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The Chicks spent the first half of the '90s toiling away on the independent bluegrass circuit, releasing three albums on small labels, before sisters Martie Seidel and Emily Robison decided to revamp their sound in 1995, adding Natalie Maines as their lead singer and, in the process, moving the group away from bluegrass and toward a major label with Sony/Columbia's revived Monument Records imprint. All of this seems like the blueprint for a big pop crossover move and, to be sure, their 1998 major-label debut Wide Open Spaces was a monumental success, selling over ten million copies and turning the group into superstars, but the remarkable thing about the album is that it's most decidedly not a sell-out, or even a consciously country-pop record. To be sure, there are pop melodies here, but this isn't a country-pop album in the vein of Shania Twain, a record that's big on style and glitz, designed for a mass audience. Instead, Wide Open Spaces pulls from several different sources -- the Chicks' Americana roots, to be sure, but also bits of the alt-country from kd lang and Lyle Lovett, '70s soft rock (any album that features versions of songs by J.D. Souther and Bonnie Raitt surely fits this bill), even the female neo-folkies emerging on the adult alternative rock stations at the end of the decade. In other words, it hit a sweet spot, appealing to many different audiences because it was eclectic without being elitist, but they also had a true star in Natalie Maines, whose powerful, bluesy voice gave these songs a compelling center. Maines was versatile, too, negotiating the twists and turns of these songs without a hitch, easily moving from the vulnerability of "You Were Mine" to the snarl of "Give It Up or Let Me Go." The same goes for the Chicks and Wide Open Spaces as a whole: they are as convincing on the sprightly opener "I Can Love You Better" or the bright, optimistic title song as they are on the breezy "There's Your Trouble" as they are on the honky tonk shuffle of "Tonight the Heartache's on Me" and the rocking swagger of "Let 'Er Rip." It's a remarkably wide range and it's effortlessly eclectic, with the Chicks bringing it all together with their attitude and understated musicality -- as debuts go (and this does count as a debut), they rarely get better than this.
© Stephen Thomas Erlewine /TiVo
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Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Pamela Brown Hayes, Composer - Pamela Brown Hayes, Lyricist - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Kostas, Composer - Kostas, Lyricist - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Lloyd Maines, Steel Guitar - Clarke Schleicher, Producer
(P) 1997 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Susan Gibson, Composer - Susan Gibson, Lyricist - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Clarke Schleicher, Producer - Lloyd Maines, Steel Guitar
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Matt Rollings, Piano - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Tom Jans, Composer - Tom Jans, Lyricist - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Lloyd Maines, Steel Guitar - Clarke Schleicher, Producer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Tia Sillers, Composer - Tia Sillers, Lyricist - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Mark Selby, Composer - Mark Selby, Lyricist - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Lloyd Maines, Steel Guitar - Clarke Schleicher, Producer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Emily Robison, Composer - Emily Robison, Lyricist - Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Composer - Martie Seidel, Vocal - Martie Seidel, Lyricist - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Clarke Schleicher, Producer - Lloyd Maines, Steel Guitar
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Matt Rollings, Piano - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Radney Foster, Composer - Radney Foster, Lyricist - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Ducas, Composer - George Ducas, Lyricist - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Lloyd Maines, Steel Guitar - Clarke Schleicher, Producer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Bob Morrison, Composer - Bob Morrison, Lyricist - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Mary W. Francis, Composer - Mary W. Francis, Lyricist - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Johnny MacRae, Composer - Johnny MacRae, Lyricist - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Lloyd Maines, Steel Guitar - Clarke Schleicher, Producer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Sandy Ramos, Composer - Sandy Ramos, Lyricist - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Matt Rollings, Piano - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Composer - Billy Crain, Lyricist - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Lloyd Maines, Steel Guitar - Clarke Schleicher, Producer
