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Charlotte Church|Tissues and Issues

Tissues and Issues

Charlotte Church

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Text in englischer Sprache verfügbar

Whatever happened to the little girl with the voice of an angel? Well, Charlotte Church, like everyone else, grew up and decided to move from her comfort zone of angelic soprano albums in the supposed classical area (although her product had always been aimed at the pop charts), leaving behind Voice of an Angel, Charlotte Church, and Dream a Dream and entering a crowded female pop field already inhabited by the likes of Kelly Clarkson and Girls Aloud. The first two tracks, the disco-funk-oriented "Call My Name" and "Crazy Chick," both became Top Ten singles, with the Boy George-composed ballad "Even God Can't Change the Past" and "Moodswings" not far behind. She even tried her hand at songwriting, albeit with proven successful writers as collaborators: Guy Chambers, who had worked extensively with Robbie Williams, on the pumping disco track "Let's Be Alone," the Spanish-style ethereal ballad "Casualty of Love" (on which she got an opportunity to show that her soprano voice is still intact), and the final track, "Confessional Song"; Rob Davis on the aptly titled "Easy to Forget" (which unfortunately is not a patch on another of his songs); Kylie Minogue's "Can't Get You Out of My Head"; and Gary Barlow on the midtempo "Easy Way Out." She sang "Don't you judge me as I leave it all behind, I was the victim" on the track "Fool No More," and one wonders if that was Church's attempt to explain the complete change of musical direction. As a little girl, she had no choice about the type of material she recorded, but here she grabbed the adult mantle with both hands, and smooth pop-soul would be the future for a singer who was not such a little girl any more.

© Sharon Mawer /TiVo

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Tissues and Issues

Charlotte Church

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1
Call My Name
00:02:58

Yvonne John-Lewis, Background Vocal - Francis "Eg" White, Producer - Francis "Eg" White, Composer - Francis "Eg" White, Guitar - Francis "Eg" White, Lyricist - Francis "Eg" White, Percussion - Francis "Eg" White, Drums - Francis "Eg" White, Keyboards - Francis "Eg" White, Bass - Steve Fitzmaurice, Mixing Engineer - Wayne Hector, Background Vocal - Wayne Hector, Composer - Wayne Hector, Lyricist - Pete Davis, Drums - Pete Davis, Keyboards - Marion Powell, Background Vocal - Steve Sedgwick, 2nd Engineer - Charlotte Church, Composer - Charlotte Church, Lyricist - Charlotte Church, Performer - Fitzgerald Scott, Producer

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

2
Crazy Chick
00:03:07

Martin Gjerstad, Keyboards - Sven Andersson, Saxophone - Jens Lindgard, Guitar - Jens Lindgard, Trombone - Steve Fitzmaurice, Mixing Engineer - Wirlie Morris, Composer - Wirlie Morris, Lyricist - Rasmus Kihlberg, Drums - Petter Lindgard, Trumpet - David Carlsson, Engineer - Charlotte Church, Performer - Tore Johansson, Producer - Tore Johansson, Bass - Mark Reilly, 2nd Engineer - Sarah Buras, Composer - Sarah Buras, Lyricist - Fitzgerald Scott, Composer - Fitzgerald Scott, Lyricist

(P) 2005 Sony Music Entertainment UK Limited

3
Moodswings (To Come At Me Like That)
00:03:10

Kalenna Harper, Composer - Kalenna Harper, Lyricist - Martin Gjerstad, Keyboards - Martin Gjerstad, Arranger - Jens Lindgard, Guitar - Steve Fitzmaurice, Mixing Engineer - Rasmus Kihlberg, Drums - Gary Smith, Composer - Gary Smith, Lyricist - David Carlsson, Engineer - Malik Mason Williams, Composer - Malik Mason Williams, Lyricist - Charlotte Church, Performer - Tore Johansson, Producer - Tore Johansson, Guitar - Tore Johansson, Bass - Mark Reilly, 2nd Engineer - Gary "Gizzo" Smith, Arranger - Maureen Collin, Composer - Maureen Collin, Lyricist - Fitzgerald Scott, Composer - Fitzgerald Scott, Lyricist

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

4
Show A Little Faith
00:04:38

Charles Hutchinson, Composer - Charles Hutchinson, Lyricist - Warren Zielinski, Violin - Dave Woodcock, Violin - Chris Tombling, Violin - Corinne Bailey Rae, Background Vocal - Charlotte Church, Performer - Mary Scully, Bass - Perry Montague Mason, Violin - Emlyn Singleton, Violin - Rita Manning, Violin - Mark Berrow, Violin - Peter Lale, Viola - Devin Workman, 2nd Engineer - John Beck, Composer - John Beck, Lyricist - Peter Hanson, Violin - Julian Leaper, Violin - Kathy Shave, Violin - Mark Reilly, 2nd Engineer - Steve Chrisanthou, Composer - Steve Chrisanthou, Producer - Steve Chrisanthou, Guitar - Steve Chrisanthou, Lyricist - Steve Chrisanthou, Programmer - Gavyn Wright, Violin - Garfield Jackson, Viola - Steve Fitzmaurice, Mixing Engineer

