Silvio Caldas
Sílvio Caldas, one of the so-called Four Greats of Brazilian music (along with Francisco Alves, Orlando Silva, and Carlos Galhardo), was the most important artist of the seresta genre. A very romantic musical expression, characterized by simple harmonies, strong bel canto-inspired voices, and sentimental renditions, the seresta owes its affirmation in the Brazilian musical landscape to Caldas. Primarily a singer, Caldas also had success as a seresta composer chiefly in the '30s. Amongst his immortal classics, it can be mentioned that a partnership with noted lyricist Orestes Barbosa produced "Chão de Estrelas" and "Arranha-Céu"; other important examples of the duo's production of are "Serenata," "Suburbana," "Santa dos Meus Amores," "O Nome Dela Eu Não Digo," "Torturante Ironia," and "Quase Que Eu Disse." Caldas also worked with Cartola, Wilson Batista, Ary Barroso, and Billy Blanco. Caldas' militancy in the seresta genre brought him the epithet of "O Seresteiro do Brasil" (the Seresteiro/Serenader of Brazil), which followed him throughout his long and prolific career. He worked professionally as an artist for 65 years (more than any other Brazilian singer), most of it filled with intense activity in radio, the studio, and live performances. Having the seresta, a particular preference for valses, it's not surprising that Caldas was an excellent interpreter in this genre. But he became individualized in a romantic yet contained style, the opposite of the overly sentimental style practiced by other famous artists like Vicente Celestino. Caldas also didn't have a potent a voice like Francisco Alves; instead, the originality of his interpretations, which used to make frequent use of rhythmic devices, ended up opening the way for a new style that would be fully explored by Mário Reis, who, together with Orlando Silva, decisively influenced João Gilberto and all bossa nova. Caldas also dedicated himself to the samba genre, having been one of the main interpreters of Ary Barroso's songs, launching classics like "Morena Boca de Ouro" (recorded later by João Gilberto), "Linda Lourinha" (by João de Barro), "Pastorinhas" (Noel Rosa/de Barro), "Lenço no Pescoço" (by Wilson Batista -- this samba initiated the musical polemic between Batista and Rosa), "Minha Palhoça" (J. Cascata), "Da Cor do Pecado" (Bororó), and "Mulher" (Custódio Mesquita/Sadi Cabral).
Caldas was raised in a musical environment: his father was composer A.N. Caldas. Since he was a child, Caldas used to perform at parties and serestas, having debuted in a public performance at six at the Teatro Fênix. In 1927, he opened Rádio Mayrink Veiga, followed by other radio stations. Caldas recorded his first album in 1930, through Victor. Immediately noticed by Ary Barroso, he launched his "Faceira," which became Caldas' first recorded hit. In 1932, he recorded the all-time classic samba-canção "Maria" (Barroso/Luís Peixoto). After 1944, he became involved in movies, such as Tristezas Não Pagam Dívidas and Não Adianta Chorar. Having known fame and success, and having been decorated by the Brazilian Academy of Literature, Caldas retired to his ranch in upstate São Paulo, where he lived his last 40 years, still participating in the musical scene until 1970.
© Alvaro Neder /TiVo
Diskografie
21 Album, -en • Geordnet nach Bestseller
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Silvio Caldas - Especial (Ao Vivo)
World Music - Erschienen bei Som Livre am 08.12.1975
16-Bit CD Quality 44.1 kHz - Stereo -
O Melhor De Silvio Caldas
Samba - Erschienen bei RCA Records Label am 12.02.1998
16-Bit CD Quality 44.1 kHz - Stereo -
Elizeth Cardoso E Silvio Caldas (Vol. 2)
Elizeth Cardoso, Silvio Caldas
Pop - Erschienen bei EMI am 12.03.1971
16-Bit CD Quality 44.1 kHz - Stereo -
Elizeth Cardoso E Silvio Caldas (Vol. 1)
Elizeth Cardoso, Silvio Caldas
Pop - Erschienen bei EMI am 16.06.1971
16-Bit CD Quality 44.1 kHz - Stereo -
No Palco! (Ao Vivo)
World Music - Erschienen bei Inter CD Records am 22.07.2000
16-Bit CD Quality 44.1 kHz - Stereo -
Cabelos Brancos
MPB (Música Popular Brasileira) - Erschienen bei Sony Music Entertainment am 09.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Meus Primeiros Sucessos
World Music - Erschienen bei Tratore am 30.08.1940
16-Bit CD Quality 44.1 kHz - Stereo -
A Música De Ary, A Voz De Silvio
Brasilianische Musik - Erschienen bei Amor Indiano am 24.03.2023
16-Bit CD Quality 44.1 kHz - Stereo -
The Music of Brazil / Serestas / Recordings 1957-1958
Brasilianische Musik - Erschienen bei Black Round Records am 02.10.2009
16-Bit CD Quality 44.1 kHz - Stereo -
Canta o Seresteiro
Samba - Erschienen bei Sony Music Entertainment am 02.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Silvio Caldas e Pedro Vargas - Gravado Ao Vivo no Canecão
MPB (Música Popular Brasileira) - Erschienen bei Sony Music Entertainment am 27.05.2022
16-Bit CD Quality 44.1 kHz - Stereo -
O Seresteiro
World Music - Erschienen bei Rozenblit am 01.01.1956
16-Bit CD Quality 44.1 kHz - Stereo -
Seresteiro Do Brasil
Lateinamerika - Erschienen bei Tropical Sounds am 22.03.2024
16-Bit CD Quality 44.1 kHz - Stereo -
Tudo Me Fala do Teu Olhar
World Music - Erschienen bei Black Sheep Music am 08.10.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Grandes Sucessos com Silvio Caldas
MPB (Música Popular Brasileira) - Erschienen bei Sony Music Entertainment am 02.09.2022
16-Bit CD Quality 44.1 kHz - Stereo -
The Music of Brazil / Ary Barroso & Dorival Caymmi / Recordings 1953 - 1958
Ary Barroso, Dorival Caymmi, Silvio Caldas
Brasilianische Musik - Erschienen bei Black Round Records am 30.09.2009
16-Bit CD Quality 44.1 kHz - Stereo -
Alucinação
World Music - Erschienen bei Black Sheep Music am 08.10.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Música de Ary Barroso - Canta Silvio Caldas
MPB (Música Popular Brasileira) - Erschienen bei Lado C am 01.11.1953
16-Bit CD Quality 44.1 kHz - Stereo -
Sílvio Caldas - Meu Segredo
World Music - Erschienen bei Black Sheep Music am 08.10.2013
16-Bit CD Quality 44.1 kHz - Stereo