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Peter Holsapple|Mavericks

Mavericks

Peter Holsapple & Chris Stamey

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16-Bit/44.1 kHz Stereo

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Langue disponible : anglais

Eight years after Chris Stamey left the dB's (and three years after the group finally sputtered to a halt), he reunited with former bandmate Peter Holsapple (who became the group's de facto leader in Stamey's absence) for this duo album. Mavericks finds both Holsapple and Stamey sounding a bit older, quieter, and more pensive than they did in the old days; while one can see many flashes of the bright, angular power pop that dominated the dB's first two albums, most of the songs are dominated by acoustic instruments, somewhat slower tempos, and a more "mature" tone. The introspective overtones of "Angels," "I Know You Will," or "Close Your Eyes" mark a switch from what these guys were doing on Repercussion or Stands for Decibels, but if you're looking for clever and well-crafted pop tunes, both Holsapple and Stamey deliver the goods, and they do rock out a bit here and there (most notably on "Lovers Rock" and the wonderfully sardonic "I Want to Break Your Heart"). Both Chris and Peter are at the top of their form as vocalists and players, and they get plenty of welcome assistance from such Hoboken-scene notables as Dave Schramm, James MacMillan, and Jane Scarpantoni (fellow former dB Gene Holder even pops up on one cut). Mavericks often sounds like semi-acoustic post-new wave pop for grownups, but it's a good bit more fun (and less academic) than that description would suggest.

© Mark Deming /TiVo

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Mavericks

Peter Holsapple

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1
Angels (LP Version)
00:03:33

Peter Holsapple, Composer, Producer, Writer, MainArtist - Chris Stamey, Composer, Producer, Writer, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

2
I Know You Will (LP Version)
00:05:17

Peter Holsapple, Producer, Writer, MainArtist - Chris Stamey, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

3
Here Without You (LP Version)
00:02:39

G Clark, Writer - Peter Holsapple, MainArtist - Chris Stamey, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

4
Close Your Eyes (LP Version)
00:04:51

Peter Holsapple, MainArtist - Chris Stamey, MainArtist - C. Stamey, Writer

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

5
Anymore (LP Version)
00:03:05

Peter Holsapple, Producer, Writer, MainArtist - Chris Stamey, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

6
I Want to Break Your Heart (LP Version)
00:03:58

Peter Holsapple, MainArtist - Chris Stamey, MainArtist - C. Stamey, Writer

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

7
She Was the One (LP Version)
00:03:30

Peter Holsapple, Producer, Writer, MainArtist - Chris Stamey, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

8
Geometry (LP Version)
00:03:16

Peter Holsapple, MainArtist - Chris Stamey, MainArtist - C. Stamey, Writer

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

9
The Child in You (LP Version)
00:03:56

Peter Holsapple, Producer, Writer, MainArtist - Chris Stamey, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

10
Lover's Rock (LP Version)
00:04:17

Peter Holsapple, MainArtist - Chris Stamey, MainArtist - C. Stamey, Writer

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

11
Taken (LP Version)
00:03:34

Peter Holsapple, Producer, Writer, MainArtist - Chris Stamey, MainArtist

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

12
Haven't Got the Right (To Treat Me Wrong) (LP Version)
00:04:00

Peter Holsapple, MainArtist - Chris Stamey, MainArtist - C. Stamey, Writer

© 2005 Warner Strategic Marketing ℗ 1991 Rhino Entertainment

Chronique

Eight years after Chris Stamey left the dB's (and three years after the group finally sputtered to a halt), he reunited with former bandmate Peter Holsapple (who became the group's de facto leader in Stamey's absence) for this duo album. Mavericks finds both Holsapple and Stamey sounding a bit older, quieter, and more pensive than they did in the old days; while one can see many flashes of the bright, angular power pop that dominated the dB's first two albums, most of the songs are dominated by acoustic instruments, somewhat slower tempos, and a more "mature" tone. The introspective overtones of "Angels," "I Know You Will," or "Close Your Eyes" mark a switch from what these guys were doing on Repercussion or Stands for Decibels, but if you're looking for clever and well-crafted pop tunes, both Holsapple and Stamey deliver the goods, and they do rock out a bit here and there (most notably on "Lovers Rock" and the wonderfully sardonic "I Want to Break Your Heart"). Both Chris and Peter are at the top of their form as vocalists and players, and they get plenty of welcome assistance from such Hoboken-scene notables as Dave Schramm, James MacMillan, and Jane Scarpantoni (fellow former dB Gene Holder even pops up on one cut). Mavericks often sounds like semi-acoustic post-new wave pop for grownups, but it's a good bit more fun (and less academic) than that description would suggest.

© Mark Deming /TiVo

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