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Bruce Miller, Composer - Bruce Miller, Lyricist - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Thom McHugh, Composer - Thom McHugh, Lyricist - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Clarke Schleicher, Producer - Lloyd Maines, Steel Guitar
(P) 1998 Columbia Records, a division of Sony Music Entertainment
John David Souther, Composer - John David Souther, Lyricist - Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Matt Rollings, Piano - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Clarke Schleicher, Producer - Lloyd Maines, Steel Guitar
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Maria McKee, Composer - Maria McKee, Lyricist - Michael Rhodes, Bass - John Guess, Mixing Engineer - Ed Simonton, Producer - Carlos Grier, Edited By - Clarke Schleicher, Producer - Lloyd Maines, Steel Guitar
(P) 1998 Columbia Records, a division of Sony Music Entertainment
Joe Chemay, Bass - Christopher Rowe, Mixing Engineer - Natalie Maines, Vocal - Jim Burnett, Producer - Jim Burnett, Edited By - Matt Rollings, Piano - Jr. Bill Joe Walker, Acoustic Baritone Guitar - Jr. Bill Joe Walker, Electric Guitar - Don Cobb, Edited By - Mark Capps, Producer - Tony Castle, Producer - Denny Purcell, Mastering Engineer - Shawn Simpson, Mixing Engineer - Martie Seidel, Vocal - Martie Seidel, Mandolin - Martie Seidel, Fiddle - Greg Marrow, Drums - Blake Chancey, Producer - Billy Crain, Acoustic Baritone Guitar - Paul Worley, Producer - Paul Worley, Acoustic Baritone Guitar - Paul Worley, Electric Guitar - Dixie Chicks, Performer - Chip Matthews, 2nd Engineer - Erik Hellerman, Producer - Tom Roady, Tambourine - Tom Roady, Congas - Tom Roady, Shaker - Emily Erwin, Vocal - Emily Erwin, Acoustic Baritone Guitar - Emily Erwin, Dobro - Emily Erwin, Banjo - Mark Casstevens, Acoustic Baritone Guitar - George Marinelli, Electric Guitar - Michael Rhodes, Bass - John Guess, Mixing Engineer - Bonnie Raitt, Composer - Bonnie Raitt, Lyricist - Ed Simonton, Producer - Carlos Grier, Edited By - Clarke Schleicher, Producer - Lloyd Maines, Steel Guitar
(P) 1997 Columbia Records, a division of Sony Music Entertainment
Albumbeschreibung
The Chicks spent the first half of the '90s toiling away on the independent bluegrass circuit, releasing three albums on small labels, before sisters Martie Seidel and Emily Robison decided to revamp their sound in 1995, adding Natalie Maines as their lead singer and, in the process, moving the group away from bluegrass and toward a major label with Sony/Columbia's revived Monument Records imprint. All of this seems like the blueprint for a big pop crossover move and, to be sure, their 1998 major-label debut Wide Open Spaces was a monumental success, selling over ten million copies and turning the group into superstars, but the remarkable thing about the album is that it's most decidedly not a sell-out, or even a consciously country-pop record. To be sure, there are pop melodies here, but this isn't a country-pop album in the vein of Shania Twain, a record that's big on style and glitz, designed for a mass audience. Instead, Wide Open Spaces pulls from several different sources -- the Chicks' Americana roots, to be sure, but also bits of the alt-country from kd lang and Lyle Lovett, '70s soft rock (any album that features versions of songs by J.D. Souther and Bonnie Raitt surely fits this bill), even the female neo-folkies emerging on the adult alternative rock stations at the end of the decade. In other words, it hit a sweet spot, appealing to many different audiences because it was eclectic without being elitist, but they also had a true star in Natalie Maines, whose powerful, bluesy voice gave these songs a compelling center. Maines was versatile, too, negotiating the twists and turns of these songs without a hitch, easily moving from the vulnerability of "You Were Mine" to the snarl of "Give It Up or Let Me Go." The same goes for the Chicks and Wide Open Spaces as a whole: they are as convincing on the sprightly opener "I Can Love You Better" or the bright, optimistic title song as they are on the breezy "There's Your Trouble" as they are on the honky tonk shuffle of "Tonight the Heartache's on Me" and the rocking swagger of "Let 'Er Rip." It's a remarkably wide range and it's effortlessly eclectic, with the Chicks bringing it all together with their attitude and understated musicality -- as debuts go (and this does count as a debut), they rarely get better than this.
© Stephen Thomas Erlewine /TiVo
Informationen zu dem Album
- 1 Disc(s) - 12 Track(s)
- Gesamte Laufzeit: 00:43:46
- Künstler: The Chicks
- Komponist: Various Composers
- Label: Monument
- Genre: Blues/Country/Folk Country
(P) 1997, 1998 Columbia Records, a division of Sony Music Entertainment
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