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

5
Finding My Own Way
00:04:05

Cliff Masterson, Composer - Cliff Masterson, Lyricist - David Campbell, Arranger - Steve Fitzmaurice, Mixing Engineer - Rory Faciane, Drums - Dave Fortman, Guitar - Stephen Sedgewick, 2nd Engineer - Marcella Detroit, Composer - Marcella Detroit, Lyricist - Charlotte Church, Composer - Charlotte Church, Performer - Charlotte Church, Lyricist - Cornell C Williams, Bass - David Fortman, Producer - David Hodges, Piano

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

6
Let's Be Alone
00:03:45

Guy Chambers, Producer - Guy Chambers, Guitar - Guy Chambers, Composer - Guy Chambers, Acoustic Bass - Guy Chambers, Keyboards - Guy Chambers, Lyricist - Guy Chambers, Piano - Steve Fitzmaurice, Mixing Engineer - Mark Reilly, 2nd Engineer - Richard Flack, Producer - Richard Flack, Recording Engineer - Richard Flack, Drum Programmer - Charlotte Church, Vocal - Charlotte Church, Composer - Charlotte Church, Lyricist - Charlotte Church, Performer

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

7
Easy to Forget
00:04:23

Gary Miller, Mixing Engineer - Colin Peter, Recording Engineer - Pino Paladino, Fretless Bass - Charlotte Church, Composer - Charlotte Church, Lyricist - Charlotte Church, Performer - Rob Davis, Producer - Rob Davis, Guitar - Rob Davis, Composer - Rob Davis, Keyboards - Rob Davis, Mixing Engineer - Rob Davis, Lyricist - Rob Davis, Programmer - Martin Ditcham, Percussion - Marcella Detroit, Composer - Marcella Detroit, Lyricist

(P) 2005 Sony Music Entertainment UK Limited

8
Fool No More
00:03:51

Warren Zielinski, Violin - Mark Reid, Composer - Mark Reid, Lyricist - Dave Woodcock, Violin - Chris Tombling, Violin - Charlotte Church, Performer - Mark Read, Keyboards - Mark Read, Piano - Mary Scully, Bass - Matt Furmidge, Guitar - Perry Montague Mason, Violin - Emlyn Singleton, Violin - Rita Manning, Violin - Mark Berrow, Violin - Peter Lale, Viola - Tracy Ackerman, Background Vocal - Ren Swan, Mixing Engineer - Devin Workman, 2nd Engineer - Peter Hanson, Violin - Boguslaw Kostecki, Violin - Julian Leaper, Violin - Kathy Shave, Violin - Gavyn Wright, Violin - Garfield Jackson, Viola - Charotte Church, Composer - Charotte Church, Lyricist - Graham Stack, Producer - Graham Stack, Composer - Graham Stack, Guitar - Graham Stack, Drums - Graham Stack, Programmer - Graham Stack, Keyboards - Graham Stack, Lyricist

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

9
Easy Way Out
00:04:34

Boguslave Kostecki, Violin - Dai Emanuel, Violin - Dave McCracken, Drums - Dave McCracken, Keyboards - Dave McCracken, Bass - Gary Barlow, Composer - Gary Barlow, Lyricist - Shawn Lee, Guitar - Shawn Lee, Bass - Jim Mcleod, Violin - Rachel S Bolt, Viola - Donald McVay, Viola - Jonathan Rees, Violin - The True North Music Company, Producer - Martin Loveday, Acoustic Cello - Eliot Kennedy, Composer - Eliot Kennedy, Lyricist - Chris Tombling, Violin - Charlotte Church, Composer - Charlotte Church, Lyricist - Charlotte Church, Performer - Everton Nelson, Violin - Chris Llad, Violin - Mary Scully, Bass - Perry Montague Mason, Violin - Emlyn Singleton, Violin - Mark Berrow, Violin - Peter Lale, Viola - Patrick Lannigan, Bass - Robert Firman, Violin - Robert Smissen, Viola - Helen Hathorn, Violin - David Woodcock, Violin - Mark Reilly, 2nd Engineer - Liz Edwards, Violin - Catherine Musker, Viola - Gavyn Wright, Violin - Katie Wilkinson, Viola - Frank Schaefer, Acoustic Cello - Steve Fitzmaurice, Producer - Steve Fitzmaurice, Mixing Engineer - Jonathan Williams, Acoustic Cello - Simon Hale, Piano

