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Glen Campbell|Burning Bridges

Burning Bridges

Glen Campbell

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In contrast to his major albums of the second half of the '60s, which were mostly produced exclusively by Al DeLory and were drawn from defined sessions, Burning Bridges is a more uneven, transitional creation, assembling several years' worth of sides in Campbell's output from 1962 through late 1966, and produced by DeLory, Steve Douglas, and Nick Venet. The result is a decidedly variable body of music, much of it from the sentimental side of the country repertoire, including the Bacharach/David "Too Late to Worry, Too Blue to Cry." The best parts are the Campbell original "Less of Me" and "Burning Bridges" (which dates from a time when his label thought Campbell might be another Jim Reeves or Eddy Arnold), and "I'll Hold You in My Heart" and "You've Still Got a Place in My Heart" have endured on various compilations. But there's nothing here as accomplished musically or as bold in sound and construction (within a pop context) as the best album tracks -- forget the singles -- that Campbell would cut with DeLory over the ensuing three years.

© Bruce Eder /TiVo

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Burning Bridges

Glen Campbell

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1
Burning Bridges
00:02:27

Glen Campbell, MainArtist - Walter Scott, Composer - Al De Lory, Producer

℗ 1966 Capitol Records Nashville

2
Just To Satisfy You
00:02:24

Don Bowman, Composer - Glen Campbell, MainArtist - Waylon Jennings, Composer - Al De Lory, Producer

℗ 1966 Capitol Records Nashville

3
Summer, Winter, Spring And Fall
00:02:38

V. McAlpin, ComposerLyricist - Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, MainArtist - Al De Lory, Producer - Roy Drusky, ComposerLyricist

℗ 1964 Capitol Records Nashville

4
I'll Hold You In My Heart
00:02:49

Tommy Dilbeck, ComposerLyricist - Hal Horton, ComposerLyricist - Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, MainArtist - Al De Lory, Producer - Eddy Arnold, ComposerLyricist

℗ 1963 Capitol Records Nashville

5
As Far As I'm Concerned
00:02:12

Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, MainArtist - Al De Lory, Producer - Dale Parker, Composer

℗ 1963 Capitol Records Nashville

6
Less Of Me
00:02:34

Bobbie Gentry, FeaturedArtist - Glen Campbell, Composer, MainArtist - Al De Lory, Producer

℗ 1967 Capitol Records Nashville

7
You've Still Got A Place In My Heart
00:02:29

Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, MainArtist - Al De Lory, Producer - Leon Payne, ComposerLyricist

℗ 1967 Capitol Records Nashville

8
Too Late To Worry - Too Blue To Cry
00:02:34

Jimmie Haskell, Conductor - Nick Venet, Producer - Glen Campbell, MainArtist - Al Dexter, Composer

℗ 1963 Capitol Records Nashville

9
Old Memories Never Die
00:02:16

Carl Belew, Composer - Clyde Pitts, Composer - Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, MainArtist - Al De Lory, Producer

℗ 1967 Capitol Records Nashville

10
Faith
00:02:03

Dick Glasser, Composer - Joe Johnson, Composer - Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, MainArtist - Al De Lory, Producer

℗ 1967 Capitol Records Nashville

11
Together Again
00:02:19

Steve Douglas, Producer - Nick Venet, Producer - Glen Campbell, Vocals, MainArtist, AssociatedPerformer - Al De Lory, Producer - Buck Owens, Composer

℗ 1966 UMG Recordings, Inc.

Chronique

In contrast to his major albums of the second half of the '60s, which were mostly produced exclusively by Al DeLory and were drawn from defined sessions, Burning Bridges is a more uneven, transitional creation, assembling several years' worth of sides in Campbell's output from 1962 through late 1966, and produced by DeLory, Steve Douglas, and Nick Venet. The result is a decidedly variable body of music, much of it from the sentimental side of the country repertoire, including the Bacharach/David "Too Late to Worry, Too Blue to Cry." The best parts are the Campbell original "Less of Me" and "Burning Bridges" (which dates from a time when his label thought Campbell might be another Jim Reeves or Eddy Arnold), and "I'll Hold You in My Heart" and "You've Still Got a Place in My Heart" have endured on various compilations. But there's nothing here as accomplished musically or as bold in sound and construction (within a pop context) as the best album tracks -- forget the singles -- that Campbell would cut with DeLory over the ensuing three years.

© Bruce Eder /TiVo

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