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Molotov|Con Todo Respeto

Con Todo Respeto

Molotov

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Langue disponible : anglais

If an artist is going to record a cover of a well-known song, it is important to bring something new and different to the tune. Otherwise, what's the point? Why try to provide a carbon copy of the song's original version when the original can still be heard? Thankfully, Molotov understands that, which is why Con Todo Respeto (With All Respect) is an interesting collection of covers instead of a forgettable one. The songs on this 2005 release -- some of them from Latin music, some from English-language rock and pop -- are familiar, but what Molotov does to them is not. The Beastie Boys' "Girls," Falco's "Rock Me, Amadeus," and the Misfits' "I Turned Into a Martian" successfully receive rock en español makeovers, as does Lipps, Inc.'s 1981 disco/dance-pop hit "Designer Music." This album's biggest surprise, however, is a Spanish-language update of Gil Scott-Heron's "The Revolution Will Not Be Televised." Although faithful to the original spirit of the sociopolitical classic, Molotov provides new lyrics that are addressing Mexicans instead of African-Americans -- and just as Scott-Heron poked fun at certain aspects of U.S. pop culture (for example, his irreverent line about Dick getting down with Jane on the soap opera Search for Tomorrow), Molotov makes their point with Latino references such as telenovelas. Instead of Scott-Heron's reference to "hog maw confiscated from a Harlem sanctuary," Molotov mentions Barrio Tepito -- an ultra-poor and notoriously dangerous area of Mexico City -- and instead of calling for African-Americans to fight for a brighter future, Molotov declares that "los mexicanos estarán en la calle buscando mejor mañana" (translation: Mexicans will be in the street looking for a better tomorrow). Con Todo Respeto isn't Molotov's most essential release, but it is still an excellent, highly rewarding part of their catalog.

© Alex Henderson /TiVo

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Con Todo Respeto

Molotov

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1
Amateur (Rock Me Amadeus) Explicit
00:04:21

Robert Carranza, Producer - J. Hoelze, ComposerLyricist - Molotov, MainArtist - Ferdi Bolland, ComposerLyricist - Robert J. Bolland, ComposerLyricist

℗ 2004 Universal Music Latino

2
Diseño Rolas (Designer Music) Explicit
00:03:04

Sandy Atlas, ComposerLyricist - Molotov, Adapter, MainArtist - Steven Greenberg, ComposerLyricist

℗ 2004 Universal Music Latino

3
Marciano II (I Turned Into A Martian) (Punk Version) Explicit
00:02:23

Glenn Danzig, ComposerLyricist - Molotov, MainArtist

℗ 2004 Universal Music Latino

4
The Revolution Will Not Be Televised (La Revo) (Demo Version) Explicit
00:03:31

Gil Scott-Heron, ComposerLyricist - Molotov, Translator, Adapter, MainArtist

℗ 2004 Universal Music Latino

5
La Boa A Go-Go (La Boa) (Demo Version) Explicit
00:03:23

Felix Reyna Herrera, ComposerLyricist - Jose Carlos Reyes Hernandez, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Universal Music Latino

6
Chavas Explicit
00:02:41

Rick Rubin, Composer - Adam Keefe Horovitz, Composer - Molotov, Translator, Adapter, MainArtist

℗ 2004 Universal Music Latino

7
Mamar (Mama) Explicit
00:03:58

Roberto Torres Casas, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Universal Music Latino

8
Quen Pon-Ponk (Quen Pompo) (Demo Version) Explicit
00:01:44

Alberto Mozo Crostwhaytt, ComposerLyricist - Jorge Cardenas Rincon, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Universal Music Latino

9
Da Da Da (DADADA) Explicit
00:03:33

Stephan Remmler, ComposerLyricist - Kralle, ComposerLyricist - Robert Carranza, Producer - Molotov, Producer, Translator, Adapter, MainArtist

