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Andy Narell|The Long Time Band

The Long Time Band

Andy Narell

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"Multicultural" is a word that musicians tossed around a lot in the 1990s, but claiming to have a multicultural outlook and actually showing that you have one are two different things. With The Long Time Band, Andy Narell provides an example of honest-to-God multiculturalism. Think about it: you've got a Jewish-American musician who is using an Afro-Caribbean instrument from Trinidad (the steel pan) to play a style of music that came out of the African-American community (jazz). But, as The Long Time Band demonstrates, jazz is hardly the only form of music that interests Narell. Though this is essentially a jazz CD, it's a jazz CD that contains elements of other African-American forms (funk, R&B, and blues) and also draws on everything from Afro-Cuban salsa and Afro-Caribbean calypso to African pop. Narell doesn't play "in the tradition" on this album. Rather, The Long Time Band is an example of a jazzman being fascinated with a variety of cultures and using that fascination to his creative advantage. The Long Time Band is multiculturalism in the finest sense of the word.

© Alex Henderson /TiVo

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The Long Time Band

Andy Narell

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1
Bacchanal
00:08:26

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Composer - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass

(P) 1995 BMG Music

2
Jenny's Room
00:05:12

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Composer - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass

(P) 1995 BMG Music

3
De Long Time Band
00:05:48

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Jackie Rago, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass - David Rudder, Composer - David Rudder, Lyricist - David Rudder, Vocal - David Rudder, Background Vocal

(P) 1995 BMG Music

4
You the Man
00:09:34

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Composer - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass

(P) 1995 BMG Music

5
Play One For Keith
00:09:03

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Composer - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass

(P) 1995 BMG Music

6
Groove Town
00:07:08

Paul Van Wageningen, Drums - Keith Jones, Bass - Sandy Griffith, Background Vocal - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass - D'Layna Huguez, Background Vocal - Larry Batiste, Background Vocal - David Rudder, Lyricist - David Rudder, Vocal - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Judd Miller, Programmer

(P) 1995 BMG Music

7
Dance Class
00:07:24

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Composer - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass

(P) 1995 BMG Music

8
Canboulay
00:05:49

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Composer - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass

(P) 1995 BMG Music

9
De Long Time Band - conclusion
00:03:33

Louis Conte, Percussion - Louis Conte, Congas - Louis Conte, Bongos - Louis Conte, Drums - Steve Erquiaga, Electric Guitar - Steve Erquiaga, Acoustic Baritone Guitar - Steve Erquiaga, Performer - Paul Van Wageningen, Drums - Judd Miller, Programmer - Keith Jones, Bass - Andy Narell, Producer - Andy Narell, Piano - Andy Narell, Keyboards - Andy Narell, Percussion - Andy Narell, Guitar - Andy Narell, Bass - David Rudder, Composer

(P) 1995 BMG Music

Albumbeschreibung

"Multicultural" is a word that musicians tossed around a lot in the 1990s, but claiming to have a multicultural outlook and actually showing that you have one are two different things. With The Long Time Band, Andy Narell provides an example of honest-to-God multiculturalism. Think about it: you've got a Jewish-American musician who is using an Afro-Caribbean instrument from Trinidad (the steel pan) to play a style of music that came out of the African-American community (jazz). But, as The Long Time Band demonstrates, jazz is hardly the only form of music that interests Narell. Though this is essentially a jazz CD, it's a jazz CD that contains elements of other African-American forms (funk, R&B, and blues) and also draws on everything from Afro-Cuban salsa and Afro-Caribbean calypso to African pop. Narell doesn't play "in the tradition" on this album. Rather, The Long Time Band is an example of a jazzman being fascinated with a variety of cultures and using that fascination to his creative advantage. The Long Time Band is multiculturalism in the finest sense of the word.

© Alex Henderson /TiVo

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