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Bersuit Vergarabat|Libertinaje

Libertinaje

Bersuit Vergarabat

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If Tom Waits had a mariachi wedding band composed of former insane asylum and prison inmates, it might sound something like Argentina's Bersuit. Roughly translated as "Moral Licentiousness," LIBERTINAJE is surely one of the most bizarre, colorful and compelling recordings to emerge from 1990's South America. Drawing on sounds as wildly diverse as ska, samba, cumbia, rap, and heavy metal, these guys sound like a truckload of monsters who, from time to time, will come barging into a town with their instruments and leave the citizens both terrorized and enlightened.

"Yo Tomo" is one of the few conventionally dance-friendly tunes, with a bouncing cumbia lilt, chintzy organ, dragon-toothed guitar riff, and harmonized chorus with the spiraling equation, "I drink so to not fall in love...I fall in love in order not to drink." "A Los Tambores" has the band shouting in unison and the percussion section rolling away like a runaway freight train, while "De Onda" takes things further out with Klezmer-style violin and clarinet, mock-operatic vocal theatrics and another monster-shout-chorus all crashing together happily. LIBERTINAJE is an immediately outrageous and brilliant piece of work.

© TiVo

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Libertinaje

Bersuit Vergarabat

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1
Yo Tomo Explicit
00:03:32

Carlos Martín, Composer - Gustavo Edgardo Cordera, Composer, Author - Bersuit Vergarabat, MainArtist - Alberto Verenzuela, Composer, Author - Oscar Humberto Righi, Composer, Author - Juan Carlos Subira, Composer - René Céspedes, Composer

℗ 1998 Universal Music Argentina S.A.

2
A Los Tambores
00:03:22

Carlos Martín, Composer - Gustavo Edgardo Cordera, Composer - Bersuit Vergarabat, MainArtist - Oscar Humberto Righi, Composer - Juan Carlos Subira, Composer, Author - René Céspedes, Composer

℗ 1998 Universal Music Argentina S.A.

3
De Onda
00:03:01

Bersuit Vergarabat, MainArtist - Alberto Verenzuela, ComposerLyricist

℗ 1998 Universal Music Argentina S.A.

4
Se Viene
00:03:25

Gustavo Edgardo Cordera, ComposerLyricist - Bersuit Vergarabat, MainArtist - Alberto Verenzuela, ComposerLyricist

℗ 1998 Universal Music Argentina S.A.

5
Murguita Del Sur (Album Version)
00:04:17

Gustavo Edgardo Cordera, ComposerLyricist - Bersuit Vergarabat, MainArtist

℗ 1998 Universal Music Argentina S.A.

6
Sr. Cobranza Explicit
00:04:18

Alfredo Toth, Producer - Pablo Guyot, Producer - Gustavo Santaolalla, Producer - Anibal Kerpel, Producer - Bersuit Vergarabat, MainArtist - Hernan Dario Penner, ComposerLyricist - Hernán Carlos De Vega, ComposerLyricist

℗ 1998 Universal Music Argentina S.A.

7
Vuelos
00:04:23

Bersuit Vergarabat, MainArtist - René Céspedes, ComposerLyricist

℗ 1998 Universal Music Argentina S.A.

8
Gente De Mierda
00:02:46

Carlos Martín, Composer - Gustavo Edgardo Cordera, Composer, Author - Bersuit Vergarabat, MainArtist - Alberto Verenzuela, Composer - Oscar Humberto Righi, Composer - Juan Carlos Subira, Composer - René Céspedes, Composer, Author - Héctor Rubén García, Composer

℗ 1999 Universal Music Argentina S.A.

9
Sincerebro
00:03:27

Gustavo Edgardo Cordera, Author - Bersuit Vergarabat, MainArtist - René Céspedes, Composer

℗ 1998 Universal Music Argentina S.A.

10
A Marca Di Deux
00:05:19

Bersuit Vergarabat, MainArtist - Barcigaluppi, Author - Cordera, ComposerLyricist

℗ 1998 Universal Music Argentina S.A.

11
C.S.M.
00:02:40

Bersuit Vergarabat, MainArtist - Juan Carlos Subira, Author - René Céspedes, Composer

℗ 1998 Universal Music Argentina S.A.

12
¿Que Paso?
00:06:01

Martin, ComposerLyricist - Bersuit Vergarabat, MainArtist - Cordera, ComposerLyricist

℗ 1999 Universal Music Argentina S.A.

Chronique

If Tom Waits had a mariachi wedding band composed of former insane asylum and prison inmates, it might sound something like Argentina's Bersuit. Roughly translated as "Moral Licentiousness," LIBERTINAJE is surely one of the most bizarre, colorful and compelling recordings to emerge from 1990's South America. Drawing on sounds as wildly diverse as ska, samba, cumbia, rap, and heavy metal, these guys sound like a truckload of monsters who, from time to time, will come barging into a town with their instruments and leave the citizens both terrorized and enlightened.

"Yo Tomo" is one of the few conventionally dance-friendly tunes, with a bouncing cumbia lilt, chintzy organ, dragon-toothed guitar riff, and harmonized chorus with the spiraling equation, "I drink so to not fall in love...I fall in love in order not to drink." "A Los Tambores" has the band shouting in unison and the percussion section rolling away like a runaway freight train, while "De Onda" takes things further out with Klezmer-style violin and clarinet, mock-operatic vocal theatrics and another monster-shout-chorus all crashing together happily. LIBERTINAJE is an immediately outrageous and brilliant piece of work.

© TiVo

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