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Meg & Dia|Here, Here And Here  (Std. Version)

Here, Here And Here (Std. Version)

Meg & Dia

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Meg & Dia widen their sound -- and their audience's eyeballs -- with Here, Here and Here, an album that blends radio-ready pop/rock with emo flourishes and tongue twisting, sexually frank lyrics. "Your eyes are dusty dirt porn magazines," sings Dia Frampton. "I'll take your pants, you take my hair, and let's dance." In keeping with that sly come-on, Here, Here and Here doesn't shy away from much, be it the "skeletons in [Dia's] bed" or the anthemic grandeur provided by producer Howard Benson. He piles the music high with strings, Technicolor guitars, keyboards, and the occasional "Crimson and Clover"-styled tremolo effect, sometimes amplifying the songwriters' emotions to a hyperbolic extent. Such moments threaten to topple the band's foundation, which needs structural support rather than the sonic turrets, spires, and flying buttresses that Benson so gleefully loves. Meg & Dia are left to come up with a track list that warrants such epic treatment, and when the group does deliver, the result recalls a slightly edgier Eisley (complete with closely paralleled sibling harmonies) with Warped Tour appeal. As before, Meg & Dia pepper their strongest songs with clever turns of phrase, from the seafaring love ballad "One Sail" ("My love rests in a shipwreck with a compass in his head/I'll wait for him like a vulture waits for bodies") to "Agree to Disagree" ("There's something about giving up that sounds so bittersweet/I'll think I'll throw in the towel right now...but fold it nice and neat"). The latter song shuffles along with a country bounce, but it's also dominated by a honking harmonica, as if the listener wouldn't be able to make the connection without a clichéd, rootsy instrument at the forefront. Meg & Dia don't need that kind of help; rather, they need room to grow, to stretch their legs, to make their own mistakes without layers of aural fondant coating their sound. When left to their own devices, however, the girls still sound promising, which makes Here an enjoyable listen despite its flaws.

© Andrew Leahey /TiVo

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Here, Here And Here (Std. Version)

Meg & Dia

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1
Going Away (Album Version)
00:03:24

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Neel Hammond, Strings - Meg & Dia, MainArtist - D. Frampton, Composer, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by - Jennifer Kuhn, Strings

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

2
Hug Me (Album Version)
00:03:25

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Composer, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

3
What If (Album Version)
00:03:23

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer, Lyricist - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

4
Are There Giants Too, in the Dance? (Album Version)
00:03:22

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer, Lyricist - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

5
Inside My Head (Album Version)
00:04:24

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Neel Hammond, Strings - Meg & Dia, MainArtist - D. Frampton, Composer, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by - Jennifer Kuhn, Strings

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

6
Black Wedding (Album Version)
00:03:31

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Composer, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer - M. Squire, Composer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

7
Bored of Your Love (Album Version)
00:03:00

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Tom Higgenson, Lead Vocals - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Writer - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Writer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by - T. Higgenson, Writer

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

8
One Sail (Album Version)
00:04:19

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Neel Hammond, Strings - Meg & Dia, MainArtist - D. Frampton, Composer, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by - Jennifer Kuhn, Strings

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

9
The Last Great Star in Hollywood (Album Version)
00:03:10

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer, Lyricist - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

10
Agree to Disagree (Album Version)
00:03:40

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer, Lyricist - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by - Brian Sturges, Harmonica

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

11
Fighting for Nothing (Album Version)
00:04:25

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - D. Frampton, Composer, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

12
Kiss You Goodnight (Album Version)
00:04:07

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Neel Hammond, Strings - Meg & Dia, MainArtist - D. Frampton, Lyricist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer, Lyricist - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by - Jennifer Kuhn, Strings

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

13
Here, Here and Here (Album Version)
00:04:13

Howard Benson, Producer, Additional Keyboards, Additional Programmer - Paul DeCarli, Digital Editor - Hatsukazu Inagaki, AdditionalEngineer - Mike Plotnikoff, Recorded by - TOM LORD-ALGE, Mixer - Michito Sanchez, Percussion - Meg & Dia, MainArtist - Dia Frampton, Performed by - Fernio Hernandez, AssistantEngineer - M. Frampton, Composer, Lyricist - Meg Frampton, Additional Keyboards, Additional Programmer, Performed by

© 2009 Doghouse America Inc. and Sire Records. Marketed by Warner Records Inc., A Warner Music Group Company. ℗ 2009 Doghouse America Inc. and Sire Records.

Chronique

Meg & Dia widen their sound -- and their audience's eyeballs -- with Here, Here and Here, an album that blends radio-ready pop/rock with emo flourishes and tongue twisting, sexually frank lyrics. "Your eyes are dusty dirt porn magazines," sings Dia Frampton. "I'll take your pants, you take my hair, and let's dance." In keeping with that sly come-on, Here, Here and Here doesn't shy away from much, be it the "skeletons in [Dia's] bed" or the anthemic grandeur provided by producer Howard Benson. He piles the music high with strings, Technicolor guitars, keyboards, and the occasional "Crimson and Clover"-styled tremolo effect, sometimes amplifying the songwriters' emotions to a hyperbolic extent. Such moments threaten to topple the band's foundation, which needs structural support rather than the sonic turrets, spires, and flying buttresses that Benson so gleefully loves. Meg & Dia are left to come up with a track list that warrants such epic treatment, and when the group does deliver, the result recalls a slightly edgier Eisley (complete with closely paralleled sibling harmonies) with Warped Tour appeal. As before, Meg & Dia pepper their strongest songs with clever turns of phrase, from the seafaring love ballad "One Sail" ("My love rests in a shipwreck with a compass in his head/I'll wait for him like a vulture waits for bodies") to "Agree to Disagree" ("There's something about giving up that sounds so bittersweet/I'll think I'll throw in the towel right now...but fold it nice and neat"). The latter song shuffles along with a country bounce, but it's also dominated by a honking harmonica, as if the listener wouldn't be able to make the connection without a clichéd, rootsy instrument at the forefront. Meg & Dia don't need that kind of help; rather, they need room to grow, to stretch their legs, to make their own mistakes without layers of aural fondant coating their sound. When left to their own devices, however, the girls still sound promising, which makes Here an enjoyable listen despite its flaws.

© Andrew Leahey /TiVo

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