Qobuz Store wallpaper
Kategorie:
Warenkorb 0

Ihr Warenkorb ist leer

Wizzard|Wizzard Brew

Wizzard Brew

Wizzard

Verfügbar in
16-Bit/44.1 kHz Stereo

Musik-Streaming

Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität

Testen Sie Qobuz kostenlos und hören Sie sich das Album an

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Abonnement abschließen

Hören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps

Download

Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.

Text in englischer Sprache verfügbar

Roy Wood designed Wizzard's singles to be hooky, accessible propositions. The "real art" was saved for the albums...or at least that's the impression their debut, Wizzard Brew, leaves. It's hard to tell what to make of Wizzard Brew, actually, and it seems all the stranger since it was released the same year as four jubilant, sparkling pop singles, all deliberately left off of the LP. Stylistically, the album isn't all that different from the hits -- four of the six songs are firmly rooted in '50s rock & roll, while the other two hearken back to the Move at their most self-consciously British -- but the music sounds as if it was performed by a different band. In a way, Wizzard Brew picks up where "Brontosaurus" left off, since its foundation is heavy on guitars and complicated riffing, yet that still doesn't explain the strangeness of the album. Despite its Chuck Berry/Eddie Cochran roots, the record plays like sonic terrorism -- a bizarre blend of boogie riffs and old-time rock & roll, spiked with traces of British psychedelia and music hall, all filtered through sheer white noise. Wizzard Brew is easily the noisiest damn record of its era -- compressed, processed, and flattened within an inch of its life. It's possible that this is all the result of a studio mishap, but it doesn't feel that way. The noise feels like an artistic decision, a way to push Wizzard's blend of retro rock and art into uncharted territory. It's the polar opposite of ELO -- consciously primitive art rock. Only two songs clock in at under five minutes; the rest beat the listener into submission with their pummeling riffs, unbridled boogie, and sheets of noise. It leaves you dazed and senseless, yet not necessarily satisfied.

© Stephen Thomas Erlewine /TiVo

Weitere Informationen

Wizzard Brew

Wizzard

launch qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS bereits heruntergeladen Öffnen

download qobuz app Ich habe die Qobuz Desktop-Anwendung für Windows / MacOS noch nicht heruntergeladen Downloaden Sie die Qobuz App

Sie hören derzeit Ausschnitte der Musik.

Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements

Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements

Ab 12,49€/Monat

1
You Can Dance Your Rock 'n' Roll (2006 Remaster)
Wizzard
00:04:38

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

2
Meet Me at the Jailhouse (2006 Remaster)
Wizzard
00:13:33

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

3
Jolly Cup of Tea (2006 Remaster)
Wizzard
00:02:11

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

4
Buffalo Station - Get on Down to Memphis (2006 Remaster)
Wizzard
00:07:37

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

5
Gotta Crush (About You) (2006 Remaster)
Wizzard
00:03:44

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

6
Wear a Fast Gun (2006 Remaster)
Wizzard
00:09:16

Rick Price, Bass Guitar, Percussion, Vocals, Bass - Roy Wood, Composer, Producer, Arranger, Bassoon, Cello, Guitar, Percussion, Recorder, Saxophone, Trombone, Tuba, Vocals, Recording, Strings, Bass, Sitar - Wizzard, MainArtist - Alan Parsons, Engineer - Nick Pentelow, Clarinet, Flute, Saxophone, Vocals, Bass - Mike Burney, Clarinet, Flute, Saxophone - Peter Ollif, Engineer - Keith Smart, Drums - Hugh 'H' McDowell, Cello, Moog - Charlie Grima, Drums, Percussion, Congas - Bill Hunt, Arranger, Euphonium, Flugelhorn, Harpsichord, Horn, French Horn, Piano, Trumpet, Tuba, Vocals

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

7
Ball Park Incident (2006 Remaster)
Wizzard
00:03:40

Roy Wood, Composer, Producer, Arranger - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

8
The Carlsberg Special (2006 Remaster)
Wizzard
00:04:14

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 1972, 2006 Parlophone Records Ltd, a Warner Music Group Company

9
See My Baby Jive (2006 Remaster)
Wizzard
00:05:00

Roy Wood, Composer, Producer, Arranger, Produced by - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

