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Black|Comedy

Comedy

Black

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Langue disponible : anglais

Seeking a U.S. breakthrough, A&M Records held Black's second album, Comedy, back from release until a re-recorded 1989 version of his U.K. hit "Wonderful Life" could be added as the leadoff track. There is also a remixed version of the U.K. hit "Sweetest Smile," which, like "Wonderful Life," previously appeared on Black's debut album, Wonderful Life. Also included were the more recent U.K. chart singles "The Big One" and "Now You're Gone." All of which means that, in its U.S. version at least, Comedy was almost more of a hits compilation than a formal second album. That, however, lent it a certain consistency, and in its newer songs, the album showed Black moving away from the cocktail jazz and doomy lyrics of his debut and toward a more eclectic sound, as well as lighter, more romantic sentiments.

© William Ruhlmann /TiVo

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Comedy

Black

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1
The Big One
00:03:53

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Producer, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

2
I Can Laugh About It Now
00:05:00

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Producer, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

3
Whatever People Say You Are
00:03:57

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Producer, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

4
You're A Big Girl Now
00:04:19

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Producer, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

5
Let Me Watch You Make Love
00:03:08

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Producer, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

6
Hey I Was Right You Were Wrong!
00:03:39

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Producer, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

7
All We Need Is The Money
00:04:30

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Producer, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

8
You Don't Always Do What's Best For You
00:04:43

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Producer, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

9
Now You're Gone
00:03:42

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Producer, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

10
No-One, None, Nothing
00:05:06

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Producer, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

11
It's Not Over Yet
00:05:16

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Producer, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

12
Paradise Lost
00:05:35

Peter Adams, Keyboards, AssociatedPerformer - Colin Vearncombe, Guitar, Vocals, AssociatedPerformer, ComposerLyricist - Martin Ditcham, Percussion, AssociatedPerformer - Dave Anderson, Recording Engineer, StudioPersonnel - ROBIN MILLAR, Producer, Guitar, AssociatedPerformer - Mike Pela, Mix Engineer, StudioPersonnel - Steve Sidwell, Trumpet, AssociatedPerformer - Jock Loveband, Asst. Recording Engineer, StudioPersonnel - Black, MainArtist - Derek Green , Background Vocalist, AssociatedPerformer - Phil Legg, Engineer, StudioPersonnel - Steve Pearce, Bass Guitar, AssociatedPerformer - Cameron Jenkins, Asst. Recording Engineer, StudioPersonnel - Martin Green, Saxophone, AssociatedPerformer - Dave Dix, Keyboards, AssociatedPerformer - Robin Evans, Asst. Recording Engineer, StudioPersonnel - Tina Labrinski, Background Vocalist, AssociatedPerformer - Guy Richman, Drums, AssociatedPerformer - Gordon Morgan, Guitar, AssociatedPerformer - Sara Lamarra, Background Vocalist, AssociatedPerformer

℗ 1988 A&M Records Limited

Chronique

Seeking a U.S. breakthrough, A&M Records held Black's second album, Comedy, back from release until a re-recorded 1989 version of his U.K. hit "Wonderful Life" could be added as the leadoff track. There is also a remixed version of the U.K. hit "Sweetest Smile," which, like "Wonderful Life," previously appeared on Black's debut album, Wonderful Life. Also included were the more recent U.K. chart singles "The Big One" and "Now You're Gone." All of which means that, in its U.S. version at least, Comedy was almost more of a hits compilation than a formal second album. That, however, lent it a certain consistency, and in its newer songs, the album showed Black moving away from the cocktail jazz and doomy lyrics of his debut and toward a more eclectic sound, as well as lighter, more romantic sentiments.

© William Ruhlmann /TiVo

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