Franz Schubert
Franz Peter Schubert was among the first of the Romantics, and the composer who, more than any other, brought the art song (lied) to artistic maturity. During his short but prolific career, he produced masterpieces in nearly every genre, all characterized by rich harmonies, an expansive treatment of classical forms, and a seemingly endless gift for melody.
Schubert began his earliest musical training studying with his father and brothers. Having passed an audition, Schubert enrolled at the Stadtkonvikt that trained young vocalists to eventually sing at the chapel of The Imperial Court. Schubert began to explore composition and wrote a song that came to the attention of the institution's director, Antonio Salieri, who along with the school's professor of harmony, hailed young Schubert as a genius. In 1813, after Schubert's voice broke, he returned to live with his father, who directed him to follow in his footsteps and become a schoolteacher. Schubert begrudgingly complied and worked miserably in that capacity by day, while composing prolifically by night. He had written more than 100 songs as well as numerous symphonic, operatic, and chamber music scores, before he reached the age of 20.
Schubert finally left his teaching position to dedicate himself completely to musical pursuits. During the summer of 1818, the young composer worked as a private music teacher to the aristocratic Esterházy family. When he left that post in the fall, Schubert lived a somewhat bohemian lifestyle, composing and spending time with a group of friends that acted as his personal support system. In 1820, Schubert was commissioned by two opera houses, the Karthnerthor Theatre and Theatre-an-der-Wein, to compose a pair of operas. He wrote Die Zwillingsbrüder, and Zauberharfe, both of which were unenthusiastically received. Schubert failed to secure a contract with a publisher, as none were willing to take a chance on a relatively unknown composer who wrote harmonically untraditional music. Schubert, along with the support of his artistic friends, published his own work for a collection of roughly 100 subscribers. These efforts, however, were financially unrewarding, and Schubert struggled to sustain himself. His work garnered little attention and contemporary composers dismissed his music as presumptuous and immature.
In 1823, Schubert was elected to the Musikverein of Graz, as an honorary member. Though this brought no financial reward and was an inconsequential appointment, Schubert relished its slight recognition, and to show his gratitude, composed his famous Unfinished Symphony. Five years later, Schubert's music was featured at a concert at Vienna's Musikverein. His work was received quite enthusiastically, and to much critical acclaim. This marked the only time during the composer's life that he enjoyed such success. This seemed to provide Schubert with a renewed sense of optimism, and despite illness, the composer continued to produce at an incredible rate. He began to organize a scheme to increase his artistic popularity, by continuing to evaluate his work and progress as a musician, perhaps even planning to study harmony privately. Schubert's health did not improve, and he soon found himself at death's door. During the composer's last moments, he instructed his brother Ferdinand to ensure that he would be buried alongside Ludwig van Beethoven's grave. Schubert revered the legendary composer, and was grateful to him, as Beethoven had praised his work after hearing a selection of songs. Schubert also highly regarded the work of both Franz Joseph Haydn and Wolfgang Amadeus Mozart. Franz Schubert died of syphilis.
Despite his short life, Schubert produced a wealth of symphonies, operas, masses, chamber music pieces, and piano sonatas, most of which are considered standard repertoire. He is known primarily for composing hundreds of songs including Gretchen am Spinnrade, and Erlkonig. He pioneered the song cycle with such works as Die Schöne Müllerin, and Winterreise, and greatly affected the vocal writing of both Robert Schumann and Gustav Mahler.
© David Brensilver /TiVo
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Schubert: Symphony No. 9 in C Major, D. 944
Eugen Jochum, The Bavarian Radio Symphony Orchestra
Symphonieorchester - Erschienen bei Violet Hill Records am 06.12.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Joyas de la Música, Vol. 28
The Hamburg Symphony Orquestra
Klassik - Erschienen bei Star Evens Digital am 21.03.1996
16-Bit CD Quality 44.1 kHz - Stereo -
Impromptu (Electronic Version)
Electronic - Erschienen bei Electro Roma am 30.04.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert - Symphony No. 8 in B Minor, D.759 'Unfinished'
The Oslo Philharmonic Orchestra, Oivin Fjeldstad
Klassik - Erschienen bei Violet Hill Records am 14.05.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert - The Genius Collection
Klassik - Erschienen bei Unchained Melodie am 28.02.2011
16-Bit CD Quality 44.1 kHz - Stereo -
To be in Love (Electronic Version)
Electronic - Erschienen bei Electro Roma am 22.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert: Symphony No. 9 in C Major, D. 944 "The Great"
The SDR Symphony Orchestra, Carl Schuricht
Symphonieorchester - Erschienen bei Sunday Club Records am 13.08.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Colorful Life (Electronic Version)
Electronic - Erschienen bei Electro Roma am 21.06.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Electrolux (Electro Version)
Electronic - Erschienen bei Electro Roma am 28.06.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert: Symphony No. 9 in C Major, D. 944 "The Great"
Eugen Jochum, The Bavarian Radio Symphony Orchestra
Symphonieorchester - Erschienen bei Sunday Club Records am 12.02.2014
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert: Symphony No. 9 in C Major, D. 944 "The Great"
Josef Krips, London Symphony Orchestra
Symphonieorchester - Erschienen bei Sunday Club Records am 12.12.2013
16-Bit CD Quality 44.1 kHz - Stereo -
Schubert - Marche Militaire No. 1 in D
The Vienna State Opera Orchestra, Joseph Leo Gruber
Klassik - Erschienen bei Violet Hill Records am 11.06.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Classical dreams (Electronic Version)
Nologo, Pyotr Illitch Tchaïkovski, Ludwig van Beethoven, Franz Schubert
Electronic - Erschienen bei Electro Roma am 26.04.2024
16-Bit CD Quality 44.1 kHz - Stereo -
Guitar Madness (GTR Version)
Alternativ und Indie - Erschienen bei Electro Roma am 17.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Dogma (GTR Version)
Alternativ und Indie - Erschienen bei Electro Roma am 18.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Human Nature (Electronic Version)
Electronic - Erschienen bei Electro Roma am 27.10.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Guitar Pro (GTR Version)
Alternativ und Indie - Erschienen bei Electro Roma am 18.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Guitar Farm (GTR Version)
Alternativ und Indie - Erschienen bei Electro Roma am 16.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Guitar Maniac (GTR Version)
Alternativ und Indie - Erschienen bei Electro Roma am 14.12.2021
16-Bit CD Quality 44.1 kHz - Stereo -
I'm Loving IT (Electronic Version)
Electronic - Erschienen bei Electro Roma am 21.01.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Allegro (Electronic Version)
Electronic - Erschienen bei Electro Roma am 23.05.2023
16-Bit CD Quality 44.1 kHz - Stereo