Dorothy Ashby
Harpist Dorothy Ashby was one of the very first to bring the harp into a prominent role in jazz. In the late '50s, Ashby started releasing albums where her harp was the lead instrument, whereas beforehand, harp in jazz contexts was mostly relegated to backing texture or flourishes. Though Ashby worked as a side player for many big names throughout her career, her records as a leader were her most important contribution to jazz on the whole, growing from roots in bebop on sets like 1958's Hip Harp to incorporate elements of Brazilian music, electrified soul, world influences, and even psychedelia on efforts like her especially tuned-in 1968 album Afro-Harping. Ashby remained active up until her death in the late '80s, and the influence of her visionary work can be heard in subsequent generations of harp players expanding the boundaries of genre and expression.
Ashby was born Dorothy Jeanne Thompson in Detroit in 1932. She grew up in a family connected to Detroit's jazz scene and was playing piano at a young age. After graduating from Wayne State University with a major in piano, Ashby switched her main instrument from piano to harp around 1952. At the time, harp was seldom seen in jazz circles and largely considered more of a classical instrument. Ashby pioneered jazz harp, working with saxophonist/flutist Frank Wess on 1957's The Jazz Harpist and two 1958 outings, Hip Harp and In a Minor Groove, to find a sound that let harp lead standards and bop numbers. This approach was all but unheard of at the time, and Ashby continued releasing harp-centered jazz albums throughout the '60s, including efforts like 1965's The Fantastic Jazz Harp of Dorothy Ashby for Atlantic Records. In the late '60s, Ashby's music expanded somewhat, incorporating more wide-reaching styles on the psychedelic soul jazz of 1968's monumental Afro-Harping and 1969's Dorothy's Harp. In 1970, she released the even more experimental album The Rubaiyat of Dorothy Ashby, which found her playing both harp and koto on funky, somewhat orchestral soul jazz tracks. The album even found Ashby singing on a few tracks, and a larger band was arranged and conducted by Richard Evans. Throughout the '70s and into the '80s, Ashby played harp on records by Bill Withers, Stevie Wonder, Stanley Turrentine, and Minnie Riperton, among many other jazz and soul greats, and she released a few more records of her own before dying of cancer in 1986.
Ashby's trailblazing as a jazz harpist unconcerned with conforming to the expected opened doors for everyone who followed. Even by the mid-'60s, Ashby was trading notes with fellow Detroit-born harpist and contemporary peer Alice Coltrane, and in the years after her death, ripples of Ashby's influence can be heard not just in harpists like Brandee Younger and Zeena Parkins, but in certain spheres of indie rock, rap, experimental music, and beyond.
In 2023, box set release With Strings Attached, 1957-1965 remastered Ashby's first six albums, giving new listeners a chance to own her long-out-of-print early catalog.
© Fred Thomas /TiVo
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Dorothy Ashby (Remastered)
Jazz - Erschienen bei Avid Entertainment am 02.04.2023
16-Bit CD Quality 44.1 kHz - Stereo -
in a Minor Groove
Jazz - Erschienen bei Sowing Records am 04.03.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Soft Winds: the Swinging Harp of Dorothy Ashby
Jazz - Erschienen bei Dnv am 27.03.2023
16-Bit CD Quality 44.1 kHz - Stereo -
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Hip Harp + In a Minor Groove
Jazz - Erschienen bei New Jazz Society am 11.11.2019
16-Bit CD Quality 44.1 kHz - Stereo -
Dorothy Ashby
World Music - Erschienen bei TP4 Music am 02.04.2023
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz After Midnight
Jazz - Erschienen bei Silver Classics Jazz am 10.03.2015
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Harp Essentials
Modern Jazz - Erschienen bei Stardust Records am 01.06.2012
16-Bit CD Quality 44.1 kHz - Stereo -
Jazz Harpist Extraordinaire
Jazz - Erschienen bei Union Music Sales am 02.10.2012
16-Bit CD Quality 44.1 kHz - Stereo -
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In a Minor Groove
Modern Jazz - Erschienen bei Music Manager am 06.04.2014
16-Bit CD Quality 44.1 kHz - Stereo -
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Soft Winds / the Swinging Harp of Dorothy Ashby
Jazz - Erschienen bei Sowing Records am 05.05.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Lil' Darlin'
Jazz - Erschienen bei Jazz Archives Records am 20.03.2015
16-Bit CD Quality 44.1 kHz - Stereo -
The Hip Jazz Harp of Dorothy Ashby, Vol. 2
Jazz - Erschienen bei RevOla am 24.08.2018
16-Bit CD Quality 44.1 kHz - Stereo -
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The Jazz Harpist
Jazz - Erschienen bei Music Manager am 07.02.2022
16-Bit CD Quality 44.1 kHz - Stereo -
Essential Collection
Jazz - Erschienen bei Essential Collection am 06.11.2022
16-Bit CD Quality 44.1 kHz - Stereo