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Laura Cantrell|Not The Tremblin' Kind

Not The Tremblin' Kind

Laura Cantrell

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Langue disponible : anglais

Laura Cantrell's debut album, Not the Tremblin' Kind, is a mix of originals and covers by little known yet superb songwriters like George Usher, Joe Flood, Amy Allison, and the Volebeats' Bob McCreedy -- resulting in an evocative blend of neo-traditionalist country. As a singer, Cantrell doesn't have the pipes of a someone like Lucinda Williams, but, like Merle Haggard, her clear and simple way with a tale or sentiment leaves the listener hanging on every word. Cantrell's own "Queen of the Coast" tells the story of a female country singer from a bygone era who stands toward the back of a stage while her man basks in the spotlight. (Think Bonnie Owens: The mandolin line even slyly echoes one-time husband Haggard's signature "I Am a Lonesome Fugitive.") The era the song nods to is also expressive of Cantrell's sound, which is of clearly different stock than the high drama of alt-country young lion Neko Case or the good-natured folkyness of predecessor Nanci Griffith. Rather, Cantrell's music echoes a truck-stop jukebox circa the 1950s or '60s and such woman pioneers as Kitty Wells. Also, Cantrell's work as a DJ at famed free-form station WFMU allowed her to cull the finest tracks that crossed her turntable, and her ear for the right tunes to cover is clearly evident. On her heart-piercing take on the Volebeats' "Two Seconds," her plaintive voice is used to excellent effect, driving home the primary sentiment, "Two seconds of your love is all I need of you/two seconds of your time, that's enough to say we're through/two beats of your heart is enough to know we'll never part." Another great cover is Amy Allison's "Whiskey Makes You Sweeter," which Cantrell delivers with the poise of a woman who won't make the same mistake twice -- rather than the sloppy, temporary regret the song might suggest. Solid production by World Famous Blue Jays member Jay Sherman-Godfrey and strong musicianship make this first-class, enduring Americana -- with one foot in the past and an eye towards the future.

© Erik Hage /TiVo

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Not The Tremblin' Kind

Laura Cantrell

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1
Not the Tremblin' Kind
00:03:37

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

2
Little Bit of You
00:04:19

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

3
Queen of the Coast
00:04:59

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

4
Pile of Woe
00:03:34

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

5
Two Seconds
00:03:58

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

6
Churches Off the Interstate
00:02:59

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

7
The Whiskey Makes You Sweeter
00:05:07

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

8
Do You Ever Think of Me
00:02:44

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

9
Big Wheel
00:02:30

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

10
My Heart Goes Out to You
00:04:06

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

11
Somewhere, Some Night
00:03:24

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

12
The Way It Is
00:03:48

Laura Cantrell, MainArtist

(C) 2000 Diesel Only Records (P) 2000 Diesel Only Records

Chronique

Laura Cantrell's debut album, Not the Tremblin' Kind, is a mix of originals and covers by little known yet superb songwriters like George Usher, Joe Flood, Amy Allison, and the Volebeats' Bob McCreedy -- resulting in an evocative blend of neo-traditionalist country. As a singer, Cantrell doesn't have the pipes of a someone like Lucinda Williams, but, like Merle Haggard, her clear and simple way with a tale or sentiment leaves the listener hanging on every word. Cantrell's own "Queen of the Coast" tells the story of a female country singer from a bygone era who stands toward the back of a stage while her man basks in the spotlight. (Think Bonnie Owens: The mandolin line even slyly echoes one-time husband Haggard's signature "I Am a Lonesome Fugitive.") The era the song nods to is also expressive of Cantrell's sound, which is of clearly different stock than the high drama of alt-country young lion Neko Case or the good-natured folkyness of predecessor Nanci Griffith. Rather, Cantrell's music echoes a truck-stop jukebox circa the 1950s or '60s and such woman pioneers as Kitty Wells. Also, Cantrell's work as a DJ at famed free-form station WFMU allowed her to cull the finest tracks that crossed her turntable, and her ear for the right tunes to cover is clearly evident. On her heart-piercing take on the Volebeats' "Two Seconds," her plaintive voice is used to excellent effect, driving home the primary sentiment, "Two seconds of your love is all I need of you/two seconds of your time, that's enough to say we're through/two beats of your heart is enough to know we'll never part." Another great cover is Amy Allison's "Whiskey Makes You Sweeter," which Cantrell delivers with the poise of a woman who won't make the same mistake twice -- rather than the sloppy, temporary regret the song might suggest. Solid production by World Famous Blue Jays member Jay Sherman-Godfrey and strong musicianship make this first-class, enduring Americana -- with one foot in the past and an eye towards the future.

© Erik Hage /TiVo

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