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Dante Quartet|Smetana: String Quartets Nos. 1 "From My Life" & 2; Sibelius: Voces intimae

Smetana: String Quartets Nos. 1 "From My Life" & 2; Sibelius: Voces intimae

Dante Quartet

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Though both Jean Sibelius and Bedrich Smetana are well-known for their contributions to the nationalistic movements in their respective countries, the semi-autobiographical quartets of both composers (two for Smetana, one for Sibelius) instead focus on dark, tragic aspects of their own lives. Smetana's quartets highlight some of the positive events in his life, but are more a representation of the gradual march toward deafness and the decline of his career. Sibelius, who struggled with depression and isolation, writes an equally revealing depiction of his more private inner turmoil. Performing these three emotionally charged works is the equally emotive, demonstrative Dante Quartet. Conceptually, its playing is ideal for showing listeners the very raw emotions present in these scores. It ably shifts from intimacy to forceful extroversion. Execution, however, occasionally falls short as the desire to show stark emotional contrasts often produces uneven sound. Quiet, still, slow sections -- particularly the Largo sostenuto of Smetana's First Quartet -- are the high point of the recording. Here, listeners are drawn in to a beautifully contoured sound quality, even balance, and uniformity of articulation. As intensity builds, sound quality diminishes. In the loudest, most forceful sections of the album, balance becomes muddy and problematic, a good deal of unnecessary production noise can be heard, and some members -- particularly the cello -- generating a decidedly forced sound.

© TiVo

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Smetana: String Quartets Nos. 1 "From My Life" & 2; Sibelius: Voces intimae

Dante Quartet

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1
String Quartet in D Minor, Op. 56 "Voces intimae": I. Andante – Allegro molto moderato
00:06:35

Jean Sibelius, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

2
String Quartet in D Minor, Op. 56 "Voces intimae": II. Vivace
00:02:37

Jean Sibelius, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

3
String Quartet in D Minor, Op. 56 "Voces intimae": III. Adagio di molto
00:10:45

Jean Sibelius, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

4
String Quartet in D Minor, Op. 56 "Voces intimae": IV. Allegretto, ma pesante
00:05:53

Jean Sibelius, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

5
String Quartet in D Minor, Op. 56 "Voces intimae": V. Allegro
00:05:29

Jean Sibelius, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

6
String Quartet No. 1 in E Minor, JB 1:105 "From My Life": I. Allegro vivo appassionato
00:07:39

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

7
String Quartet No. 1 in E Minor, JB 1:105 "From My Life": II. Allegro moderato alla polka
00:05:38

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

8
String Quartet No. 1 in E Minor, JB 1:105 "From My Life": III. Largo sostenuto
00:08:44

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

9
String Quartet No. 1 in E Minor, JB 1:105 "From My Life": IV. Vivace
00:06:15

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

10
String Quartet No. 2 in D Minor, JB 1:124: I. Allegro
00:04:58

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

11
String Quartet No. 2 in D Minor, JB 1:124: II. Allegro moderato – Andante cantabile
00:05:49

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

12
String Quartet No. 2 in D Minor, JB 1:124: III. Allegro non più moderato, ma agitato e con fuoco
00:04:34

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

13
String Quartet No. 2 in D Minor, JB 1:124: IV. Finale. Presto
00:02:52

Bedrich Smetana, Composer - Judith Busbridge, Viola, AssociatedPerformer - Bernard Gregor-Smith, Cello, AssociatedPerformer - Krysia Osostowicz, Violin, AssociatedPerformer - Dante Quartet, String Quartet, MainArtist, AssociatedPerformer - Giles Francis, Violin, AssociatedPerformer

℗ 2011 Hyperion Records Limited

Albumbeschreibung

Though both Jean Sibelius and Bedrich Smetana are well-known for their contributions to the nationalistic movements in their respective countries, the semi-autobiographical quartets of both composers (two for Smetana, one for Sibelius) instead focus on dark, tragic aspects of their own lives. Smetana's quartets highlight some of the positive events in his life, but are more a representation of the gradual march toward deafness and the decline of his career. Sibelius, who struggled with depression and isolation, writes an equally revealing depiction of his more private inner turmoil. Performing these three emotionally charged works is the equally emotive, demonstrative Dante Quartet. Conceptually, its playing is ideal for showing listeners the very raw emotions present in these scores. It ably shifts from intimacy to forceful extroversion. Execution, however, occasionally falls short as the desire to show stark emotional contrasts often produces uneven sound. Quiet, still, slow sections -- particularly the Largo sostenuto of Smetana's First Quartet -- are the high point of the recording. Here, listeners are drawn in to a beautifully contoured sound quality, even balance, and uniformity of articulation. As intensity builds, sound quality diminishes. In the loudest, most forceful sections of the album, balance becomes muddy and problematic, a good deal of unnecessary production noise can be heard, and some members -- particularly the cello -- generating a decidedly forced sound.

© TiVo

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