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Text in englischer Sprache verfügbar
Antonio Vivaldi composed opera for Italian theaters for some three decades, often in connection with the Carnival season observed right before Lent. Not only did he write a lot of operas, he composed a great many opera arias and was not above revisiting an aria from a past effort and dressing it up anew for a subsequent one. A sobering amount of opera arias extant from Vivaldi's pen exist for which musicologists have no idea -- and will likely never know -- what stage works they were intended for. One of these, the lovely "La Farfalletta Audace" (Bold Little Butterfly) is heard for the first time, along with four other recording premieres, on Archiv's Amor Profano featuring soprano Simone Kermes as supported by the Venice Baroque Orchestra under Andrea Marcon. The theme behind the collection focuses on Vivaldi's settings that deal with affairs of the heart, a subject that as an ordained priest he wasn't expected know much about, but from the gory details of Vivaldi's biography, we are aware that he knew a great deal. The music in these settings demonstrates that very attribute throughout the collection -- the setting of "Ah, Fuggi Rapido" from Orlando Furioso, with its less-than-dignified refrain of "The vile flame within you is a flame of hell, and not of love" is appropriately violent and turbulent in Vivaldi's setting. Therefore, this is a really good starting point for a collection of Vivaldi arias, based on a thematic concept as opposed to one determined by the range of a given singer or an arrangement of historic significance.
Throughout Amor Profano, Simone Kermes acquits herself well -- this is some of the hardest music written for soprano. Just listen to where she has to start at the recap of the opening of "Ah, Fuggi Rapido" mentioned earlier -- way up high. She gets to come back down, go quickly back up again a couple of times, and then roll through a complicated series of trills and roulades that would easily trip up the tongues belonging to the best singers. Marcon and the Venice Baroque Orchestra demonstrate a bit more restraint here than is the usual wont, but the players mainly seem concerned with not upstaging Kermes. They do get a chance to shine in the thrilling Sinfonia to Il Tamerlano (aka Bajazet) included to break up the program.
Archiv's Amor Profano is a very good collection of Vivaldi arias and a nice showcase for Kermes' talents. It may not set one on fire as Fabio Biondi's Virgin set of the whole opera Bajazet does. However, for those devoted to Vivaldi's vocal music, this will make for a proud addition to your shelf and provide much enjoyment, not to mention five "new" Vivaldi arias.
© TiVo
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L'Olimpiade, RV 725 (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
La Fede Tradita E Vendicata, RV 712 - Adapted by Andrea Marcon (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Vivaldi: Orlando Furioso RV 728 - Adapted by Andrea Marcon / Act II (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Grazio Braccioli, Author - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Tito Manlio, RV 738 - Adapted by Andrea Marcon / Act III (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer, StudioPersonnel - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Matteo Noris, Author - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Semiramide, RV 733 - Adapted by Andrea Marcon (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Francesco Silvani, Author - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Il Tigrane, RV 740 - Adapted by Andrea Marcon / Act II (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Francesco Silvani, Author - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Catone In Utica, RV 705 - Adapted by Andrea Marcon / Act I (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Pietro Metastasio, Author - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Il Bajazet (Il Tamerlano), RV 703 / Sinfonia (Antonio Vivaldi)
Antonio Vivaldi, Composer - Chris Hazell, Arranger, Work Arranger - Anonymous, Author - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Antonio Vivaldi, Composer - Chris Hazell, Arranger, Work Arranger - Anonymous, Author - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Antonio Vivaldi, Composer - Chris Hazell, Arranger, Work Arranger - Anonymous, Author - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Griselda - Dramma Per Musica, RV 718 - Adapted by Andrea Marcon (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Tito Manlio, RV 738 - Adapted by Andrea Marcon / Act III (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Matteo Noris, Author - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
La Verità In Cimento, RV 739 - Adapted by Andrea Marcon / Act I (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Tito Manlio, RV 738 - Adapted by Andrea Marcon / Act II (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Matteo Noris, Author - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
La Farfalletta, RV 660 - Adapted by Andrea Marcon (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Il Giustino, RV 717 - Adapted by Andrea Marcon / Act III (Antonio Vivaldi)
Antonio Vivaldi, Composer - Hans Bernhard Bätzing, Producer, Editor, Recording Producer - Simone Kermes, Soprano, MainArtist, AssociatedPerformer - Venice Baroque Orchestra, Orchestra, MainArtist - Andrea Marcon, Conductor, Adapter, MainArtist - Ulrich Vette, Balance Engineer, StudioPersonnel - Jürgen Bulgrin, Recording Engineer, StudioPersonnel - Nicolò Beregan, Author - Marita Prohmann, Producer
℗ 2007 Deutsche Grammophon GmbH, Berlin
Albumbeschreibung
Antonio Vivaldi composed opera for Italian theaters for some three decades, often in connection with the Carnival season observed right before Lent. Not only did he write a lot of operas, he composed a great many opera arias and was not above revisiting an aria from a past effort and dressing it up anew for a subsequent one. A sobering amount of opera arias extant from Vivaldi's pen exist for which musicologists have no idea -- and will likely never know -- what stage works they were intended for. One of these, the lovely "La Farfalletta Audace" (Bold Little Butterfly) is heard for the first time, along with four other recording premieres, on Archiv's Amor Profano featuring soprano Simone Kermes as supported by the Venice Baroque Orchestra under Andrea Marcon. The theme behind the collection focuses on Vivaldi's settings that deal with affairs of the heart, a subject that as an ordained priest he wasn't expected know much about, but from the gory details of Vivaldi's biography, we are aware that he knew a great deal. The music in these settings demonstrates that very attribute throughout the collection -- the setting of "Ah, Fuggi Rapido" from Orlando Furioso, with its less-than-dignified refrain of "The vile flame within you is a flame of hell, and not of love" is appropriately violent and turbulent in Vivaldi's setting. Therefore, this is a really good starting point for a collection of Vivaldi arias, based on a thematic concept as opposed to one determined by the range of a given singer or an arrangement of historic significance.
Throughout Amor Profano, Simone Kermes acquits herself well -- this is some of the hardest music written for soprano. Just listen to where she has to start at the recap of the opening of "Ah, Fuggi Rapido" mentioned earlier -- way up high. She gets to come back down, go quickly back up again a couple of times, and then roll through a complicated series of trills and roulades that would easily trip up the tongues belonging to the best singers. Marcon and the Venice Baroque Orchestra demonstrate a bit more restraint here than is the usual wont, but the players mainly seem concerned with not upstaging Kermes. They do get a chance to shine in the thrilling Sinfonia to Il Tamerlano (aka Bajazet) included to break up the program.
Archiv's Amor Profano is a very good collection of Vivaldi arias and a nice showcase for Kermes' talents. It may not set one on fire as Fabio Biondi's Virgin set of the whole opera Bajazet does. However, for those devoted to Vivaldi's vocal music, this will make for a proud addition to your shelf and provide much enjoyment, not to mention five "new" Vivaldi arias.
© TiVo
Informationen zu dem Album
- 1 Disc(s) - 16 Track(s)
- Gesamte Laufzeit: 01:11:21
- Künstler: Simone Kermes Venice Baroque Orchestra Andrea Marcon
- Komponist: Antonio Vivaldi
- Label: Archiv Produktion
- Genre: Klassik
© 2007 Deutsche Grammophon GmbH, Berlin This Compilation ℗ 2007 Deutsche Grammophon GmbH, Berlin
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