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Sueye Park|Yun: Three Late Works

Yun: Three Late Works

Sueye Park, Seoul Philharmonic Orchestra and Osmo Vänskä

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At the end of a career spent between his native Korea and Germany, during which he produced works that span the musical traditions of both countries, Isang Yun expressed a wish to limit himself "to what is substantial, in order to transmit more peace, more goodness, more purity and warmth into this world".

With Silla (1992) the composer pays tribute to the origins of Korean culture and philosophy, to the court music introduced from China, and to the period when Korea’s political unity was established (676–935 AD). Describing its mood, Yun provided such keywords as "nocturnal, festive … mirthful but also melancholy".

From the same year, Violin Concerto III was composed after a stay in hospital, and Yun once described it as a birthday present to himself. At the age of 75 he no longer felt the need to take contemporary currents, aesthetic trends or technical restraints into consideration. The work holds in store a wealth of musical occurrences that could perhaps be deciphered in the context of its composers own life, and is here performed by the young South Korean violinist Sueye Park.

Closing the recording is Chamber Symphony No. 1 from 1987, a work in one movement but with three distinct sections. In it, Yun combines instruments that forge changing musical alliances while engaging in rivalry or complementing each other. The mood is evocative of an, at times, animated conversation. © BIS Records

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Yun: Three Late Works

Sueye Park

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1
Silla
Seoul Philharmonic Orchestra
00:16:48

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer, ImmersiveMixingEngineer - Robert Suff, Producer

2022 BIS 2022 (P) BIS

Violin Concerto No. 3 (Isang Yun)

2
I. —
Sueye Park
00:06:52

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer, ImmersiveMixingEngineer - Robert Suff, Producer - Sueye Park, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

3
II. —
Sueye Park
00:08:24

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer, ImmersiveMixingEngineer - Robert Suff, Producer - Sueye Park, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

4
III. —
Sueye Park
00:11:00

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer, ImmersiveMixingEngineer - Robert Suff, Producer - Sueye Park, MainArtist, AssociatedPerformer

2022 BIS 2022 (P) BIS

Chamber Symphony No. 1 (Isang Yun)

5
I. —
Seoul Philharmonic Orchestra
00:08:17

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer, ImmersiveMixingEngineer - Robert Suff, Producer

2022 BIS 2022 (P) BIS

6
II. —
Seoul Philharmonic Orchestra
00:08:21

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer, ImmersiveMixingEngineer - Robert Suff, Producer

2022 BIS 2022 (P) BIS

7
III. —
Seoul Philharmonic Orchestra
00:07:08

Osmo Vänskä, Conductor, MainArtist - Isang Yun, Composer - Seoul Philharmonic Orchestra, Orchestra, MainArtist - Jin Choi, SoundEngineer - Robert Suff, Producer

2022 BIS 2022 (P) BIS

Albumbeschreibung

At the end of a career spent between his native Korea and Germany, during which he produced works that span the musical traditions of both countries, Isang Yun expressed a wish to limit himself "to what is substantial, in order to transmit more peace, more goodness, more purity and warmth into this world".

With Silla (1992) the composer pays tribute to the origins of Korean culture and philosophy, to the court music introduced from China, and to the period when Korea’s political unity was established (676–935 AD). Describing its mood, Yun provided such keywords as "nocturnal, festive … mirthful but also melancholy".

From the same year, Violin Concerto III was composed after a stay in hospital, and Yun once described it as a birthday present to himself. At the age of 75 he no longer felt the need to take contemporary currents, aesthetic trends or technical restraints into consideration. The work holds in store a wealth of musical occurrences that could perhaps be deciphered in the context of its composers own life, and is here performed by the young South Korean violinist Sueye Park.

Closing the recording is Chamber Symphony No. 1 from 1987, a work in one movement but with three distinct sections. In it, Yun combines instruments that forge changing musical alliances while engaging in rivalry or complementing each other. The mood is evocative of an, at times, animated conversation. © BIS Records

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