℗ 2004 Universal Music Latino

10
Perro Negro Granjero (Perro Negro Y Callejero Y La Grange) Explicit
00:03:21

Billy Gibbons, ComposerLyricist - Frank Beard, ComposerLyricist - Alex Lora, ComposerLyricist - Joe Michael Hill, ComposerLyricist - Molotov, MainArtist

℗ 2004 Universal Music Latino

11
Agüela (Mi Abuela & The Magnificent Seven & Bust A Move) Explicit
00:03:47

Marvin Young, ComposerLyricist - Mick Jones, ComposerLyricist - Matt Dike, ComposerLyricist - JOE STRUMMER, ComposerLyricist - Topper Headon, ComposerLyricist - Wilfredo Morales Luciano, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Surco Records J.V.

12
Mi Agüita Amarilla (Demo Version) Explicit
00:04:17

Pablo Carbonell, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Universal Music Latino

13
Me Vale Vergara Explicit
00:03:52

Robert Carranza, Producer - Molotov, Producer, MainArtist - Miguel Angel Huidobro, ComposerLyricist

℗ 2005 Universal Music Latino

14
Marciano (I Turned Into A Martian) Explicit
00:04:10

Glenn Danzig, ComposerLyricist - Robert Carranza, Producer - Molotov, Producer, MainArtist

℗ 2004 Universal Music Latino

15
The Revolution Will Not Be Televised (La Revo) Explicit
00:03:54

Gil Scott-Heron, ComposerLyricist - Molotov, Translator, Adapter, MainArtist

℗ 2004 Universal Music Latino

16
La Boa A Go-Go (La Boa) Explicit
00:03:44

Felix Reyna Herrera, ComposerLyricist - Jose Carlos Reyes Hernandez, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Universal Music Latino

17
Quen Pon-Ponk (Quen Pompo) Explicit
00:01:32

Alberto Mozo Crostwhaytt, ComposerLyricist - Jorge Cardenas Rincon, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Surco Records J.V.

18
Mi Agüita Amarilla Explicit
00:06:31

Pablo Carbonell, ComposerLyricist - Molotov, Adapter, MainArtist

℗ 2004 Surco Records J.V.

19
Marciano Veloz (I Turned Into A Martian) (Demo Version) Explicit
00:02:12

Glenn Danzig, ComposerLyricist - Molotov, MainArtist

℗ 2005 Universal Music Latino

Chronique

If an artist is going to record a cover of a well-known song, it is important to bring something new and different to the tune. Otherwise, what's the point? Why try to provide a carbon copy of the song's original version when the original can still be heard? Thankfully, Molotov understands that, which is why Con Todo Respeto (With All Respect) is an interesting collection of covers instead of a forgettable one. The songs on this 2005 release -- some of them from Latin music, some from English-language rock and pop -- are familiar, but what Molotov does to them is not. The Beastie Boys' "Girls," Falco's "Rock Me, Amadeus," and the Misfits' "I Turned Into a Martian" successfully receive rock en español makeovers, as does Lipps, Inc.'s 1981 disco/dance-pop hit "Designer Music." This album's biggest surprise, however, is a Spanish-language update of Gil Scott-Heron's "The Revolution Will Not Be Televised." Although faithful to the original spirit of the sociopolitical classic, Molotov provides new lyrics that are addressing Mexicans instead of African-Americans -- and just as Scott-Heron poked fun at certain aspects of U.S. pop culture (for example, his irreverent line about Dick getting down with Jane on the soap opera Search for Tomorrow), Molotov makes their point with Latino references such as telenovelas. Instead of Scott-Heron's reference to "hog maw confiscated from a Harlem sanctuary," Molotov mentions Barrio Tepito -- an ultra-poor and notoriously dangerous area of Mexico City -- and instead of calling for African-Americans to fight for a brighter future, Molotov declares that "los mexicanos estarán en la calle buscando mejor mañana" (translation: Mexicans will be in the street looking for a better tomorrow). Con Todo Respeto isn't Molotov's most essential release, but it is still an excellent, highly rewarding part of their catalog.

© Alex Henderson /TiVo

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