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Stan Getz|The Best Of Two Worlds

The Best Of Two Worlds

Stan Getz featuring João Gilberto

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Text in englischer Sprache verfügbar

This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carlos Jobim (or Tom Jobim), along with the stylish and nonintrusive arrangements of Oscar Carlos Neves. The trio changed the world in the early 1960s with its Getz/Gilberto albums. With Neves, they almost did it again, but with all of the crap falling down around them in the musical climate of the mid-'70s -- fusion, disco, overblown rock, and the serious decline of jazz -- this disc was criminally overlooked at the time. Joining these four men in their realization of modern bossa and samba are drummers Billy Hart and Grady Tate, percussionists Airto, Ray Armando, and Ruben Bassini, bassist Steve Swallow, pianist Albert Dailey, and Heliosoa Buarque de Hollanda singing the English vocals as a fill-in for Astrud Gilberto -- who was not invited to join this session and would have declined if she were. The most beautiful thing about this recording is that Jobim -- whose song forms had reached such a degree of sophistication that he was untouchable -- chose to write all of his lyrics in English (songwriter Gene Lees also wrote many in English). This is something that did not come naturally or effortlessly to Jobim, but sounds as if it did. Jobim's poetry on tracks such as "Waters of March," accompanied by Getz's lushly romantic saxophones and Gilberto's crooning nylon-string guitar, are so sensuous they radiate heat and humidity. Elsewhere, on the Lees/Jobim co-write "Double Rainbow," Gilberto's singing carries the soft bossa into the middle of American jazz phraseology and builds a bridge so airy and flexible it can never be undone. There is also a barn-burning samba in "Falsa Bahiana," which slips and shimmies along the 6/8 line and sweeps itself up in couplets in the solos. In all, this is as fine a bossa album as Getz ever recorded, standing among his finest works, and without a doubt equals his earlier collaborations with Jobim and Gilberto.

© Thom Jurek /TiVo

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The Best Of Two Worlds

Stan Getz

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1
Double Rainbow
00:03:34

Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone, Associated Performer, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - A. C. Jobim, Composer, Lyricist - João Gilberto, Guitar, Percussion - Gene Lees, Composer, Lyricist - Teo Macero, Producer - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Grady Tate, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

2
Aguas de Marco
00:04:42

Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone, Associated Performer, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist, Guitar, Percussion - Stan Getz feat. Joao Gilberto, Associated Performer - A. C. Jobim, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

3
Ligia
00:05:23

Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone, Associated Performer, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - João Gilberto, Guitar, Percussion - A. C. Jobim, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

4
Falsa Baiana
00:05:17

Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone, Associated Performer, Producer, Tenor Saxophone - João Gilberto, Guitar, Percussion - G. Pereira, Composer, Lyricist - Teo Macero, Producer - Heloisa Buarque de Hollanda "Miucha" - João Gilberto, Guitar - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

5
Retrato Em Branco e Preto
00:04:05

Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone, Associated Performer, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - C.Buarque, Composer, Lyricist - João Gilberto, Guitar, Percussion - A. C. Jobim, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

6
Izaura
00:04:38

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - João Gilberto, Guitar, Percussion - H. Martins, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - R. Roberti, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

7
Eu Vim Da Bahia
00:03:53

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - G. Gil, Composer, Lyricist - João Gilberto, Guitar, Percussion - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

8
Joao Marcello
00:03:26

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - João Gilberto, Guitar, Percussion - J. Gilberto, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

9
E Preciso Perdoar
00:05:20

Stan Getz, Associated Performer, Main Artist, Producer, Tenor Saxophone, Associated Performer, Producer, Tenor Saxophone - João Gilberto, Associated Performer, Featured Artist - Stan Getz feat. Joao Gilberto, Associated Performer - Carlos Coqueijo Costa, Composer, Lyricist - João Gilberto, Guitar, Percussion - Alcivandro Luz, Composer, Lyricist - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

10
Just One of Those Things
00:03:06

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - João Gilberto, Guitar, Percussion - C. Porter, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 1976 Columbia Records, a division of Sony Music Entertainment

11
Eu Vim Da Bahia (Alternate Take)
00:05:18

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - G. Gil, Composer, Lyricist - João Gilberto, Guitar, Percussion - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 2005 Columbia Records, a divison of Sony Music Entertainment

12
E Preciso Perdoar (Alternate Take)
00:05:19

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - Carlos Coqueijo Costa, Composer, Lyricist - João Gilberto, Guitar, Percussion - Alcivandro Luz, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 2005 Columbia Records, a divison of Sony Music Entertainment

13
Just One of Those Things (Alternate Take)
00:03:03

Stan Getz, Associated Performer, Main Artist, Producer, Associated Performer, Producer - João Gilberto, Guitar, Percussion - C. Porter, Composer, Lyricist - Heloisa Buarque de Hollanda "Miucha" - Oscar Castro-neves, Guitar - Airto, Percussion - Ruben Bassini, Percussion - Ray Armando, Percussion - Sonny Carr, Percussion - Billy Hart, Drums - Albert Dailey, Piano - Steve Swallow, Bass

(P) 2005 Columbia Records, a divison of Sony Music Entertainment

Albumbeschreibung

This 1976 album by the late saxophonist Stan Getz is a reunion of sorts with Joao Gilberto, the great Brazilian guitarist and singer, and the music of Antonio Carlos Jobim (or Tom Jobim), along with the stylish and nonintrusive arrangements of Oscar Carlos Neves. The trio changed the world in the early 1960s with its Getz/Gilberto albums. With Neves, they almost did it again, but with all of the crap falling down around them in the musical climate of the mid-'70s -- fusion, disco, overblown rock, and the serious decline of jazz -- this disc was criminally overlooked at the time. Joining these four men in their realization of modern bossa and samba are drummers Billy Hart and Grady Tate, percussionists Airto, Ray Armando, and Ruben Bassini, bassist Steve Swallow, pianist Albert Dailey, and Heliosoa Buarque de Hollanda singing the English vocals as a fill-in for Astrud Gilberto -- who was not invited to join this session and would have declined if she were. The most beautiful thing about this recording is that Jobim -- whose song forms had reached such a degree of sophistication that he was untouchable -- chose to write all of his lyrics in English (songwriter Gene Lees also wrote many in English). This is something that did not come naturally or effortlessly to Jobim, but sounds as if it did. Jobim's poetry on tracks such as "Waters of March," accompanied by Getz's lushly romantic saxophones and Gilberto's crooning nylon-string guitar, are so sensuous they radiate heat and humidity. Elsewhere, on the Lees/Jobim co-write "Double Rainbow," Gilberto's singing carries the soft bossa into the middle of American jazz phraseology and builds a bridge so airy and flexible it can never be undone. There is also a barn-burning samba in "Falsa Bahiana," which slips and shimmies along the 6/8 line and sweeps itself up in couplets in the solos. In all, this is as fine a bossa album as Getz ever recorded, standing among his finest works, and without a doubt equals his earlier collaborations with Jobim and Gilberto.

© Thom Jurek /TiVo

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