10
Bend over Beethoven (2006 Remaster)
Wizzard
00:04:40

Roy Wood, Producer - Wizzard, MainArtist - Hugh 'H' McDowell, Composer

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

11
Angel Fingers (A Teen Ballad) (2006 Remaster)
Wizzard
00:04:37

Roy Wood, Composer, Producer, Arranger, Produced by - The Suedettes, Vocals - Wizzard, MainArtist - The Bleach Boys, Vocals

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

12
You Got the Jump on Me (2006 Remaster)
Wizzard
00:06:28

Rick Price, Composer - Roy Wood, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

13
Rob Roy's Nightmare (A Bit More H.A.) (2006 Remaster)
Wizzard
00:03:47

Roy Wood, Producer - Wizzard, MainArtist - Mike Burney, Composer

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

14
I Wish It Could Be Christmas Everyday (with the Stockland Green Bilateral School First Year Choir) (2005 Remaster)
Roy Wood
00:04:48

Roy Wood, Producer, Lead Vocals, Writer, Produced by, MainArtist - The Suedettes, Vocals - The Stockland Green Bilateral School First Year Choir, Choir, FeaturedArtist, Second Vocals - Miss Snob & Class 3c, Noises

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2005 Parlophone Records Ltd, a Warner Music Group Company

15
Meet Me at the Jailhouse (US Insert) (2006 Remaster)
Wizzard
00:00:46

Roy Wood, Composer, Producer - Wizzard, MainArtist

© 2006 Parlophone Records Ltd, a Warner Music Group Company ℗ 2006 Parlophone Records Ltd, a Warner Music Group Company

Albumbeschreibung

Roy Wood designed Wizzard's singles to be hooky, accessible propositions. The "real art" was saved for the albums...or at least that's the impression their debut, Wizzard Brew, leaves. It's hard to tell what to make of Wizzard Brew, actually, and it seems all the stranger since it was released the same year as four jubilant, sparkling pop singles, all deliberately left off of the LP. Stylistically, the album isn't all that different from the hits -- four of the six songs are firmly rooted in '50s rock & roll, while the other two hearken back to the Move at their most self-consciously British -- but the music sounds as if it was performed by a different band. In a way, Wizzard Brew picks up where "Brontosaurus" left off, since its foundation is heavy on guitars and complicated riffing, yet that still doesn't explain the strangeness of the album. Despite its Chuck Berry/Eddie Cochran roots, the record plays like sonic terrorism -- a bizarre blend of boogie riffs and old-time rock & roll, spiked with traces of British psychedelia and music hall, all filtered through sheer white noise. Wizzard Brew is easily the noisiest damn record of its era -- compressed, processed, and flattened within an inch of its life. It's possible that this is all the result of a studio mishap, but it doesn't feel that way. The noise feels like an artistic decision, a way to push Wizzard's blend of retro rock and art into uncharted territory. It's the polar opposite of ELO -- consciously primitive art rock. Only two songs clock in at under five minutes; the rest beat the listener into submission with their pummeling riffs, unbridled boogie, and sheets of noise. It leaves you dazed and senseless, yet not necessarily satisfied.

© Stephen Thomas Erlewine /TiVo

Informationen zu dem Album

Verbesserung der Albuminformationen

Qobuz logo Warum Musik bei Qobuz kaufen?

Aktuelle Sonderangebote...

The Studio Albums 2009 – 2018

Mark Knopfler

Money For Nothing

Dire Straits

Money For Nothing Dire Straits

Tutu

Miles Davis

Tutu Miles Davis

Live 1978 - 1992

Dire Straits

Live 1978 - 1992 Dire Straits
Mehr auf Qobuz
Von Wizzard

Introducing Eddy and the Falcons

Wizzard

Wizzards Holiday Songs

Wizzard

Wizzards I'll Be Home for Christmas

Wizzard

I Wish It Could Be Christmas Everyday

Wizzard

5 Bites: Mini Album - EP

Wizzard

Playlists

Das könnte Ihnen auch gefallen...

One Deep River

Mark Knopfler

One Deep River Mark Knopfler

i/o

Peter Gabriel

i/o Peter Gabriel

Rumours

Fleetwood Mac

Rumours Fleetwood Mac

Now And Then

The Beatles

Now And Then The Beatles

Dark Matter

Pearl Jam

Dark Matter Pearl Jam