Catégories :
Panier 0

Votre panier est vide

Dierks Bentley|Modern Day Drifter

Modern Day Drifter

Dierks Bentley

Disponible en
16-Bit/44.1 kHz Stereo

Musique illimitée

Écoutez cet album en haute-qualité dès maintenant dans nos applications

Démarrer ma période d'essai et lancer l'écoute de cet album

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Souscrire

Profitez de cet album sur les apps Qobuz grâce à votre abonnement

Téléchargement digital

Téléchargez cet album dans la qualité de votre choix

Langue disponible : anglais

There's little question that Dierks Bentley has good taste, as well as a burning desire to be part of the tradition of rough, rugged, and sensitive hard country singers. In particular, he styles himself after Merle and Waylon, two influences that were apparent on his eponymous 2003 debut but come to the forefront on his 2005 follow-up, Modern Day Drifter. Even the title of the record signals Bentley's intention to be a ramblin' man for the 2000s, and the music consciously echoes not just the past, but ramblin' man classics -- the first single, "Lot of Leavin' Left to Do," is styled after Waylon's "This Time" and "Good Man Like Me" deliberately mimics Hank Snow's "I'm Movin' On." This isn't a drag on the record -- if anything slows it down, it's the occasional too-tasteful ballad, as well as such cloying, product placement-filled stabs at contemporary country as "Cab of My Truck" -- because Bentley has a nice, strong country croon and delivers this straight-ahead neo-traditionalist sound pleasantly and earnestly. He doesn't have much flair, though, as either a singer or writer. Instead of being a true ramblin' man and forging his own direction, he follows the path that Merle and Waylon created, never stamping it with much of his own personality. This makes for some good music, of course, but it's a bit of a mixed blessing that Bentley is at his best when he's following the blueprint of his heroes to a T. Next time around, maybe he can draw inspiration from the spirit of his idols and put his own unmistakable personal stamp on his music instead of just crafting his record to sound like something they might have recorded.

© Stephen Thomas Erlewine /TiVo

Plus d'informations

Modern Day Drifter

Dierks Bentley

launch qobuz app J'ai déjà téléchargé Qobuz pour Mac OS Ouvrir

download qobuz app Je n'ai pas encore téléchargé Qobuz pour Mac OS Télécharger l'app

Vous êtes actuellement en train d’écouter des extraits.

Écoutez plus de 100 millions de titres avec votre abonnement illimité.

Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.

À partir de 12,49€/mois

1
Lot Of Leavin' Left To Do
00:04:32

Brett Beavers, Producer, ComposerLyricist - Deric Ruttan, ComposerLyricist - Dierks Bentley, MainArtist, ComposerLyricist

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

2
Come A Little Closer
00:04:42

Brett Beavers, Composer, Producer - Dierks Bentley, Composer, Producer, MainArtist

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

3
Cab Of My Truck
00:03:39

Brett Beavers, Composer, Producer - Mark Nesler, Composer - Dierks Bentley, Composer, Vocals, MainArtist, AssociatedPerformer

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

4
Settle For A Slowdown
00:03:43

Brett Beavers, Producer, ComposerLyricist - Tony Martin, ComposerLyricist - Dierks Bentley, MainArtist, ComposerLyricist

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

5
Domestic, Light And Cold
00:04:00

Brett Beavers, Composer, Producer - Dierks Bentley, Composer, Vocals, MainArtist, AssociatedPerformer

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

6
Good Things Happen
00:03:45

Brett Beavers, Producer - Jamie Hartford, Composer - Alison Krauss, Background Vocalist, AssociatedPerformer - Dierks Bentley, Vocals, MainArtist, AssociatedPerformer

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

7
Down On Easy Street
00:03:30

Brett Beavers, Producer, ComposerLyricist - Steve Bogard, ComposerLyricist - Dierks Bentley, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

8
So So Long
00:03:24

Brett Beavers, Producer, ComposerLyricist - Jim Beavers, ComposerLyricist - Dierks Bentley, Vocals, MainArtist, AssociatedPerformer, ComposerLyricist

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

9
Modern Day Drifter
00:04:10

Brett Beavers, Producer - John Scott Sherrill, Composer - Dierks Bentley, Vocals, MainArtist, AssociatedPerformer - Wyatt Easterling, Composer

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

10
Good Man Like Me
00:03:07

Brett Beavers, Producer - Del McCoury, Composer - Dierks Bentley, Vocals, MainArtist, AssociatedPerformer - The Del McCoury Band, FeaturedArtist

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

11
Gonna Get There Someday
00:04:14

Brett Beavers, Composer, Producer - Deric Ruttan, Composer - Dierks Bentley, Composer, Vocals, MainArtist, AssociatedPerformer

© 2005 Capitol Records Nashville. All rights reserved. Unauthorized reproduction is a violation of applicable laws. Manufactured by Capitol Records Nashville, 3322 West End Avenue, 11th Floor, Nashville, TN 37203 ℗ 2005 Capitol Records Nashville

Chronique

There's little question that Dierks Bentley has good taste, as well as a burning desire to be part of the tradition of rough, rugged, and sensitive hard country singers. In particular, he styles himself after Merle and Waylon, two influences that were apparent on his eponymous 2003 debut but come to the forefront on his 2005 follow-up, Modern Day Drifter. Even the title of the record signals Bentley's intention to be a ramblin' man for the 2000s, and the music consciously echoes not just the past, but ramblin' man classics -- the first single, "Lot of Leavin' Left to Do," is styled after Waylon's "This Time" and "Good Man Like Me" deliberately mimics Hank Snow's "I'm Movin' On." This isn't a drag on the record -- if anything slows it down, it's the occasional too-tasteful ballad, as well as such cloying, product placement-filled stabs at contemporary country as "Cab of My Truck" -- because Bentley has a nice, strong country croon and delivers this straight-ahead neo-traditionalist sound pleasantly and earnestly. He doesn't have much flair, though, as either a singer or writer. Instead of being a true ramblin' man and forging his own direction, he follows the path that Merle and Waylon created, never stamping it with much of his own personality. This makes for some good music, of course, but it's a bit of a mixed blessing that Bentley is at his best when he's following the blueprint of his heroes to a T. Next time around, maybe he can draw inspiration from the spirit of his idols and put his own unmistakable personal stamp on his music instead of just crafting his record to sound like something they might have recorded.

© Stephen Thomas Erlewine /TiVo

À propos

Améliorer les informations de l'album

Qobuz logo Pourquoi acheter sur Qobuz ?

Les promotions du moment...

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Moanin'

Art Blakey & The Jazz Messengers

Moanin' Art Blakey & The Jazz Messengers

Blue Train

John Coltrane

Blue Train John Coltrane

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
À découvrir également
Par Dierks Bentley

Gravel & Gold

Dierks Bentley

Gravel & Gold Dierks Bentley

American Girl

Dierks Bentley

American Girl Dierks Bentley

The Mountain

Dierks Bentley

The Mountain Dierks Bentley

Black

Dierks Bentley

Black Dierks Bentley

RISER

Dierks Bentley

RISER Dierks Bentley

Playlists

Dans la même thématique...

Speak Now (Taylor's Version)

Taylor Swift

How Does That Grab You?

Nancy Sinatra

American IV: The Man Comes Around

Johnny Cash

From A Room: Volume 1

Chris Stapleton

From A Room: Volume 1 Chris Stapleton

COWBOY CARTER

Beyoncé

COWBOY CARTER Beyoncé