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The Buck Pets|Mercurotones

Mercurotones

The Buck Pets

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Langue disponible : anglais

The Buck Pets were victims of bad timing. Had 1990's Mercurotones been released only a couple of years later in a post-Nevermind world, they would have had a really good shot at at least temporary stardom on the level of, say, Soul Asylum. For one thing, producer Michael Beinhorn gives this album the same radio-friendly gloss he gave to SA's breakthrough Grave Dancers Union two years later. (Indeed, the Dallas-based group proved a good half-decade ahead of the curve, having the Dust Brothers produce one track, the slippery "Libertine," long before Beck hooked up with them to create Odelay.) The group's songs are a rocking mix of late-period Hüsker Dü, Squirrel Bait, and Pleased to Meet Me-era Replacements, with the frantic edge softened by a country-ish twang here and there. Good solid stuff that deserved to be much bigger than it was.

© Stewart Mason /TiVo

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Mercurotones

The Buck Pets

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1
Moon Goddess (R.T. Cocaine Blues)
00:03:24

Michael Beinhorn, Producer - The Buck Pets, MainArtist - Andrew Michael Thompson, ComposerLyricist - Anthony Adolfo Alba, ComposerLyricist - Charles Christopher Savage, ComposerLyricist - Ian Beach, ComposerLyricist

℗ 1990 UMG Recordings, Inc.

2
Pearls
00:03:07

Michael Beinhorn, Producer - The Buck Pets, MainArtist - Andrew Michael Thompson, ComposerLyricist - Anthony Adolfo Alba, ComposerLyricist - Charles Christopher Savage, ComposerLyricist - Ian Beach, ComposerLyricist

℗ 1990 UMG Recordings, Inc.

3
PM
00:03:43

Savage, ComposerLyricist - Michael Beinhorn, Producer - Fischer Thompson, ComposerLyricist - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

4
Some Hesitation
00:02:34

Savage, ComposerLyricist - Michael Beinhorn, Producer - Fischer Thompson, ComposerLyricist - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

5
Five O'Clock Or Thursday
00:03:29

BEACH, ComposerLyricist - Savage, ComposerLyricist - Michael Beinhorn, Producer - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

6
Ave F Blues
00:02:46

Savage, ComposerLyricist - Michael Beinhorn, Producer - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

7
Libertine
00:03:18

The Dust Brothers, Producer - The Buck Pets, MainArtist - Andrew Michael Thompson, ComposerLyricist - Anthony Adolfo Alba, ComposerLyricist - Charles Christopher Savage, ComposerLyricist - Ian Beach, ComposerLyricist

℗ 1990 UMG Recordings, Inc.

8
Ready To Break
00:04:35

Savage, ComposerLyricist - Michael Beinhorn, Producer - Fischer Thompson, ComposerLyricist - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

9
Shameless
00:04:30

BEACH, Author - Savage, Author - Michael Beinhorn, Producer - Fischer Thompson, Author - The Buck Pets, MainArtist - Andrew Michael Thompson, Composer - Anthony Adolfo Alba, Composer - Charles Christopher Savage, Composer - Ian Beach, Composer - Rodriquez Jesus Alba, Author

℗ 1990 UMG Recordings, Inc.

10
Brother
00:03:37

Savage, ComposerLyricist - Michael Beinhorn, Producer - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

11
Guilty
00:02:18

Savage, ComposerLyricist - Michael Beinhorn, Producer - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

12
Hey Sunshine
00:02:45

Savage, ComposerLyricist - Michael Beinhorn, Producer - Fischer Thompson, ComposerLyricist - The Buck Pets, MainArtist

℗ 1990 UMG Recordings, Inc.

Chronique

The Buck Pets were victims of bad timing. Had 1990's Mercurotones been released only a couple of years later in a post-Nevermind world, they would have had a really good shot at at least temporary stardom on the level of, say, Soul Asylum. For one thing, producer Michael Beinhorn gives this album the same radio-friendly gloss he gave to SA's breakthrough Grave Dancers Union two years later. (Indeed, the Dallas-based group proved a good half-decade ahead of the curve, having the Dust Brothers produce one track, the slippery "Libertine," long before Beck hooked up with them to create Odelay.) The group's songs are a rocking mix of late-period Hüsker Dü, Squirrel Bait, and Pleased to Meet Me-era Replacements, with the frantic edge softened by a country-ish twang here and there. Good solid stuff that deserved to be much bigger than it was.

© Stewart Mason /TiVo

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