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Agnieszka Oszanca|Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1

Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1

Agnieszka Oszanca

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Text in englischer Sprache verfügbar

The protagonist of this recording, Salvatore Lanzetti, an Italian cellist and composer, was born in Naples around 1710. He studied cello and composition in his hometown. There is evidence to suggest that between 1730 and 1754, Lanzetti spent a substantial amount of time in London, where, according to Charles Burney, he helped to popularize his instrument and establish its newly acquired solo status amongst the English music lovers. In 1736 in Amsterdam, our 12 Sonate a Violoncello Solo e Basso Continuo were published as his Opus 1, dedicated to Federico di Brunswick (Frederick, Prince of Wales). His fame as one of the first true cello virtuosi and that of a composer prone to the technical innovations of the instrument was recognized by M. Corrette in his Methode, théorique et pratique pour apprendre en peu de tems le violoncelle dans sa perfection (Paris 1741), where he refers precisely to the Sonatas op. 1. The beauty of the Opus 1, the subject of this recording, lays in their incredible versatility, not only in terms of technical complexity, but also character and the mixture of the French and Italian style which was popular at the time. The extensive use of double stops, shifting, explorations of the entire fingerboard, thumb position and employment of complex bowing techniques, that were until this time the reserve of violin technique, testify to Lanzetti’s extraordinary command of his instrument and fearless imagination.
Agnieszka Oszanca studied historical cellos with Viola de Hoog at Utrecht Conservatory. She performs regularly with European orchestras and chamber music ensembles, in the most important concert venues and at Early Music festivals. Agnieszka has recorded for Decca, Sony, Glossa, Alpha, Pan Classics and Globe Records. © Challenge Records

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Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1

Agnieszka Oszanca

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1
Sonata No. 9 in A Minor, Op. 1: I. Adagio
00:03:20

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

2
Sonata No. 9 in A Minor, Op. 1: II. Allegro
00:03:15

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

3
Sonata No. 9 in A Minor, Op. 1: III. Andante
00:04:08

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

4
Sonata No. 1 in G Major, Op. 1: I. Allegro
00:02:32

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

5
Sonata No. 1 in G Major, Op. 1: II. Adagio
00:02:26

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

6
Sonata No. 1 in G Major, Op. 1: III. Rondeau. Allegro
00:03:25

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

7
Sonata No. 6 in B-Flat Major, Op. 1: I. Allegro
00:04:41

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

8
Sonata No. 6 in B-Flat Major, Op. 1: II. Largo
00:03:17

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

9
Sonata No. 6 in B-Flat Major, Op. 1: III. Gavotta: Allegro ma non presto
00:04:21

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

10
Sonata No. 5 in A Minor, Op. 1: I. Adagio Cantabile
00:04:02

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

11
Sonata No. 5 in A Minor, Op. 1: II. Allegro
00:04:47

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

12
Sonata No. 5 in A Minor, Op. 1: III. Menuet Andante
00:03:55

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

13
Sonata No. 2 in A Major, Op. 1: I. Andante Cantabile
00:04:10

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

14
Sonata No. 2 in A Major, Op. 1: II. Allegro
00:01:40

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

15
Sonata No. 2 in A Major, Op. 1: III. Menuet Cantabile
00:04:20

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

16
Sonata No. 11 in F Major, Op. 1: I. Allegro
00:05:52

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

17
Sonata No. 11 in F Major, Op. 1: II. Adagio. Allegro. Adagio
00:03:17

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

18
Sonata No. 11 in F Major, Op. 1: III. Rondeau. Andante
00:05:16

Fabio Bonizzoni, MainArtist - Agnieszka Oszanca, MainArtist - Gabriele Palomba, MainArtist - Salvatore Lanzetti, Composer - Maria Misiarz, MainArtist

(C) 2019 Challenge Classics (P) 2019 Challenge Classics

Albumbeschreibung

The protagonist of this recording, Salvatore Lanzetti, an Italian cellist and composer, was born in Naples around 1710. He studied cello and composition in his hometown. There is evidence to suggest that between 1730 and 1754, Lanzetti spent a substantial amount of time in London, where, according to Charles Burney, he helped to popularize his instrument and establish its newly acquired solo status amongst the English music lovers. In 1736 in Amsterdam, our 12 Sonate a Violoncello Solo e Basso Continuo were published as his Opus 1, dedicated to Federico di Brunswick (Frederick, Prince of Wales). His fame as one of the first true cello virtuosi and that of a composer prone to the technical innovations of the instrument was recognized by M. Corrette in his Methode, théorique et pratique pour apprendre en peu de tems le violoncelle dans sa perfection (Paris 1741), where he refers precisely to the Sonatas op. 1. The beauty of the Opus 1, the subject of this recording, lays in their incredible versatility, not only in terms of technical complexity, but also character and the mixture of the French and Italian style which was popular at the time. The extensive use of double stops, shifting, explorations of the entire fingerboard, thumb position and employment of complex bowing techniques, that were until this time the reserve of violin technique, testify to Lanzetti’s extraordinary command of his instrument and fearless imagination.
Agnieszka Oszanca studied historical cellos with Viola de Hoog at Utrecht Conservatory. She performs regularly with European orchestras and chamber music ensembles, in the most important concert venues and at Early Music festivals. Agnieszka has recorded for Decca, Sony, Glossa, Alpha, Pan Classics and Globe Records. © Challenge Records

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(C) 2019 Challenge Classics (P) 2019 Challenge Classics

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