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Ace|No Strings

No Strings

Ace

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

If Time for Another was a tad bit subdued, Ace’s 1977 follow-up remedies that problem by giving the pub rock a big, splashy production suited for the crossover audience “How Long” gave them three years prior. It was a case of too much too late -- Ace lost whatever chart momentum they had and the times were beginning to shift, with many of their pub rock peers gravitating toward punk. Ace took the opposite approach: they retooled themselves as a soft rock outfit with a distinctly Southern California bent. No Strings is music made with the charts in mind but it’s livelier and more varied than Time for Another, capitalizing on Paul Carrack’s soulful voice. Carrack is now front and center, so ably navigating the turns from bouncy pop to bright boogie to gossamer ballads that it’s no wonder No Strings sounds in retrospect like a blueprint for his subsequent solo career. Nevertheless, No Strings is firmly a band album, gaining strength from Ace’s group interplay, John Woodhead seamlessly filling the departed Phil Harris’ shoes, but the production is so slick that it glosses over any potential rifts. And that smooth production is a big reason why No Strings is a strong record: it may not have been a hit, but with its soulful shine and easy melodies, it captures ‘70s major-label soft rock at a peak.

© Stephen Thomas Erlewine /TiVo

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No Strings

Ace

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1
Rock and Roll Singer
00:05:01

BILL SCHNEE, MixingEngineer - Jim Price, Trombone - Steve Madaio, Trombone - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer, Tenor Saxophone, Horns Arranger - Ace, MainArtist - Bobby Keys, Tenor Saxophone - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

2
You're All That I Need
00:03:46

BILL SCHNEE, Engineer - Paul Carrack, Composer, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, Engineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Drums

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 The copyright in this sound recording is owned by Cavalcade Records licensed to Anchor Records

3
Crazy World
00:03:32

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

4
I'm Not Takin' It Out On You
00:03:33

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

5
Movin'
00:04:29

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

6
Gleaming in the Gloom
00:05:39

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

7
Let's Hang On
00:03:13

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

8
Why Did You Leave Me?
00:03:57

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

9
Found Out the Hard Way
00:04:00

BILL SCHNEE, Engineer, MixingEngineer - Paul Carrack, Composer, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, Engineer, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Drums, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

10
C'est La Vie
00:03:20

BILL SCHNEE, MixingEngineer - Paul Carrack, Keyboards, Vocals - Trevor Lawrence, Producer - Ace, MainArtist - Rick Ruggieri, RecordingEngineer - Alan King, Guitar, Vocals - Tex Comer, Bass Guitar - Jon Woodhead, Guitar - Fran Byrne, Percussion

© 1977 BMG Rights Management (UK) Ltd. ℗ 1977 Cavalcade Records Ltd., a BMG Company

Chronique

If Time for Another was a tad bit subdued, Ace’s 1977 follow-up remedies that problem by giving the pub rock a big, splashy production suited for the crossover audience “How Long” gave them three years prior. It was a case of too much too late -- Ace lost whatever chart momentum they had and the times were beginning to shift, with many of their pub rock peers gravitating toward punk. Ace took the opposite approach: they retooled themselves as a soft rock outfit with a distinctly Southern California bent. No Strings is music made with the charts in mind but it’s livelier and more varied than Time for Another, capitalizing on Paul Carrack’s soulful voice. Carrack is now front and center, so ably navigating the turns from bouncy pop to bright boogie to gossamer ballads that it’s no wonder No Strings sounds in retrospect like a blueprint for his subsequent solo career. Nevertheless, No Strings is firmly a band album, gaining strength from Ace’s group interplay, John Woodhead seamlessly filling the departed Phil Harris’ shoes, but the production is so slick that it glosses over any potential rifts. And that smooth production is a big reason why No Strings is a strong record: it may not have been a hit, but with its soulful shine and easy melodies, it captures ‘70s major-label soft rock at a peak.

© Stephen Thomas Erlewine /TiVo

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