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Doris Day|On Moonlight Bay

On Moonlight Bay

Doris Day

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By mid-1951, it was clear that Columbia Records was onto a good thing by putting Doris Day into a recording studio just after she finished making each of her Warner Bros. movie musicals and having her cut versions of the songs from the films. (Warner had no record company then, so there could be no actual soundtrack albums.) It didn't really matter that Gordon MacRae, her co-star in 1950's Tea for Two and in On Moonlight Bay, was unavailable due to his own recording contract with Capitol. Columbia drafted in Jack Smith, the movie's second male lead, and had him cover for MacRae on the duets of "Till We Meet Again" and "Cuddle Up a Little Closer," as well as re-creating his own duets with Day on "Love Ya" (the only newly written song in the score) and "I'm Forever Blowing Bubbles." Based on Booth Tarkington stories, On Moonlight Bay was set in the 1910s and stocked with interpolated Tin Pan Alley and show tunes from that era (songs Warner had bought up during the Great Depression and so benefited from promoting). Day, who had demonstrated her abilities at swing music and at the sophisticated material of George and Ira Gershwin and Porters, simply turned on her charm to put across this simpler fare. The result was another big success, the fourth straight tie-in album to a Day picture that Columbia had placed in the Top Five in a year and a half.

© William Ruhlmann /TiVo

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On Moonlight Bay

Doris Day

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1
Moonlight Bay
00:02:29

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Paul Weston, Conductor - Edward Madden, Composer - Percy Wenrich, Composer

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

2
Till We Meet Again
00:02:37

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Richard Whiting, Composer - Raymond Egan, Composer

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

3
Love Ya
00:02:15

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Charles Tobias, Composer - Peter de Rose, Composer

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

4
Christmas Story
00:03:09

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Pauline Walsh, Composer, Lyricist

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

5
I'm Forever Blowing Bubbles
00:02:15

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Jaan Ken Brovin, Composer - John W. Kellette, Composer

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

6
Cuddle Up a Little Closer
00:02:50

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Otto Harbach, Composer - Karl Hoschna, Composer

Originally released 1951. All rights reserved by Sony Music Entertainment

7
Every Little Movement (Has a Meaning All Its Own)
00:02:40

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - Paul Weston, Conductor - Otto Harbach, Composer - Karl Hoschna, Composer

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

8
Tell Me
00:03:17

Doris Day, Associated Performer, Main Artist - Paul Weston & His Orchestra, Associated Performer - The Norman Luboff Choir, Associated Performer - Doris Day with Paul Weston & His Orchestra and The Norman Luboff Choir, Associated Performer - J. Will Callahan, Composer - Max Kortlander, Composer

Originally released 1951. All rights reserved by Columbia Records, a division of Sony Music Entertainment

Chronique

By mid-1951, it was clear that Columbia Records was onto a good thing by putting Doris Day into a recording studio just after she finished making each of her Warner Bros. movie musicals and having her cut versions of the songs from the films. (Warner had no record company then, so there could be no actual soundtrack albums.) It didn't really matter that Gordon MacRae, her co-star in 1950's Tea for Two and in On Moonlight Bay, was unavailable due to his own recording contract with Capitol. Columbia drafted in Jack Smith, the movie's second male lead, and had him cover for MacRae on the duets of "Till We Meet Again" and "Cuddle Up a Little Closer," as well as re-creating his own duets with Day on "Love Ya" (the only newly written song in the score) and "I'm Forever Blowing Bubbles." Based on Booth Tarkington stories, On Moonlight Bay was set in the 1910s and stocked with interpolated Tin Pan Alley and show tunes from that era (songs Warner had bought up during the Great Depression and so benefited from promoting). Day, who had demonstrated her abilities at swing music and at the sophisticated material of George and Ira Gershwin and Porters, simply turned on her charm to put across this simpler fare. The result was another big success, the fourth straight tie-in album to a Day picture that Columbia had placed in the Top Five in a year and a half.

© William Ruhlmann /TiVo

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