Musik-Streaming
Hören Sie dieses Album mit unseren Apps in hoher Audio-Qualität
Testen Sie Qobuz kostenlos und hören Sie sich das Album anHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Abonnement abschließenHören Sie dieses Album im Rahmen Ihres Streaming-Abonnements mit den Qobuz-Apps
Download
Kaufen Sie dieses Album und laden Sie es in verschiedenen Formaten herunter, je nach Ihren Bedürfnissen.
The vast majority of The Advocate's tracks were recorded by the late Derek Bailey (guitar) and Tony Oxley (percussion and electronics) in London in 1975. John Zorn's Tzadik label is releasing this collaboration here for the first time. Oxley had recorded his sublime duo project with multi-instrumentalist Alan Davie earlier that year, and Bailey had just issued his London Concert set on Incus. Both men had been part of Barry Guy's London Jazz Composer's Orchestra and had worked together a decade before in the Joseph Holbrooke Trio with Gavin Bryars. There are three improvisations here: two of them, "Sheffield Phantoms" and "Playroom," are longer pieces clocking in at over ten minutes each, while the brief "Medicine Man" is less than three. To be fair, these are of such a piece as collective free improvisation that they were most likely part of a whole, feeling more like one extended work than three individual ones. They involve Bailey meandering around the strings, plucking, scraping, scratching and haltingly slipping around the guitar like an idea regarded as a series of possibilities more than as a single instrument to be forcefully attacked. Oxley uses the entire drum kit, as well as myriad other surfaces, as something with which to explore the essence of percussion's role in separating space more than something to merely "play" rhythmically. The final track is the title piece and was recorded by Oxley at the Barbican as a memorial to Bailey. His use of electronics ad the drum kit are more "rhythmic," but only insofar as they attempt to extend the reach of percussion as an adornment of space and as an extension of time itself. Here, at over nearly six minutes, cymbals are rung and scraped, drums are rolled on and patted, brushed and nearly caressed as Oxley'as electronic blips and samples and glitches underscore, and perhaps point to Bailey's lack of a guitar as a missing element without attempting to make up for that lack. For those who still look to this point in the mid-'70s as a pioneering moment in improvisational music, the document is more than a curiosity piece; it's a piece of found treasure.
© Thom Jurek /TiVo
Sie hören derzeit Ausschnitte der Musik.
Hören Sie mehr als 100 Millionen Titel mit unseren Streaming-Abonnements
Hören Sie diese Playlist und mehr als 100 Millionen Tracks mit unseren Streaming-Abonnements
Ab 12,49€/Monat
Derek Bailey, Composer, MainArtist - Tony Oxley, Composer, MainArtist
2007 Tzadik 2007 Tzadik
Derek Bailey, Composer, MainArtist - Tony Oxley, Composer, MainArtist
2007 Tzadik 2007 Tzadik
Derek Bailey, Composer, MainArtist - Tony Oxley, Composer, MainArtist
2007 Tzadik 2007 Tzadik
Derek Bailey, Composer, MainArtist - Tony Oxley, Composer, MainArtist
2007 Tzadik 2007 Tzadik
Albumbeschreibung
The vast majority of The Advocate's tracks were recorded by the late Derek Bailey (guitar) and Tony Oxley (percussion and electronics) in London in 1975. John Zorn's Tzadik label is releasing this collaboration here for the first time. Oxley had recorded his sublime duo project with multi-instrumentalist Alan Davie earlier that year, and Bailey had just issued his London Concert set on Incus. Both men had been part of Barry Guy's London Jazz Composer's Orchestra and had worked together a decade before in the Joseph Holbrooke Trio with Gavin Bryars. There are three improvisations here: two of them, "Sheffield Phantoms" and "Playroom," are longer pieces clocking in at over ten minutes each, while the brief "Medicine Man" is less than three. To be fair, these are of such a piece as collective free improvisation that they were most likely part of a whole, feeling more like one extended work than three individual ones. They involve Bailey meandering around the strings, plucking, scraping, scratching and haltingly slipping around the guitar like an idea regarded as a series of possibilities more than as a single instrument to be forcefully attacked. Oxley uses the entire drum kit, as well as myriad other surfaces, as something with which to explore the essence of percussion's role in separating space more than something to merely "play" rhythmically. The final track is the title piece and was recorded by Oxley at the Barbican as a memorial to Bailey. His use of electronics ad the drum kit are more "rhythmic," but only insofar as they attempt to extend the reach of percussion as an adornment of space and as an extension of time itself. Here, at over nearly six minutes, cymbals are rung and scraped, drums are rolled on and patted, brushed and nearly caressed as Oxley'as electronic blips and samples and glitches underscore, and perhaps point to Bailey's lack of a guitar as a missing element without attempting to make up for that lack. For those who still look to this point in the mid-'70s as a pioneering moment in improvisational music, the document is more than a curiosity piece; it's a piece of found treasure.
© Thom Jurek /TiVo
Informationen zu dem Album
- 1 Disc(s) - 4 Track(s)
- Gesamte Laufzeit: 00:40:08
- Künstler: Tony Oxley Derek Bailey
- Komponist: Various Composers
- Label: Tzadik
- Genre: Jazz
2007 Tzadik 2007 Tzadik
Verbesserung der AlbuminformationenWarum Musik bei Qobuz kaufen?
-
Streamen oder downloaden Sie Ihre Musik
Kaufen Sie ein Album oder einen einzelnen Track. Oder hören Sie sich mit unseren hochqualitativen Streaming-Abonnements einfach den ganzen Qobuz-Katalog an.
-
Kein DRM
Die heruntergeladenen Daten gehören Ihnen ohne jegliche Nutzungsbeschränkung. Sie können sie sooft herunterladen wie Sie möchten.
-
Wählen Sie das Format, das am Besten zu Ihnen passt
Sie können beim Download Ihrer Einkäufe zwischen verschiedenen Formaten (FLAC, ALAC, WAV, AIFF...) wählen.
-
Hören Sie Ihre Einkäufe mit unseren Apps
Installieren Sie die Qobuz-Apps für Smartphones, Tablets und Computer und hören Sie Ihre Musikeinkäufe immer und überall.