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Wu Wei|Silk Baroque

Silk Baroque

Wu Wei, Holland Baroque

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This fusion of Baroque chamber orchestra and Chinese instrumentation -- not only the sheng, but also erhu and bawu -- is something other than just blank pastiche. It does not reproduce a historical setting, but it might have. For one thing, Western and Chinese musicians are known to have interacted in the 18th century. One Western player, known as Dede the European, even earned fame at the Turkish sultan's court. The sheng, in fact, was introduced to Russia around 1770 and was likely the parent of the accordion, the harmonica, and the other members of the free reed instrument family. Thus Silk Baroque, which combines the sheng and the Holland Baroque ensemble in various ways, has a nice feeling of how musicians might have felt their way in encountering unfamiliar music. Another point is that Dutch arrangers Judith and Tineke Steenbrink have placed the Chinese sounds in the context of a wider experimentation with exotic sounds in music of the 18th century. Telemann, who was a pioneer in this regard, and "Melante," the murky alter ego of Telemann, are present with a polonois that in Judith Steenbrink's arrangement becomes a Polonois Chinois, and other experimental composers of the day (Rameau and Jean-Féry Rebel) are also prominent. The whole project sprang from a chance meeting between sheng player Wu Wei and the Steenbrinks, and it has a pleasantly organic feeling with of exploring various solutions to the problem of combining Chinese and Western music. Among these solutions are the use of Western pentatonic melodies, the use of the sheng as a kind of concerto soloists, and the use of the Chinese instruments as a sort of sonic wash, which can be quite haunting. There are also solo works for Wu Wei drawing on traditional Chinese music. This may appeal most to listeners specifically interested in the idea of musical fusion, but it has a delightfully offbeat quality that's listenable for anyone.

© TiVo

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Silk Baroque

Wu Wei

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1
What About Some Bells (After G.P. Telemann)
00:07:43

Georg Philipp Telemann, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink, Composer

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

2
Castor et Pollux, RCT 32: Tristes apprêts (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:06:33

Jean-Philippe Rameau, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

3
Polonois chinois (After G.P. Telemann)
00:02:52

WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink, Composer

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

4
Pferderennen (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:01:52

Traditional, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

5
Trio Sonata in D Minor, Op. 1 No. 12, RV 63 "La follia" (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:09:17

Antonio Vivaldi, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

6
Prelude for Prelude (After J.P. Rameau)
00:02:02

Jean-Philippe Rameau, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink, Composer

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

7
Chaos for Wu Wei (After J.F. Rebel)
00:03:19

Jean-Féry Rebel, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

8
Improvisation (For My Father)
00:05:05

WU Wei, Composer, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

9
Ouverture-Suite in G Minor, TWV 55: g1
00:00:59

Georg Philipp Telemann, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

10
Sey tausenmahl willkommen, TWV 13: 9a
00:03:07

Georg Philipp Telemann, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

11
Silk Rondeau (For Maite)
00:03:10

WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink, Composer

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

12
Violin Sonata in G Major, Op. 1 No. 8: III. Gavotte (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:03:53

WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger - Jean-Marie Leclair l'Ainné, Composer

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

13
Dancing Song of the Yao Tribe (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:10:10

Traditional, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

14
Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:05:24

Johann Sebastian Bach, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

15
Abendmusik (Arr. J. Steenbrink & T. Steenbrink for Sheng & Chamber Ensemble)
00:03:03

Traditional, Composer - WU Wei, MainArtist - Carl Schuurbiers, Producer - Holland Baroque, MainArtist - Judith Steenbrink & Tineke Steenbrink, Arranger

2019 Pentatone Music B.V. 2019 Pentatone Music B.V.

Albumbeschreibung

This fusion of Baroque chamber orchestra and Chinese instrumentation -- not only the sheng, but also erhu and bawu -- is something other than just blank pastiche. It does not reproduce a historical setting, but it might have. For one thing, Western and Chinese musicians are known to have interacted in the 18th century. One Western player, known as Dede the European, even earned fame at the Turkish sultan's court. The sheng, in fact, was introduced to Russia around 1770 and was likely the parent of the accordion, the harmonica, and the other members of the free reed instrument family. Thus Silk Baroque, which combines the sheng and the Holland Baroque ensemble in various ways, has a nice feeling of how musicians might have felt their way in encountering unfamiliar music. Another point is that Dutch arrangers Judith and Tineke Steenbrink have placed the Chinese sounds in the context of a wider experimentation with exotic sounds in music of the 18th century. Telemann, who was a pioneer in this regard, and "Melante," the murky alter ego of Telemann, are present with a polonois that in Judith Steenbrink's arrangement becomes a Polonois Chinois, and other experimental composers of the day (Rameau and Jean-Féry Rebel) are also prominent. The whole project sprang from a chance meeting between sheng player Wu Wei and the Steenbrinks, and it has a pleasantly organic feeling with of exploring various solutions to the problem of combining Chinese and Western music. Among these solutions are the use of Western pentatonic melodies, the use of the sheng as a kind of concerto soloists, and the use of the Chinese instruments as a sort of sonic wash, which can be quite haunting. There are also solo works for Wu Wei drawing on traditional Chinese music. This may appeal most to listeners specifically interested in the idea of musical fusion, but it has a delightfully offbeat quality that's listenable for anyone.

© TiVo

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