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

10
Casualty of Love
00:03:54

Adrian Smith, Viola - Steve Fitzmaurice, Mixing Engineer - Stephen Sedgewick, 2nd Engineer - Martin Ditcham, Percussion - Paul Stanborough, 2nd Engineer - Richard Flack, Producer - Richard Flack, Engineer - Richard Flack, Programmer - Richard Flack, Drum Programmer - Guy Chambers, Producer - Guy Chambers, Composer - Guy Chambers, Lyricist - Guy Chambers, Acoustic Bass - Richard Pryce, Bass - Frances Dewar, Violin - Will Malone, Conductor - Will Malone, Arranger - Chris Fish, Acoustic Cello - Shawn Lee, Guitar - Charlotte Church, Composer - Charlotte Church, Vocal - Charlotte Church, Background Vocal - Charlotte Church, Lyricist - Charlotte Church, Performer - Lucy Wilkins, Violin - Shaun Lee, Bass

(P) 2005 Sony Music Entertainment UK Limited

11
Even God
00:04:08

David Campbell, Arranger - Rick Nowels, Composer - Rick Nowels, Lyricist - Steve Fitzmaurice, Mixing Engineer - Stephen Sedgewick, 2nd Engineer - John Themis, Composer - John Themis, Lyricist - Charlotte Church, Performer - David Fortman, Producer - David Fortman, Guitar - David Hodges, Piano - George O'Dowd, Composer - George O'Dowd, Lyricist

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

12
Confessional Song
00:05:07

Boguslave Kostecki, Violin - Warren Zielinski, Violin - Rachel Bolt, Viola - Dave Woodcock, Violin - Martin Loveday, Acoustic Cello - Chris Tombling, Violin - Damon Iddins, 2nd Engineer - Charlotte Church, Composer - Charlotte Church, Vocal - Charlotte Church, Background Vocal - Charlotte Church, Lyricist - Charlotte Church, Performer - Everton Nelson, Violin - Jackie Shave, Violin - Mary Scully, Bass - Perry Montague Mason, Violin - Rita Manning, Violin - Mark Berrow, Violin - Simon Fischer, Violin - Peter Lale, Viola - Ben Chappell, Acoustic Cello - Dave Daniels, Acoustic Cello - Bruce White, Viola - Brian McLeod, Drums - Will Malone, Arranger - Chris Laurence, Bass - Peter Hanson, Violin - Julian Leaper, Violin - Guy Chambers, Producer - Guy Chambers, Composer - Guy Chambers, Acoustic Baritone Guitar - Guy Chambers, Electric Guitar - Guy Chambers, Lyricist - Guy Chambers, Acoustic Bass - Guy Chambers, Piano - Guy Chambers, Organ - Richard Flack, Producer - Richard Flack, Recording Engineer - Richard Flack, Drum Programmer - Gavyn Wright, Violin - Frank Schaefer, Acoustic Cello - Garfield Jackson, Viola - Steve Fitzmaurice, Mixing Engineer - Simon Hale, Arranger - Patrick Kiernan, Violin

(P) 2005 SONY BMG MUSIC ENTERTAINMENT (UK) LIMITED

Albumbeschreibung

Whatever happened to the little girl with the voice of an angel? Well, Charlotte Church, like everyone else, grew up and decided to move from her comfort zone of angelic soprano albums in the supposed classical area (although her product had always been aimed at the pop charts), leaving behind Voice of an Angel, Charlotte Church, and Dream a Dream and entering a crowded female pop field already inhabited by the likes of Kelly Clarkson and Girls Aloud. The first two tracks, the disco-funk-oriented "Call My Name" and "Crazy Chick," both became Top Ten singles, with the Boy George-composed ballad "Even God Can't Change the Past" and "Moodswings" not far behind. She even tried her hand at songwriting, albeit with proven successful writers as collaborators: Guy Chambers, who had worked extensively with Robbie Williams, on the pumping disco track "Let's Be Alone," the Spanish-style ethereal ballad "Casualty of Love" (on which she got an opportunity to show that her soprano voice is still intact), and the final track, "Confessional Song"; Rob Davis on the aptly titled "Easy to Forget" (which unfortunately is not a patch on another of his songs); Kylie Minogue's "Can't Get You Out of My Head"; and Gary Barlow on the midtempo "Easy Way Out." She sang "Don't you judge me as I leave it all behind, I was the victim" on the track "Fool No More," and one wonders if that was Church's attempt to explain the complete change of musical direction. As a little girl, she had no choice about the type of material she recorded, but here she grabbed the adult mantle with both hands, and smooth pop-soul would be the future for a singer who was not such a little girl any more.

© Sharon Mawer /TiVo

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