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Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan expanded her trio with a quartet of Count Basie titans, including trumpeter Thad Jones and tenor Frank Wess, and as if the settings weren't challenging enough already, decided to record a set that, in true after-hours fashion, was completely improvised. (The cover photo even shows her studying a sheet as she sings.) Although the results are certainly far looser and more relaxed than a studio date, Vaughan and the instrumentalists don't shine as expected. Vaughan in particular plays it safe with this material, drawing out her cozy ballads with interpretive ease, but never taking them as far as she could in a more stable setting. The format breaks down completely on the final song, "Thanks for the Memory," when Vaughan misreads a lyric, puzzles over it for a few seconds, restarts the number, flubs it again, starts over one more time, and finally wraps up after seven minutes by declaring the session -- while still singing, of course -- "the most craziest, upsettin', down-sided recording date I ever had in my life."
© John Bush /TiVo
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Johnny Burke, Author - Sarah Vaughan, MainArtist - Jimmy Van Heusen, Composer - Bob Shad, Producer - Richard Seidel, Producer
℗ 1958 UMG Recordings, Inc.
Sarah Vaughan, MainArtist - Herb Ellis, ComposerLyricist - Lou Carter, ComposerLyricist - Jack Tracy, Producer - David Carroll, Producer - John Van Frigo, ComposerLyricist
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Sarah Vaughan, MainArtist - Bert Kalmar, ComposerLyricist - Harry Ruby, ComposerLyricist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 UMG Recordings, Inc.
AL DUBIN, Author - Harry Warren, Composer - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Cole Porter, ComposerLyricist - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Kurt Weill, Composer - Ogden Nash, Author - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 UMG Recordings, Inc.
Cole Porter, ComposerLyricist - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 Verve Label Group, a Division of UMG Recordings, Inc.
Leo Robin, ComposerLyricist - Ralph Rainger, ComposerLyricist - Sarah Vaughan, MainArtist - Jack Tracy, Producer - David Carroll, Producer
℗ 1958 The Verve Music Group, a Division of UMG Recordings, Inc.
Chronique
Seven months after Mercury recorded Sarah Vaughan in a live setting for the surprisingly successful At Mr. Kelly's, the label planned another date with the microphones for the night of March 7, 1958. This time, however, instead of setting up at Mr. Kelly's (although she was booked for three shows that night), the producers invited a small group of friends and well-wishers to another Chicago club, London House, for an after-hours session. Vaughan expanded her trio with a quartet of Count Basie titans, including trumpeter Thad Jones and tenor Frank Wess, and as if the settings weren't challenging enough already, decided to record a set that, in true after-hours fashion, was completely improvised. (The cover photo even shows her studying a sheet as she sings.) Although the results are certainly far looser and more relaxed than a studio date, Vaughan and the instrumentalists don't shine as expected. Vaughan in particular plays it safe with this material, drawing out her cozy ballads with interpretive ease, but never taking them as far as she could in a more stable setting. The format breaks down completely on the final song, "Thanks for the Memory," when Vaughan misreads a lyric, puzzles over it for a few seconds, restarts the number, flubs it again, starts over one more time, and finally wraps up after seven minutes by declaring the session -- while still singing, of course -- "the most craziest, upsettin', down-sided recording date I ever had in my life."
© John Bush /TiVo
À propos
- 1 disque(s) - 8 piste(s)
- Durée totale : 00:38:04
- Artistes principaux : Sarah Vaughan
- Compositeur : Various Composers
- Label : Verve Reissues
- Genre : Jazz Jazz vocal
© 2005 UMG Recordings, Inc. ℗ 1958 UMG Recordings, Inc.
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