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Davka|The Golem

The Golem

Davka

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This entry in Tzadik's Radical Jewish Culture series consists of the San Francisco-based chamber group Davka performing violinist Daniel Hoffman's score to Paul Wegener and Carl Boese's pioneering 1920 horror film Der Golem, wie er in die Welt kam. In this silent German feature, sixteenth century Rabbi Loew instills the breath of life into a clay statue (The Golem) with the hopes that it will help protect Jews from persecution in the Prague ghetto. As these sorts of things usually go, the Golem eventually runs amok and starts destroying things until an innocent little girl unwittingly decommissions the monster from service. Wegener and Boese's movie is the great-granddaddy of most monster flicks, and Davka does it proud, providing music that both follows the action (as in a modern film score) and sets a dignified mood for the proceedings (as in a typical silent film score). The Davka score is performed by Hoffman on violin, Paul Hanson on bassoon and clarinet, Moses Sedler on cello, and Kevin Mummey on percussion. The original film runs 86 minutes, a bit long for a single CD, so this score has been condensed to 32 cues lasting 49 minutes. Some of these very short cues have been bound together in mini-suites, whereas other, longer pieces stand alone. It is an eminently listenable CD, by turns rich in Hebraic melody, klezmer stylings, and blues and atmospheric touches. You don't need the movie to enjoy The Golem, but in the mind's eye it appears that Davka's music would match the flavor of the film quite well, in addition to being an enjoyable musical experience in its own right, which The Golem certainly is.

© TiVo

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The Golem

Davka

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1
The Man Of Clay
00:00:40

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

2
Consulting The Stars
00:01:04

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

3
Miriam's Theme
00:00:39

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

4
Tsuris
00:00:47

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

5
Reb Yehuda's Theme
00:01:15

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

6
Slach Lanu
00:00:49

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

7
Edict Decreed
00:00:40

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

8
At Court
00:01:20

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

9
Book Of Formation
00:00:57

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

10
Florian's Theme
00:02:46

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

11
Conjured In Mud
00:01:01

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

12
Circling Sevens
00:01:32

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

13
Flirting
00:00:53

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

14
The Golem Rises
00:03:08

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

15
Eshet Chayil
00:01:06

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

16
Astaroth And Lavy's Dream
00:02:13

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

17
The Oy Of Creation
00:01:16

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

18
My Man Clay
00:02:38

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

19
Golem At Court
00:03:33

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

20
Introduction To Destruction
00:03:02

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

21
Franken Hora
00:01:29

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

22
Moc Reprise & Lament
00:01:46

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

23
Ghetto Freilach
00:01:48

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

24
Mi Yimalel
00:01:02

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

25
The Golem Rises Again
00:04:56

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

26
Burning Ghetto
00:01:05

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

27
Impossible Love
00:01:12

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

28
Together Again
00:00:45

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

29
Di Goyim
00:00:53

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

30
Helliger Mackeral Hora
00:00:30

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

31
Freedom Is A Cruel Joke
00:00:58

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

32
Moc Finale
00:00:46

Daniel Hoffman, Composer - Davka, MainArtist

2003 Tzadik 2003 Tzadik

Albumbeschreibung

This entry in Tzadik's Radical Jewish Culture series consists of the San Francisco-based chamber group Davka performing violinist Daniel Hoffman's score to Paul Wegener and Carl Boese's pioneering 1920 horror film Der Golem, wie er in die Welt kam. In this silent German feature, sixteenth century Rabbi Loew instills the breath of life into a clay statue (The Golem) with the hopes that it will help protect Jews from persecution in the Prague ghetto. As these sorts of things usually go, the Golem eventually runs amok and starts destroying things until an innocent little girl unwittingly decommissions the monster from service. Wegener and Boese's movie is the great-granddaddy of most monster flicks, and Davka does it proud, providing music that both follows the action (as in a modern film score) and sets a dignified mood for the proceedings (as in a typical silent film score). The Davka score is performed by Hoffman on violin, Paul Hanson on bassoon and clarinet, Moses Sedler on cello, and Kevin Mummey on percussion. The original film runs 86 minutes, a bit long for a single CD, so this score has been condensed to 32 cues lasting 49 minutes. Some of these very short cues have been bound together in mini-suites, whereas other, longer pieces stand alone. It is an eminently listenable CD, by turns rich in Hebraic melody, klezmer stylings, and blues and atmospheric touches. You don't need the movie to enjoy The Golem, but in the mind's eye it appears that Davka's music would match the flavor of the film quite well, in addition to being an enjoyable musical experience in its own right, which The Golem certainly is.

© TiVo

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