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The Choir of St John's College, Cambridge|Vaughan Williams: Mass in G Minor

Vaughan Williams: Mass in G Minor

The Choir of St John's College, Cambridge, Joseph Wicks & Andrew Nethsingha

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The sacred music of Ralph Vaughan Williams is made problematic by the fact that he was, in the words of philosopher Bertrand Russell, a "confirmed atheist." However, to use the elegant phrase of annotator Ceri Owens, he "embraced the church as a place where a broad populace might regularly encounter a shared cultural heritage." That embrace took two forms, ably explored here by conductor Andrew Nethsingha (whose renown has advanced to a point where his surname can be used by itself on the cover as a selling point). The first, exemplified by the Mass in G minor of 1921, involved an essentially personal response to Christianity, stimulated partly by Vaughan Williams' experiences on the battlefields of World War I, and partly by a mystical streak in his personality that manifested itself as well in nonreligious works. This Mass was shaped by the growing awareness of English Renaissance polyphony, but it fuses that in a unique way with the Impressionist-inspired harmonies of Vaughan Williams' early career. It's a dry but curiously affecting work, rendered here with the proper distance by Nethsingha and the Choir of St. John's College, Cambridge. The other aspect of Vaughan Williams' sacred music was more public and official, represented here by the Te Deum in G major written in 1928 and including the anthem O Taste and See of 1953, written for the coronation of Queen Elizabeth II. Some of these pieces involve an organ (and there is a rarely heard prelude as well from organist Joseph Wicks), and Nethsingha does well to coax a bigger sound with a bit of vibrato and choral muscle, out of his buttoned-down Cambridge chorister. In all, a fine collection of pieces from an important and somewhat neglected part of Vaughan Williams' output.

© TiVo

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Vaughan Williams: Mass in G Minor

The Choir of St John's College, Cambridge

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1
Mass in G Minor: Kyrie
The Choir of St John's College, Cambridge
00:04:38

Ralph Vaughan Williams, Composer - Michael Bell, MainArtist - Andrew Nethsingha, Conductor - Peter Lidbetter, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist - George Balfour, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

2
Mass in G Minor: Gloria in excelsis
The Choir of St John's College, Cambridge
00:04:17

Ralph Vaughan Williams, Composer - Daniel Brown, MainArtist - Michael Bell, MainArtist - James Adams, MainArtist - Andrew Nethsingha, Conductor - William Ashford, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

3
Mass in G Minor: Credo
The Choir of St John's College, Cambridge
00:06:52

Ralph Vaughan Williams, Composer - Michael Bell, MainArtist - Andrew Nethsingha, Conductor - William Ashford, MainArtist - Hugh Cutting, MainArtist - Peter Lidbetter, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist - Gopal Kambo, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

4
Mass in G Minor: Sanctus – Osanna I – Benedictus – Osanna II
The Choir of St John's College, Cambridge
00:05:20

Ralph Vaughan Williams, Composer - Oliver Morris, MainArtist - Andrew Nethsingha, Conductor - Hugh Cutting, MainArtist - Matthew Brown, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist - James Beddoe, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

5
Mass in G Minor: Agnus Dei
The Choir of St John's College, Cambridge
00:04:40

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - William Ashford, MainArtist - Jack Hawkins, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist - George Balfour, MainArtist - Gopal Kambo, MainArtist - Alfred Harrison, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

6
Te Deum in G Major
Joseph Wicks
00:07:43

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - Joseph Wicks, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

7
O vos omnes
Hugh Cutting
00:05:59

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - Hugh Cutting, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

8
5 Mystical Songs: V. Antiphon
Joseph Wicks
00:03:15

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - Joseph Wicks, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

9
3 Preludes on Welsh Hill Tunes: II. Rhosymedre
Andrew Nethsingha
00:04:39

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - Joseph Wicks, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

10
O Taste and See
Alfred Harrison
00:01:45

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - The Choir of St John's College, Cambridge, Ensemble, MainArtist - Alfred Harrison, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

11
Prayer to the Father of Heaven
The Choir of St John's College, Cambridge
00:05:38

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - The Choir of St John's College, Cambridge, Ensemble, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

12
O, Clap Your Hands
Joseph Wicks
00:03:19

Ralph Vaughan Williams, Composer - Andrew Nethsingha, Conductor - Joseph Wicks, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

13
Lord, Thou Hast Been our Refuge
Joseph Wicks
00:09:17

Ralph Vaughan Williams, Composer - Daniel Brown, MainArtist - James Adams, MainArtist - Andrew Nethsingha, Conductor - Joseph Wicks, MainArtist - The Choir of St John's College, Cambridge, Ensemble, MainArtist - Gopal Kambo, MainArtist

(C) 2018 Signum Records (P) 2018 Signum Records

Albumbeschreibung

The sacred music of Ralph Vaughan Williams is made problematic by the fact that he was, in the words of philosopher Bertrand Russell, a "confirmed atheist." However, to use the elegant phrase of annotator Ceri Owens, he "embraced the church as a place where a broad populace might regularly encounter a shared cultural heritage." That embrace took two forms, ably explored here by conductor Andrew Nethsingha (whose renown has advanced to a point where his surname can be used by itself on the cover as a selling point). The first, exemplified by the Mass in G minor of 1921, involved an essentially personal response to Christianity, stimulated partly by Vaughan Williams' experiences on the battlefields of World War I, and partly by a mystical streak in his personality that manifested itself as well in nonreligious works. This Mass was shaped by the growing awareness of English Renaissance polyphony, but it fuses that in a unique way with the Impressionist-inspired harmonies of Vaughan Williams' early career. It's a dry but curiously affecting work, rendered here with the proper distance by Nethsingha and the Choir of St. John's College, Cambridge. The other aspect of Vaughan Williams' sacred music was more public and official, represented here by the Te Deum in G major written in 1928 and including the anthem O Taste and See of 1953, written for the coronation of Queen Elizabeth II. Some of these pieces involve an organ (and there is a rarely heard prelude as well from organist Joseph Wicks), and Nethsingha does well to coax a bigger sound with a bit of vibrato and choral muscle, out of his buttoned-down Cambridge chorister. In all, a fine collection of pieces from an important and somewhat neglected part of Vaughan Williams' output.

© TiVo

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