Musique illimitée
Écoutez cet album en haute-qualité dès maintenant dans nos applications
Démarrer ma période d'essai et lancer l'écoute de cet albumProfitez de cet album sur les apps Qobuz grâce à votre abonnement
SouscrireProfitez de cet album sur les apps Qobuz grâce à votre abonnement
Téléchargement digital
Téléchargez cet album dans la qualité de votre choix
Singer Shemekia Copeland must have been pleased with the way 2009's Never Going Back turned out because she returns to the well and again employs the services of the Wood Brothers' Oliver Wood as producer/guitarist, and some of the same backing musicians, on this follow-up released three years later. As on the last disc, there is a decided shift away from the sassy blues belter style that powered her Alligator catalog (the disc is dedicated to Koko Taylor, an obvious role model) to a still rootsy but more reserved rock/gospel/R&B groove. She addresses serious socio-political topics of violence against women in the Robert Cray-styled "Ain't Gonna Be Your Tattoo" (which includes a fiery guest solo from Buddy Guy), phony religious demagoguery on the rollicking and very Stonesy "Somebody Else's Jesus," and the depressing economic climate circa 2012 on the opening "Lemon Pie." These tracks were co-written with Copeland's longtime manager John Hahn and guitarist/producer Wood, who seem to make a good songwriting team. Her covers of Bob Dylan (a stripped-down, swamped-up, "I'll Be Your Baby Tonight"), Sam Cooke (a percussively peppy "Ain't that Good News") and JJ Grey's churchy "A Woman" (with a wild, nearly unhinged pedal steel solo from Charlie Starr) are terrific rearrangements of these tunes, and she sings them with passion and conviction. Wood taps his Atlanta-based side project Burnt Bacon for frontman Jon Liebman (ex-Sean Costello) who blows sizzling electrified harp on the deep Chicago vibe of "I Sing the Blues," the album's bluesiest and toughest performance. As usual, Copeland covers one of her dad Johnny's compositions; this time it's the jazzy soul of "One More Time." The singer was only 33 1/3 years old at the time of this album's 2012 release which, along with her love of vinyl, accounts for its title. Still, she sounds older and wiser than her chronological years would dictate, as she energizes these terrific songs with guts, power, and a restraint powered by experience and natural talent.
© Hal Horowitz /TiVo
Vous êtes actuellement en train d’écouter des extraits.
Écoutez plus de 100 millions de titres avec votre abonnement illimité.
Écoutez cette playlist et plus de 100 millions de titres avec votre abonnement illimité.
À partir de 12,49€/mois
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Randy Weeks, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Oliver Wood, Producer - J.J. Grey, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Oliver Wood, Producer - Earl Bridgeman, ComposerLyricist - Philip Wooten, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - John Hahn, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Johnny Copeland, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Sam Cooke, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Chris Long, ComposerLyricist - Oliver Wood, Producer, ComposerLyricist
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Shemekia Copeland, Vocals, MainArtist, AssociatedPerformer - Bob Dylan, ComposerLyricist - Oliver Wood, Producer
℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Chronique
Singer Shemekia Copeland must have been pleased with the way 2009's Never Going Back turned out because she returns to the well and again employs the services of the Wood Brothers' Oliver Wood as producer/guitarist, and some of the same backing musicians, on this follow-up released three years later. As on the last disc, there is a decided shift away from the sassy blues belter style that powered her Alligator catalog (the disc is dedicated to Koko Taylor, an obvious role model) to a still rootsy but more reserved rock/gospel/R&B groove. She addresses serious socio-political topics of violence against women in the Robert Cray-styled "Ain't Gonna Be Your Tattoo" (which includes a fiery guest solo from Buddy Guy), phony religious demagoguery on the rollicking and very Stonesy "Somebody Else's Jesus," and the depressing economic climate circa 2012 on the opening "Lemon Pie." These tracks were co-written with Copeland's longtime manager John Hahn and guitarist/producer Wood, who seem to make a good songwriting team. Her covers of Bob Dylan (a stripped-down, swamped-up, "I'll Be Your Baby Tonight"), Sam Cooke (a percussively peppy "Ain't that Good News") and JJ Grey's churchy "A Woman" (with a wild, nearly unhinged pedal steel solo from Charlie Starr) are terrific rearrangements of these tunes, and she sings them with passion and conviction. Wood taps his Atlanta-based side project Burnt Bacon for frontman Jon Liebman (ex-Sean Costello) who blows sizzling electrified harp on the deep Chicago vibe of "I Sing the Blues," the album's bluesiest and toughest performance. As usual, Copeland covers one of her dad Johnny's compositions; this time it's the jazzy soul of "One More Time." The singer was only 33 1/3 years old at the time of this album's 2012 release which, along with her love of vinyl, accounts for its title. Still, she sounds older and wiser than her chronological years would dictate, as she energizes these terrific songs with guts, power, and a restraint powered by experience and natural talent.
© Hal Horowitz /TiVo
À propos
- 1 disque(s) - 11 piste(s)
- Durée totale : 00:44:55
- 1 Livret Numérique
- Artistes principaux : Shemekia Copeland
- Compositeur : Various Composers
- Label : Telarc
- Genre : Blues/Country/Folk Blues
© 2012 Telarc International, a division of Concord Music Group, Inc. ℗ 2012 Telarc International, a division of Concord Music Group, Inc.
Améliorer les informations de l'albumPourquoi acheter sur Qobuz ?
-
Streamez ou téléchargez votre musique
Achetez un album ou une piste à l’unité. Ou écoutez tout notre catalogue en illimité avec nos abonnements de streaming en haute qualité.
-
Zéro DRM
Les fichiers téléchargés vous appartiennent, sans aucune limite d’utilisation. Vous pouvez les télécharger autant de fois que vous souhaitez.
-
Choisissez le format qui vous convient
Vous disposez d’un large choix de formats pour télécharger vos achats (FLAC, ALAC, WAV, AIFF...) en fonction de vos besoins.
-
Écoutez vos achats dans nos applications
Téléchargez les applications Qobuz pour smartphones, tablettes et ordinateurs, et écoutez vos achats partout avec vous.