Franz Liszt
Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability -- the greatest in the history of keyboard playing -- an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his time. Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner.
From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood. Still, he was at the age of eleven the youngest contributor to publisher Anton Diabelli's famous variation commissioning project, best remembered as the inspiration for Beethoven's final piano masterpiece. An oft-repeated anecdote -- first recounted by Liszt himself decades later, and possibly fanciful -- has Beethoven attending a recital given by the youngster and bestowing a kiss of benediction upon him.
Though already a veteran of the stage by his teens, Liszt recognized the necessity of further musical tuition. He studied for a time with Czerny and Salieri in Vienna, and later sought acceptance to the Paris Conservatory. When he was turned down there -- foreigners were not then admitted -- he instead studied privately with Anton Reicha. Ultimately, his Hungarian origins proved a great asset to his career, enhancing his aura of mystery and exoticism and inspiring an extensive body of works, none more famous than the Hungarian Rhapsodies (1846-1885).
Liszt soon became a prominent figure in Parisian society, his romantic entanglements providing much material for gossip. Still, not even the juiciest accounts of his amorous exploits could compete with the stories about his wizardry at the keyboard. Inspired by the superhuman technique -- and, indeed, diabolical stage presence -- of the violinist Paganini, Liszt set out to translate these qualities to the piano. As his career as a touring performer, conductor, and teacher burgeoned, he began to devote an increasing amount of time to composition. He wrote most of his hundreds of original piano works for his own use; accordingly, they are frequently characterized by technical demands that push performers -- and in Liszt's own day, the instrument itself -- to their limits. The "transcendence" of his Transcendental Etudes (1851), for example, is not a reference to the writings of Emerson and Thoreau, but an indication of the works' level of difficulty. Liszt was well into his thirties before he mastered the rudiments of orchestration -- works like the Piano Concerto No. 1 (1849) were orchestrated by talented students -- but made up for lost time in the production of two "literary" symphonies (Faust, 1854-1857, and Dante, 1855-1856) and a series of orchestral essays (including Les préludes, 1848-1854) that marks the genesis of the tone poem as a distinct genre.
After a lifetime of near-constant sensation, Liszt settled down somewhat in his later years. In his final decade he joined the Catholic Church and devoted much of his creative effort to the production of sacred works. The complexion of his music darkened; the flash that had characterized his previous efforts gave way to a peculiar introspection, manifested in strikingly original, forward-looking efforts like Nuages gris (1881). Liszt died in Bayreuth, Germany, on July 31, 1886, having outlived Wagner, his son-in-law and greatest creative beneficiary.
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Liszt: Weinen, Klagen, Sorgen, Zagen, S. 673
Klassik - Erschienen bei prospect am 19.04.2024
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La Campanella
Verschiedenes - Erschienen bei Classical Moments am 20.01.2023
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Reflections and Relationships
Yaroslav Senyshyn, Susan O'Neill-Senyshyn
Kammermusik - Erschienen bei Albany Records am 01.11.2013
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Alexander Brailowsky Liszt and Encores: The Berlin Recordings 1928-1934 Vol 2.
Klassik - Erschienen bei Danacord Records am 01.01.1989
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Preludes to Consolations: Chopin & Liszt
Frédéric Chopin, Franz Liszt, Valentina Melilla
Klassik - Erschienen bei Piano Hall Records am 07.02.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Un Sospiro. Liszt and Grieg in Time
Ernst von Dohnányi, Edvard Grieg, Franz Liszt
Klassik - Erschienen bei Novus Promusica am 29.02.2024
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Great Performances at Megaron, the Athens Concert Hall, Vol. 3, Franz Liszt
Klassik - Erschienen bei Polymusic Classical am 29.03.2021
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Los Grandes de la Musica Clasica - Franz Liszt Vol. 2
Klassik - Erschienen bei ClassicalPirosDigital am 07.06.2015
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Cosmic Classical: Libra
Franz Liszt, Camille Saint-Saëns, Giuseppe Verdi
Lounge - Erschienen bei PMI Collins Classics am 23.08.2021
16-Bit CD Quality 44.1 kHz - Stereo -
Franz Liszt Sonata (Friedheim Version) and Pensée des Morts: Historic Performances 2013 (Stereo)
Klassik - Erschienen bei The Digital Gramophone am 06.11.2013
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Yuri Didenko plays Liszt, Rachmaninov
Klassik - Erschienen bei Classical Records am 02.10.2002
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Classical Assembly. Gennady Dzubenko - Liszt, Mussorgsky, Prokofiev
Klassik - Erschienen bei Russian Compact Disc am 17.06.2001
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Schwanengesang, D. 957: No. 4 - Ständchen (Arr. for Piano by Franz Liszt)
Franz Schubert, Franz Liszt, German Kitkin
Klassik - Erschienen bei Stereo Arts Classics am 15.04.2024
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Liszt: Präludium und Fuge über das Thema B-A-C-H, S. 260
Klassik - Erschienen bei prospect am 19.04.2024
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Liszt: Fantasie und Fuge über „Ad nos ad salutarem undam“, S. 259
Klassik - Erschienen bei prospect am 19.04.2024
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Liszt: Symphonic Poem No. 2, S. 96 "Tasso, Lamento e trionfo" (Digitally Remastered)
Lithuania RTV Symphony Orchestra
Klassik - Erschienen bei EMG Classical am 03.09.2013
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Afternoon walks
Klassik - Erschienen bei UME - Global Clearing House am 09.05.2024
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Majestic Melodies: Tchaikovsky, Beethoven, Liszt
Pyotr Illitch Tchaïkovski, Franz Liszt, Ludwig van Beethoven
Klassik - Erschienen bei UME - Global Clearing House am 20.03.2024
16-Bit CD Quality 44.1 kHz - Stereo -
Hungarian Rhapsody No. 5
Alternativ und Indie - Erschienen bei Kevin Pearson am 05.12.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Lucid Dreams
Dance - Erschienen bei VIRAL MUSIC COLLECTIVE am 08.06.2023
16-Bit CD Quality 44.1 kHz - Stereo