of the U.S. singles chart nine times, including two number ones in 1964's "Downtown" and 1965's "My Love." BMG Heritage's Platinum & Gold Collection collects all nine of the hits and adds two album tracks (her showy big-band ballad version of "I Want to Hold Your Hand" and a stately take on Joe South's "Games People Play") and -- in a misguided effort to be current -- a 2004 remix of "Downtown" by someone named the OUTpsiDER. The mix merely grafts the vocals, piano, strings, and horns of the original onto a generic funky breakbeat, sounding amateurish and half-baked. Still, it can't ruin the greatness that comes before it, and the disc is one of the better Clark collections on the market, especially if you just want the hits. However, 2003's The Ultimate Petula Clark, which has ten more tracks, features her work after she split with Hatch, and only costs a few dollars more, would be a better choice than this for someone who wants to delve a little deeper into Clark's career.

© Tim Sendra /TiVo

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Platinum & Gold Collection

Petula Clark

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1
Downtown
00:03:05

TONY HATCH, Composer - Petula Clark, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1964 Disques Vogue

2
I Couldn't Live Without Your Love
00:02:53

TONY HATCH, Composer - Jackie Trent, Composer - Petula Clark, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1966 Castle Copyrights Ltd.

3
A Sign of the Times
00:02:56

TONY HATCH, Composer, Producer, Arranger - Petula Clark, Composer, Performance, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1966 BMG Rights Management (France) SARL

4
I Want to Hold Your Hand
00:03:00

John Lennon, Composer - Paul Mccartney, Composer - Petula Clark, Composer, Performance, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1965 BMG Rights Management (France) SARL

5
Don't Sleep In The Subway
00:02:55

TONY HATCH, Composer, Writer - Jackie Trent, Composer, Writer - Petula Clark, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1967 Disques Vogue

6
Colour My World
00:02:50

TONY HATCH, Composer, Producer - Jackie Trent, Composer - Petula Clark, Composer, Performance, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1966 BMG Rights Management (France) SARL

7
Kiss Me Goodbye
00:03:55

Les Reed, Arranger - Petula Clark, Composer, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1968 Disques Vogue

8
Games People Play
00:02:38

Joe South, Composer - Petula Clark, Composer, Performance, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1969 BMG Rights Management (France) SARL

9
This Is My Song
00:03:16

Charles Chapin, Writer - TONY HATCH, Producer - Charles Chaplin, Composer - Petula Clark, Performance, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1967 BMG Rights Management (France) SARL

10
My Love
00:02:43

TONY HATCH, Composer - Petula Clark, Composer, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1966 An Original Pye Recording

11
I Know A Place
00:02:43

TONY HATCH, Composer - Petula Clark, Composer, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 1965 Disques Vogue

12
Downtown 2004
00:03:48

TONY HATCH, Composer - Petula Clark, Performance, MainArtist

© 2004 BMG Rights Management (France) SARL ℗ 2003 BMG Rights Management (France) SARL

Chronique

Petula Clark and Tony Hatch had a golden touch between 1964 and 1968. The brassy singer and velvety producer/songwriter hit the Top 20 of the U.S. singles chart nine times, including two number ones in 1964's "Downtown" and 1965's "My Love." BMG Heritage's Platinum & Gold Collection collects all nine of the hits and adds two album tracks (her showy big-band ballad version of "I Want to Hold Your Hand" and a stately take on Joe South's "Games People Play") and -- in a misguided effort to be current -- a 2004 remix of "Downtown" by someone named the OUTpsiDER. The mix merely grafts the vocals, piano, strings, and horns of the original onto a generic funky breakbeat, sounding amateurish and half-baked. Still, it can't ruin the greatness that comes before it, and the disc is one of the better Clark collections on the market, especially if you just want the hits. However, 2003's The Ultimate Petula Clark, which has ten more tracks, features her work after she split with Hatch, and only costs a few dollars more, would be a better choice than this for someone who wants to delve a little deeper into Clark's career.

© Tim Sendra /TiVo

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