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Ann Peebles|If This Is Heaven

If This Is Heaven

Ann Peebles

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By 1977, straight-ahead Southern soul had stopped selling in big numbers and disco had taken over the R&B market, and like many of her peers, soul diva Ann Peebles tried to make the best of matters by turning up the groove quotient on her album of that year, If This Is Heaven. Peebles, one of the best and most underrated soul songbirds of the 1970s, had already demonstrated she could work wonders with a dance-friendly track on her previous set, 1975's Tellin' It, and If This Is Heaven's first two cuts, "A Good Day for Lovin'" and the title number, find her and producer Willie Mitchell leaning toward disco while still leaving a taste of their classic-style Memphis groove in the mix, and if Howard Grimes' four-on-the-floor drumming dates these tracks a bit, Peebles still sings her tales of love both good and bad with the passion, force, and clarity that made her a legend. Still, Peebles sounds a bit more at home on "I'm So Thankful," a solid soul shot about a contented wife and mother (which she wrote herself and reflected her then-current status as a new mom), and the slow bluesy "You're Gonna Make Me Cry," and while this album is hardly a cookie-cutter disco throwaway, If This Is Heaven still has an air of compromise about it. While Peebles had no reason to be ashamed of her performances on this disc, it certainly doesn't capture her in her most comfortable surroundings.

© Mark Deming /TiVo

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If This Is Heaven

Ann Peebles

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1
If This Is Heaven
00:03:11

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

2
A Good Day for Lovin'
00:02:54

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

3
I'm so Thankful
00:04:06

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

4
Being Here with You
00:02:34

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

5
Boy I Gotta Have You
00:02:48

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

6
When I'm in Your Arms
00:03:07

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

7
You're Gonna Make Me Cry
00:04:43

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

8
Games
00:03:02

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

9
Lovin' You Without Love
00:03:03

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

10
Fill This World with Love
00:02:58

Ann Peebles, MainArtist - Not Documented, Composer

(C) 2009 Hi Records under exclusive license to Fat Possum records (P) 2009 Hi Records under exclusive license to Fat Possum Records

Chronique

By 1977, straight-ahead Southern soul had stopped selling in big numbers and disco had taken over the R&B market, and like many of her peers, soul diva Ann Peebles tried to make the best of matters by turning up the groove quotient on her album of that year, If This Is Heaven. Peebles, one of the best and most underrated soul songbirds of the 1970s, had already demonstrated she could work wonders with a dance-friendly track on her previous set, 1975's Tellin' It, and If This Is Heaven's first two cuts, "A Good Day for Lovin'" and the title number, find her and producer Willie Mitchell leaning toward disco while still leaving a taste of their classic-style Memphis groove in the mix, and if Howard Grimes' four-on-the-floor drumming dates these tracks a bit, Peebles still sings her tales of love both good and bad with the passion, force, and clarity that made her a legend. Still, Peebles sounds a bit more at home on "I'm So Thankful," a solid soul shot about a contented wife and mother (which she wrote herself and reflected her then-current status as a new mom), and the slow bluesy "You're Gonna Make Me Cry," and while this album is hardly a cookie-cutter disco throwaway, If This Is Heaven still has an air of compromise about it. While Peebles had no reason to be ashamed of her performances on this disc, it certainly doesn't capture her in her most comfortable surroundings.

© Mark Deming /TiVo

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