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The Panics|Cruel Guards (+ bonus track)

Cruel Guards (+ bonus track)

The Panics

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Langue disponible : anglais

The third album from Australian group the Panics garnered them an ARIA (an Australian equivalent to the Grammy) for best adult contemporary album for a reason. The band constantly moves through new territories, defying a simple definition or a simple parallel to another band. However, they do so while maintaining an excellent, intriguing sound. Frontman Jae Laffer gives a husky delivery that swoons just a bit here and there over the top of a layer of guitar and drums, an occasional bit of keyboard inflection, and depending on the song, a bit of classic Motown-style strings (occasionally replaced by a synth version nostalgic for the Motown sound). The album opens with perhaps the most Motown-heavy piece, handclaps and strings triumphantly announcing the group's entrance. The strings are a little less Motown and a little more Coldplay in "Ruins," and bent a little toward Asian pop in "Creaks." Still, the band itself provides a steady, strong backing, and Laffer provides almost a narrative-style delivery, throaty in its timbre, breathy even. The band tells their stories, touching on the grey areas of pop, alluding to U2 in the rhythm guitar for a moment in "Live Without." They touch on darker beach songs in "Confess," they evoke contemporary Bob Dylan recordings in "Sundowner," with an almost weary, dim delivery but a grandiose chorus movement. The album defies a clear definition other than "adult contemporary," but it's attractive, it's catchy, and it's exploratory all at once. Definitely worth a spin or two.

© Adam Greenberg /TiVo

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Cruel Guards (+ bonus track)

The Panics

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1
Get Us Home
00:04:15

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

2
Ruins
00:03:41

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

3
Creaks
00:04:02

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

4
Don't Fight It
00:05:01

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

5
Feeling Is Gone
00:03:22

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

6
Cruel Guards
00:05:14

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

7
Live Without
00:04:16

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

8
Something In The Garden
00:04:56

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

9
Confess
00:03:59

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

10
Sundowner
00:05:18

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, under exclusive license to Dew Process/Universal Music Australia Pty Limited

11
Sundowner (Banjo Mix)
00:03:50

Drew Wootton, Composer - Myles Wootton, Composer - Paul Otway, Composer - Jules Douglas, Composer - Jae Laffer, ComposerLyricist - The Panics, MainArtist

℗ 2007 Dew Process/Universal Music Australia, unexclusive license to Universal Music Australia Pty Limited

Chronique

The third album from Australian group the Panics garnered them an ARIA (an Australian equivalent to the Grammy) for best adult contemporary album for a reason. The band constantly moves through new territories, defying a simple definition or a simple parallel to another band. However, they do so while maintaining an excellent, intriguing sound. Frontman Jae Laffer gives a husky delivery that swoons just a bit here and there over the top of a layer of guitar and drums, an occasional bit of keyboard inflection, and depending on the song, a bit of classic Motown-style strings (occasionally replaced by a synth version nostalgic for the Motown sound). The album opens with perhaps the most Motown-heavy piece, handclaps and strings triumphantly announcing the group's entrance. The strings are a little less Motown and a little more Coldplay in "Ruins," and bent a little toward Asian pop in "Creaks." Still, the band itself provides a steady, strong backing, and Laffer provides almost a narrative-style delivery, throaty in its timbre, breathy even. The band tells their stories, touching on the grey areas of pop, alluding to U2 in the rhythm guitar for a moment in "Live Without." They touch on darker beach songs in "Confess," they evoke contemporary Bob Dylan recordings in "Sundowner," with an almost weary, dim delivery but a grandiose chorus movement. The album defies a clear definition other than "adult contemporary," but it's attractive, it's catchy, and it's exploratory all at once. Definitely worth a spin or two.

© Adam Greenberg /TiVo

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