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Willie Nelson|Phases And Stages

Phases And Stages

Willie Nelson

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If Shotgun Willie played a bit like a concept album, Phases and Stages was a full-blown one, tracing the dissolution of a marriage and devoting one side to the wife's perspective, the second to the husband's. If anything, Willie overplays his hand a bit, insisting on grafting the "Phases and Stages" theme between crucial songs to the point of genuine irritation. But, pretend that never happened, erase it from your mind, and Phases and Stages is easily the equal of its remarkable predecessor, a wonderful set of music that resonates deeply, as deeply as the words. Make no mistake -- the deceptively relaxed arrangements, including the occasional strings, not only highlight Nelson's clever eclecticism, but they also heighten the emotional impact of the album. And this is a hell of an emotional record, where even each side's celebratory honky tonk numbers (the medley "Sister's Coming Home/Down at the Corner Beer Joint" and "Pick Up the Tempo," respectively) are muted by sadness. Then, there are the centerpieces: "Walkin'," where the woman decides it's time to move on; "Pretend I Never Happened," perhaps the coldest ending to a relationship ever written; "Bloody Mary Morning," a bleary-eyed morning-after tale that became a standard; "It's Not Supposed to Be That Way," a nearly unbearably melancholy account of a love gone wrong; and "Heaven and Hell," a waltz summary of the relationship. Any two of these would have formed a strong core for an album, but placed together in a narrative context, their impact is even more considerable. As a result, this is not just one of Willie Nelson's best records, but one of the great concept albums overall.
© Stephen Thomas Erlewine /TiVo

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Phases And Stages

Willie Nelson

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1
Phases and Stages (Theme) / Washing the Dishes (LP Version)
00:01:42

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

2
Phases and Stages (Theme) / Walkin' (LP Version)
00:04:05

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

3
Pretend I Never Happened (LP Version)
00:02:59

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

4
Sister's Coming Home / Down at the Corner Beer Joint (LP Version)
00:03:45

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Eric Weissberg, Banjo - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

5
(How Will I Know) I'm Falling in Love Again (LP Version)
00:03:26

David Campbell, Arranger - Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

6
Bloody Mary Morning (LP Version)
00:02:48

Jerry Wexler, Producer - Johnny Gimble, Mandolin - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer - Al Lester, Fiddle

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

7
Phases and Stages (Theme) / No Love Around (LP Version)
00:02:23

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

8
I Still Can't Believe You're Gone (LP Version)
00:04:15

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Mike Lewis, String Arranger - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

9
It's Not Supposed to Be That Way (LP Version)
00:03:27

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Mike Lewis, String Arranger - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

10
Heaven and Hell (LP Version)
00:01:52

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

11
Phases and Stages / Pick Up the Tempo / Phases and Stages (Theme) (LP Version)
00:03:26

Jerry Wexler, Producer - Johnny Gimble, Mandolin, Fiddle - Roger Hawkins, Drums - TOM DOWD, RemixingEngineer - David Hood, Bass - BARRY BECKETT, Keyboards - Willie Nelson, Acoustic Guitar, Vocals, Writer, MainArtist - Jerry Masters, RecordingEngineer - John Hughey, Pedal Steel Guitar - Pete Carr, Acoustic Guitar, Additional Guitar, Electric Guitar, Background Vocals - Fred Carter, Jr., Acoustic Guitar, Additional Guitar, Electric Guitar - Steve Melton, RecordingEngineer - Jeannie Greene, Background Vocals - George Soule, Background Vocals

© 2005 Warner Strategic Marketing. ℗ 1974 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.

Descriptif de l'album

If Shotgun Willie played a bit like a concept album, Phases and Stages was a full-blown one, tracing the dissolution of a marriage and devoting one side to the wife's perspective, the second to the husband's. If anything, Willie overplays his hand a bit, insisting on grafting the "Phases and Stages" theme between crucial songs to the point of genuine irritation. But, pretend that never happened, erase it from your mind, and Phases and Stages is easily the equal of its remarkable predecessor, a wonderful set of music that resonates deeply, as deeply as the words. Make no mistake -- the deceptively relaxed arrangements, including the occasional strings, not only highlight Nelson's clever eclecticism, but they also heighten the emotional impact of the album. And this is a hell of an emotional record, where even each side's celebratory honky tonk numbers (the medley "Sister's Coming Home/Down at the Corner Beer Joint" and "Pick Up the Tempo," respectively) are muted by sadness. Then, there are the centerpieces: "Walkin'," where the woman decides it's time to move on; "Pretend I Never Happened," perhaps the coldest ending to a relationship ever written; "Bloody Mary Morning," a bleary-eyed morning-after tale that became a standard; "It's Not Supposed to Be That Way," a nearly unbearably melancholy account of a love gone wrong; and "Heaven and Hell," a waltz summary of the relationship. Any two of these would have formed a strong core for an album, but placed together in a narrative context, their impact is even more considerable. As a result, this is not just one of Willie Nelson's best records, but one of the great concept albums overall.
© Stephen Thomas Erlewine /TiVo

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